Show us yer film shots then!

This past Saturday, I went shooting in MacArthur Park / Westlake district. It is one of the highest crime infested areas in L.A. My wife hates me going out there as Cameras are the enemy and few if any are ever seen.
As luck would have it, I had just put down my ME SUPER with a Tokina 28mm lens on a bench while I sat down to rest and some guy that ran like a Gazel came by and snatched it up. It was less than 5 seconds and it was gone just like that.. I had already shot two rolls of Ilford XP-2 and was on my third. Anyway, it is a very difficult place to shoot at but ended up with a few decent pictures. Here are two of the ones I liked. Thanks for looking.


Bored at the family business by Street Vision L.A., on Flickr


Safe in her fortress by Street Vision L.A., on Flickr
 
Okay, yawn, here are some sight-seeing pictures of Fort Casey on Whidbey Is, WA, when we finally had a nice day a couple of weeks ago.

Fort Casey was part of a three-fort defense system built by the U.S. Army to protect the entrance to Puget Sound with construction starting on the fort in 1897. It had 10-inch (254mm) disappearing guns capable of a 10 mile (16km) range. But soon airplanes and ships with greater range made the disappearing guns obsolete. The fort was eventually decommissioned but reactivated during WWII as a training center. Its guns were melted down as part of a scrap drive. In the 1950's it became a state park and similar guns were brought in from the Philippines and installed for display.


Here is a shot of the gun sighting towers.



Zeiss Sonnar CF T* 150mm f4, New Portra 400, Jobo C-41 Press Kit

And here is a view looking out one of the gun sighting towers.



Zeiss Distagon CF T* FLE 50mm f4, New Portra 400, Jobo C-41 Press Kit

 
...
As luck would have it, I had just put down my ME SUPER with a Tokina 28mm lens on a bench while I sat down to rest and some guy that ran like a Gazel came by and snatched it up. It was less than 5 seconds and it was gone just like that..
...

That sucks. Sorry to hear that. Fortunately, you weren't shooting with a SMC Pentax A* 85mm f1.4 ;)
 
****....and some guy that ran like a Gazel came by and snatched it up****

Gulp! I've plenty of P&S cameras from 50p to £1.50, for places like that.
 
Liking this page! Everyone is shooting so much film at the moment!

:thumbs:

edit: 'the previous page'
 
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Shot on Monday night at Arc Studios Preston's monthly Film Club.

First outing for a newly purchased Polaroid Image camera using Impossible Project PZ600 Silver Shade Film.

Such fun trying to protect the picture from any light the moment it gets spat out the front of the camera :)

The model is Lena Martin.


Lena003 by paulhuk, on Flickr


Lena001 by paulhuk, on Flickr


Lena002 by paulhuk, on Flickr


Lena004 by paulhuk, on Flickr
 
I've just got a couple of rolls developed by the stand devving machine that is Woodsy. This is a frame from the roll of Pan F stand developed in Rodinal (1:100 I believe). I really need to get into gear and get more scanning done!

 
Anything for the shot. I had to step on the cat's tail and jump in front of it to capture it's moment of pain. Just kidding. I was just in the right place at the right time.





Pentax ME Super SE, SMC A 50mm f1.2, Yellow Filter, FX-402 Panatomic-X (yes, I still have some)

 
It might interest you to know that Panatomic-X is still around as 70mm aerial film. If you get a 70mm back for your Hasselblad (and cut the film down, it is 2000 feet long!) then you can use it again. Of course if you really want to you could cut it down to 120 size and respool it to use in your other MF cameras as well.
 
It might interest you to know that Panatomic-X is still around as 70mm aerial film. If you get a 70mm back for your Hasselblad (and cut the film down, it is 2000 feet long!) then you can use it again. Of course if you really want to you could cut it down to 120 size and respool it to use in your other MF cameras as well.

I didn't know that. Thanks for that info.
 
I wanted to test this film out but wasn't going to wait for doing a portrait test on someone. So I did something I really don't do very often, the flower shot. I thought this would be a good time to put my helicoid extension tube to use that I've rarely used since I don't have a macro yet for either of my MF cameras. To my surprise, you can't use a leaf shutter lens with it. I had to dig out the fixed extension tubes.

I'd also note something I've found so far. The scan preview was very pastel, NC. But when I scanned to a DNG file, it opens up in Lightroom very VC. And if I saved it as a regular TIFF file from the scanner, I get a NC version. I think with a figital work flow, VC and NC films is moot point with these New Portra films. But I still need to try it outdoors and on people to verify that.




