Rob, the sheep photos I originally posted were taken in the poor light that was a combination of Duncan’s “dark grey sky” and late afternoon. A quick bit of PP turned the JPEGs into something that most will accept, but you spotted the tinge of cyan. Even more quickly then, I ‘warmed’ them up to close to what my eye sees in these snow scenes - not everyone’s cup of tea, which Duncan pointed out at the time.
At Martyn’s suggestion, this led me to experiment with WB to find out the settings that best reproduced my personal ‘reality’ in these conditions (snow scene in heavy overcast) – hence the four cottage shots straight out of the camera. Any PP would have made such a test pointless: aesthetics weren’t the issue.
In these conditions and with my perception, the original no. 2 (custom WB with fresh snow as the reference) comes closest to my ‘reality’. This is not to say that it couldn’t do with a spot of PP to make it more acceptable even to me – I hope I haven’t invested in Lightroom over Christmas for nothing – but that it might be a good starting point for my taste.
I should have posted the next images instead of the cottage shots (the detail in them confuses), taken a little earlier in the lane where I live, meaning I could nip out quickly and check colours. Again, necessarily straight out of the camera:
Auto 1 by
wylyeangler, on Flickr
Custom 1 by
wylyeangler, on Flickr
Number 1 is auto WB; number 2 is custom and is closer to what I see – the colour of the mud/gravel and salt/snow mix is nearly right, I can see the 'right' green in the trees, and the snow itself doesn’t have the ‘blue whitener’ look so favoured by cleaning products. Actually No. 1 is what I would have ‘expected’ to be right, but observation proves isn’t – more attractive though, I shall concede!
With the generous help of this thread, I am getting clearer in my mind how I should use the X10 with all its ‘bells and whistles’. I want to know how to get its JPEGs out of the camera closest to my ‘reality’, leaving me freedom in PP to adjust images to whatever I want. If for some reason I want to use a different WB, or an SP, or other mode for special effect, I need to know what the camera’s doing. That was the point of this little experiment, and the many others that we all do.
I think that for most of our sort of photos, Dave’s dictum of “if it looks right, it is right” is spot on…but “reality has nowt to do with it”? Try telling that to my sister when I get the colours wrong photographing this sort patchwork quilt, raffled off for charity each year:
P1020942 c by
wylyeangler, on Flickr
Pete