You know what; I can remember pressing the shutter release on the series of shots this came from. I must have taken a hundred or more on the day, all sorts, these, kayaks, one man and his boat types, “gulls” on buoys. The light was coming from all directions; the mist was like a giant diffuser softening to the point thinning the image, little dapples of stronger light creating a halo of double vision around things. The pole in this one for instance, the mist, it never lifted, the exposure for this shot was 1000” x f5.6 x ISO100.
Right from the off I knew what I wanted, the whole scenario screamed,” Minimalist, high key, mono.” The kind of image popular in the late 70s early 80s, you know the kind of thing, a bare lone wind bent tree, in the middle of a snow covered field.
I did take them in colour…… just in case.
Shut up Rhodese and get on with it, you ramble on like an old man remembering. “Oh” I am an old man remembering.
So,
Nick,
This is "Oh" so smooth a lovely separation between the water and the sky. Good job Nick.
Sponner,
A tight crop that works well with the exception of the outer buoy and the pole spoil the symmetry of the boats and their reflection.
I like the way you retained some of the texture in the foreground water.
Graham,
Graham please forgive my bluntness but this is not your finest hour, it’s all over the place. There is heavy banding in the sky, the bottom right is blocky and the line of the horizon has burn marks along it.
Graham what’s gone wrong, your work is usually of a high standard a winning standard.
It might be my screen; maybe someone will advise if this is the case.
Jim,
Jim you have done a fine job on this, I can just see the mountains on the horizon, the ripples on the water and like me, you saw it in black and white, …. Not high key but hay, that’s OK. I would have lost the pole though, it has a halo.
Phil-D,
Phil, a nice enough effort but I think losing the foreground was a mistake as was keeping the pole.
Darren,
A square crop is nice; the development is good I can see the mountains. The noise (Grain) adds to the feel. Again, that pole steals the eye.
Well we all know what comes next the difficult bit,
Right from the start for me bits had to go, the pole being foremost on my list, it unbalanced the composition, the line of the horizon is important for depth, as is the reflections.
The exposure and processing for me is secondary, as if it had been film I would have had a blitz on all but the boats and reflections.
However, going against all I have just said and despite that pole. (I had a shot with a gull on it).
The winner is …… TARAR ….. Jim, with Darren as #2.
Well done Jim, over and out.
My edit.
It has been sometime since I did this, so suffice it to say that it is an over exposure, crop and dodge and burn.

CLIK4BIG.
Rhodese.