Pentax 6x7, SMC Pentax 165mm LS, Extension Tube #2, New Portra 160, Jobo C-41 Press Kit, f5.6 @ 1/125

 
Nicely done...I find some flower shots difficult esp many coloured petals which diffuse into each other.
I was checking out this 85-210 sun zoom (erm and it's VG) and I think this red Peony would be very difficult...a challenge for the forum, have a go if you see one.

Sun 85-210 f4.5
Sun85-21085-800px.jpg
 
AlanSmithee, you seem to be the new kid on the block around these parts - looking back over the last few pages your film shots are super impressive.
 


Sensia 100 through my Contax G2 with the 45mm f2 I think...



Sensia 100 through my Contax G2 with the 28mm f2.8.

Me and scanning sensia did not go on. I wonder if having them mounted rather than left as strips has anything to do with it! I much prefer the ektar and negative in general at present.
 
AlanSmithee, you seem to be the new kid on the block around these parts - looking back over the last few pages your film shots are super impressive.

Yep, I have been an admirer of his work for the past couple of year at PF...This is why I am important. Someone needs to lower the bar below average so that it brings balance to the film universe here at TP :)
 
Yep, I have been an admirer of his work for the past couple of year at PF...This is why I am important. Someone needs to lower the bar below average so that it brings balance to the film universe here at TP :)

I know it's meant tounge in cheek but don't put yourself down Javier! You've got a great distinctive, casual style to your photography which I can recongise instantly as yours whenever I see one of your images post. I look forward to seeing more from you :thumbs: I also concur that AlanSmithee is knocking out a wide range of wonderful high quality photos on here. All good stuff :)
 
Yep, I have been an admirer of his work for the past couple of year at PF...This is why I am important. Someone needs to lower the bar below average so that it brings balance to the film universe here at TP :)

Hey - I'll have the union on you Javier.... lowering the quality bar in here's my job. ;)
 
I know it's meant tounge in cheek but don't put yourself down Javier! You've got a great distinctive, casual style to your photography which I can recongise instantly as yours whenever I see one of your images post. I look forward to seeing more from you :thumbs: I also concur that AlanSmithee is knocking out a wide range of wonderful high quality photos on here. All good stuff :)

I agree 100%:thumbs:
 
AlanSmithee, you seem to be the new kid on the block around these parts - looking back over the last few pages your film shots are super impressive.

Thanks, really.

Yep, I have been an admirer of his work for the past couple of year at PF...This is why I am important. Someone needs to lower the bar below average so that it brings balance to the film universe here at TP :)

And thank you. You have a style and that's important. I look at all your postings. Some have a subtle touch of irony or contradiction in the scene and some just capture the rawness of the moment. Keep it up.
 
I agree with everybody about everything.... except that I'm about to do the lowering of the bar, if you don't mind. :D

Andy
 
OK as promised.... All taken on a Voigtlander R3A with a Voigtlander Nokton 40mm f1.4 on Kodak Ektar 100 and deved at Club35

Rudyard Lake, Staffordshire.

Rudyard1 by andysnapper1, on Flickr

Same place again but cropped to take out the boring grass.

Rudyard2 by andysnapper1, on Flickr

Cholmondeley Castle, Cheshire

Cholmondeley Castle by andysnapper1, on Flickr

My favourite little model, my neice Alice

Alice3 by andysnapper1, on Flickr

Alice again with her mum and dad

Lucy-Alice-Steve by andysnapper1, on Flickr

And finally by b-in-l and f-in-l

Alan-Gil by andysnapper1, on Flickr

I have to say I'm impressed with the lens and also Kodak Ektar, lovely colours and very fine grain.

Cheers

Andy
 
Andy, these are very nice shots, good colors and very sharp. I took a quick peek at your flicker page and really love "A Traveller's Letter Home".

Gary
 
Thank you Javier, Brian and Gary.

And welcome to TP Gary, nice to have another member from across the pond on board.

Andy
 
Another great slice of urban, downtown life Javier.

Andy
 
Mac Arthur Park? Wasn't there a song with that in the name in the 70's?

Another good bunch Javier.

Love those portraits Andy, work so well with Ektar.
 
Jade.jpg
 
Can't tell you the exact price but it isn't very expensive. As for quality, well.... depends where you go. My Adsa is ok really never had any real problems but others, I believe, are not so good, you'll have to try them and see.

Andy
 
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