For my part I almost exclusively shoot insects as i find them a fascinating subject. They are organic, and most man made subjects you can only magnify by so much before they become uninteresting. They is always something more to see when you get closer and closer with something biological.
Well if you take all the species of fish, all the species of birds, all the species of mammals... in fact take all the species of all animals and then add to it all the different species of trees flowers and plants, there would still be more different species of insects than all of the others put together. Obviously if you have no interest in bugs, then I cant really help you, but you are missing out on a pretty large and varied section of life on this planet.
I understand and appreciate all of that. I also appreciate other important aspects of our environment. You're mistaking my lack of interest in seeing bugs on twigs as a lack of knowledge or interest in the environment. I'm missing out on nothing.... I'm just bored of bugs on twigs as a photographic subject.
Nah, I prefer Capa's quote but, then again, I am a macro photographer

Besides, I think i've learnt far more by going out shooting with my camera than reading about other people shooting with their cameras and I've definitely had more fun doing it. I haven't tried shooting nudes yet though...
No.. you've learned more about bugs... not photography. I'm not referring to reading about how other people shoot images, and neither was Papageorge. He means reading about anything and everything... about having an opinion, about being learned. You read about bugs though, yes? And reading about bugs has helped you identify and document those bugs. Reading technical photography books have done nothing for your knowledge on your subject matter. However, the photography is just cataloguing bugs. Why not start telling stories about the environment that threatens them, or nurtures them? Why not make the work have a wider appeal? That's what good image making does, whether it's still, or moving. Photography, ALL photography... well, good phtography is documentary in nature.. even fine art photography (and I don't mean what passes for fine art on Flickr). That's why someone engaging, who paints a broader picture of a subject gets a broader appeal. That's why Carl Segan's Cosmos was a sensation in the 70s, and why Brian Cox is as popular as he is today. It reaches out to people with no inherent interest in science, and illuminates their lives and minds with concepts by placing the science in the context of OUR story as human beings, and really contextualises our place in the universe. You could disseminate all that information in a dry, 70s Open University style and the same audience will just switch off in 10 seconds flat... there's no story, or context that involves them. Just dry information.
Bugs on twigs makes people switch off in 10 seconds flat....
unless you have an interest in bugs. So it becomes this incestuous mix of like minded people, all looking at each other's bug on twig shots, but they already know the issues, and already care about the bugs... so it becomes completely redundant... preaching to the choir. GREAT bug photography will transcend those barriers. Just as Attenborough's wildlife films entrance people who aren't really all that interested in wildlife. It's done in such a way that engages the viewer, and that tells the story in a context that places THEM in the narrative - they understand the relationships between the subject and themselves.
I found insect macro photography to be a fantastic, challenging, technical exercise. It's great fun and a motivator to get out the house and get wet and muddy.
I agree completely.. on all counts. That doesn't mean anyone wants to look at your work though. Which may, or may not bother you in the slightest, but at some point, you all broadcast that work to the world in one way or another, so people will comment on it... and those that aren't keenly interested in bugs, will probably just think, "yeah, another bug on a leaf". Show me a series of work on that bug, it's environment, the people who care about it, and try to protect it.. those who place it at risk, and the consequences of doing so, and I'll be hooked I promise you, because that would be great photography. That would be have a purpose beyond cataloguing bugs.
You may love cataloguing bugs though.... and more power to you. I'm just explaining the non-bug person's viewpoint to give you some contrast here. It's not that I'm missing out on anything. You assume because I don't like looking at bugs on twigs that A) I don't care about bugs or appreciate them, and B) I lack knowledge in some way. Quite simply... I just find the images all look the same, and don't engage me in any way.
Over and above that, I mostly agree with Pookeyhead.
Especially about "glamour".
Oh yes.
Nothing glamorous about glamour at all. That's the irony. Most is incredibly tacky at best, and just serves to perpetuate a bunch of messed up sexual stereotypes that women have to put up with day in, day out at worst.