Show us yer film shots then!

mothdust said:
ooh, fair enough - I'm in the opposite camp, would rather browse in another tab and keep reading comments here! :D These are all taken wth my Cosina PM-1 - I previously used a Canon 400D and everything came out so in focus and dull that I had to switch to something that seems to have an awful light leak, and expired film ;)
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Really like the warmth of the museum shot. The expired film looks great.
 
Liam,
loving your large format work, need to do some more myself.
Here one from a new toy.
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[/url] window by Marvin d martian100, on Flickr[/IMG]
Mamiya 645 AFDII TMAX100
 
Here are a couple of pics I took in my garage 'studio' to test out my 21mm lens. Got to squeeze 8 people into shot next weekend. Had some problems with drying marks (see other threads!!) but these were the result, anyway. Semi happy and confident I can pull it out of the bag for my clients next weekend.

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ped said:
Here are a couple of pics I took in my garage 'studio' to test out my 21mm lens. Got to squeeze 8 people into shot next weekend. Had some problems with drying marks (see other threads!!) but these were the result, anyway. Semi happy and confident I can pull it out of the bag for my clients next weekend.
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Cool camera!
 
ped said:
Here are a couple of pics I took in my garage 'studio' to test out my 21mm lens. Got to squeeze 8 people into shot next weekend...........
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you'll get squeshed heads with that 21....:D
 




Zeiss Distagon CB T* 60mm f3.5, NDX400 Filter, 100 Acros, PMK Pyro, 120 seconds

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AlanSmithee said:
They just punched through our wind shadow and we're getting passed during a race. One of the few times I use a metered TTL prism on this camera; otherwise, it's a WLF. It comes in handy for these situations.
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Top top shot there. You must have been pretty close to use 165mm (or was it a crop?). I've tried using a Bronica with a 250 and 500mm lens on the back of a boat and it was bloody hard work.
 
That's lovely shot there AlanSmithee :thumbs: and a vey cool camera ped :)
 
Alan Clogwyn said:
That really is stunning, lookis like it's been drawn with charcoal, great effect! :thumbs:
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Thanks. I picked the water area and adjusted its brightness up some compared to the rest of the scene to get the effect.

Kev M said:
Top top shot there. You must have been pretty close to use 165mm (or was it a crop?). I've tried using a Bronica with a 250 and 500mm lens on the back of a boat and it was bloody hard work.
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Yes, they were passing close. It's not cropped much at all. I couldn't imagine trying to handhold a 300mm and larger under those conditions.

Mohain said:
That's lovely shot there AlanSmithee
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Thanks.
 
Mohain said:

Oxbow Lake by Mohain, on Flickr
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This has the potential of being a stunning shot and I mean stunning, If you could get some more detail from the shadow and foreground and work on the blown top right hand S of the river, together with the lower sky, it would turn this into a great,great shot, IMO.

Fantastic.:thumbs:
 
medwaygreen said:
This has the potential of being a stunning shot and I mean stunning, If you could get some more detail from the shadow and foreground and work on the blown top right hand S of the river, together with the lower sky, it would turn this into a great,great shot, IMO.

Fantastic.:thumbs:
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Thanks a lot Medwaygreen. I do indeed have another neg with much more detail in the forground and the reflection in the river, in fact this neg has loads more detail. I've got a print with more foreground and river detail, and even sky detail, but it seemed a bit flat and dull. I decided to go with the high contrast look due to the strong graphic nature of the Oxbow lake. I will take another look at it and have a tweak and if I think I can improve I will post a new image. Thanks for the feedback :thumbs:
 
JCoquillon said:
It is a lovely photo although not technically an oxbow lake though...
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I couldn't bring myself to point that out :lol::lol::lol::lol:

It does have the potential to become one though :thumbs:
 
Well the detail is such that I can see evidence of pools and riffles along the course of the meander. Some evidence of undercutting, too - what I wouldn't give to stand on the slip off slope with a ranging pole and a hydroprop...
 
ped said:
Well the detail is such that I can see evidence of pools and riffles along the course of the meander. Some evidence of undercutting, too - what I wouldn't give to stand on the slip off slope with a ranging pole and a hydroprop...
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If you like I could dig out what was probably my last roll of film for many years detailing our GCSE Geography field trip in which we were doing just that. :D

In the meantime, I've just picked up my first roll of Fuji Pro 160C from the lab, me likey very much, but not as contrasty as I was expecting:

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(Pentax Super A with Cosinon 40mm f2.5)

There's more from the Pentax here
 
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Alan Clogwyn said:
In the meantime, I've just picked up my first roll of Fuji Pro 160C from the lab, me likey very much, but not as contrasty as I was expecting:


(Pentax Super A with Cosinon 40mm f2.5)

There's more from the Pentax here
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That's a real nice animal portrait and so cooperative too.
 
The filter also helped get the slower shutter I wanted for this shot. Pentax 67mm bayonet filters also fit Zeiss B60 lenses without an adapter and you can still get the hassy bayonet lens hood over them which is a good deal for me.




Zeiss Planar CF T* 80mm f2.8, Pentax O2 Orange Filter, 100 Acros, PMK Pyro

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That's another cracker there, cropped about a cm above the cyclist's head you get an even stronger shot IMO.

Here's another from my Cosinon 40mm, this time on XP2 Super. I'm quite liking the speckled bokeh, although the OOF bits look a little messy.

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I'm thinking of getting my 4 year grandaughter to pose with this statue..I dunno her arms around it maybe.....................

Fujinon 100mm f2.8 Asda developed and scanned, old Jessops film
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A few goings on in Whitby at Easter...

Can't get the hang of scanning Astia but the slides are boodiful :)

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