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Just traded in all my Canon kit and joined the Sony club:
A9 Body
85 f1.4
16-35 f2.8
I also have the following on order:
A7RIII
24-70 f2.8
70-200 f2.8
90 f2.8 Macro
View attachment 129034
Just traded in all my Canon kit and joined the Sony club:
A9 Body
85 f1.4
16-35 f2.8
I also have the following on order:
A7RIII
24-70 f2.8
70-200 f2.8
90 f2.8 Macro
View attachment 129034
Wow. Hope it’s all you expect.
Me and my wife, two each. We both shoot on 35 and 85 mainly and share the other lenses as needed.
Could do with a cheap option for a long zoom/large range lens. My initial thought is these.
Tamron AF 70-300mm F/4-5.6 Di LD MACRO 1:2 lens for Sony/Minolta A-Mount at £92.
or
Sigma 70-300mm f4-5.6 Macro DG Lens For Sony Digital SLR Cameras at £154.
Also the Tamron 18-200mm f3.5-6.3 Di II Lens - Sony A Mount, more expensive at £197 not sure if i would miss the long end.
Plus the Sony LAEA3 adapter at £129.
Does the Tamron have a motor or would it require the more expensive LAEA4 adapter.
This might be an option as well.
Sony SEL55210 E Mount APS-C 55-210 mm F4.5-6.3 Telephoto Zoom Lens in APS mode should be similar to a 70-300m. No adapter required.
@chrism_scotland so much for downsizing![]()
SmallRig L-bracket arrived.
Pros
Very very well machined, this will out live the camera, easily.
Cheap, I got it with 50% off pre-order for £25.
Keeps tripod mount centred to camera
Comes with tools.
It is Arca Swiss plate compatible, both horizontal and vertical.
Access to battery door
Cons
It needs tools to use, the Allan Key is held on by magnets but I feel it'll most likely be lost day to day shooting.
It's heavy, it adds a noticeable weigh to the camera.
The pinky "section" seems to stick out front he contour of the body a bit more.
More slippery than the leather case.
How do I compare it to the Lim's Leather case? fantastic L-bracket, it is much better than those £20 L-bracket you find on Amazon solely on the tripod mount alone without mentioning the build quality. It is machined accurately, to the point it allows for the little strap triangle to stick out.
Although right now I prefer Lim's leather case as I am used to it's texture.
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I'm looking for an l-plate/bracket for Sony a7iii so I can use it portrait mode too when doing panos. There don't seem to be many options at the moment and I have just seen your Smallrig.
Do you know if when fitted you can still open the flap and connect an intervalometer?
16-35f4
Anyone using it/ experience of it, any fe d back would be great, what’s the good bad and ugly ....
Should be okay…..depends on the cable?
Hiya. How's it going all? What have I missed?
Hiya. How's it going all? What have I missed?
I'm looking for an l-plate/bracket for Sony a7iii so I can use it portrait mode too when doing panos. There don't seem to be many options at the moment and I have just seen your Smallrig.
Do you know if when fitted you can still open the flap and connect an intervalometer?
As an alternative to the smallrig (whose base was a little too chunky for my taste), the Gabale L plate (see EBay) has a slide adjustable vertical plate that allows clearance for cables when in portrait. I’m very impressed by it - well made, nicely dimensioned and finished and essentially a clone of the RRS bracket at a fraction of the price.
I've got the Gabale and Smallrig, the build and fit of the Gabale I find much nicer. I only got the Smallrig as well as it has a deeper base for grip, I just wish it was styled and built more like the Gabale.
I've got the Gabale and Smallrig, the build and fit of the Gabale I find much nicer. I only got the Smallrig as well as it has a deeper base for grip, I just wish it was styled and built more like the Gabale.
It’s well thought out (well probably RRS did the thinking). I find the depth increase about perfect for my average size hands, though I was content with the dangling pinky too so perhaps I’m not too demanding in these regards. I like that the width of the vertical plate is quite elegant in that its generous width allows access to the port covers and almost perfectly protects that end of the camera from damage. Also and completely irrelevant, I like the cold metallic feeling it adds to the camera
How do you find it with the battery door on the l bracket I am debating between these two at the moment, also how far does the bracket extend out, it’s important to me find a solution that allows me to mount it in portrait mode and use a cable release
Thanks
Battery door just fine. There is a little quick release on the battery door to allow for removal with a battery grip. Slide the little quick release and relocate to the L bracket. Takes 2 seconds. I was stressed about this aspect befire I bought it, but it works perfectly. Vertical bit extends out by up to about an inch from the camera. Personally, I’ll never move it and will just use the ball at 90 degrees if I need the remote and need a vertical orientation. I did try it though and it’s fine but I’d trust my approach to give me greater rigidity on those rare occasions as extending a QR plate out like that gives potential for vibration induced movement and I trust my expensive head and tripod to offer greater rigidity than an L bracket, but I’m a professional engineer so I’m probably overly conscious of things like this.
Thanks, how thick is the extension arm that comes out, that’s the appeal of the small rig as in the eBay photos it looks beefier, so reduces the chance of those vibrations, but then the gable comes in sexy red
+1. I had it for a few years before I traded all in as I wanted to experience Leica once in my life. Firmly back in the A7 fold now I have scratched that itch and next to get on the list once the piggy bank full.I have it and it is probably my most used lens, I like the 35mm for a walkabout focal length and also have the wider end for landscape if needed. In addition it is nice and compact. I pair it with a 55mm or 85mm for a family day out kit
As to the bad, not really found any in a year of ownership
As an alternative to the smallrig (whose base was a little too chunky for my taste), the Gabale L plate (see EBay) has a slide adjustable vertical plate that allows clearance for cables when in portrait. I’m very impressed by it - well made, nicely dimensioned and finished and essentially a clone of the RRS bracket at a fraction of the price.
I've got the Gabale and Smallrig, the build and fit of the Gabale I find much nicer. I only got the Smallrig as well as it has a deeper base for grip, I just wish it was styled and built more like the Gabale.
Well I've given in and joined the gang. A7 iii, 85mm 1.8 and Samyang 35mm 2.8 arrived today, had a quick play and liking it. I had the original A7 but never keen on it, Sony have fixed alot of the issues I had with the original and it seems a much more solid camera. Currently debating which 50 to get, torn between the Sigma 50mm and the Sony 55mm
Ive owned the 55 Zeiss and currently the native 50 Art
The Zeiss has faster AF, lightweight and AF for video is much better
The Art has that beautiful 50 1.4 look and is razor sharp but is huge in comparison. Focus and accuracy is bang on and I love the pop you get from 1.4 lenses
Cant really go wrong with either tbh
Yeah leaning more towards the 55mm more for size, I had the Sigma 35mm art on a D750 and I loved that lens which is why I'm looking at the 50mm. Decisions, decisions.
Yeah leaning more towards the 55mm more for size, I had the Sigma 35mm art on a D750 and I loved that lens which is why I'm looking at the 50mm. Decisions, decisions.
I think it depends on what you are after the lens for. If you are looking for a lens to add as a compact travel option, then you can't go wrong with the 55mm, however if you don't really care about the extra weight and size, then you won't be disappointed by the Sigma. Personally I went with the 55mm due to size and weight, I also have the 35mm Art which although I love it, I find I rarely use it now. I prefer the more compact 15-35mm f4 for a walkabout lens. Thats just what suits my style and use, obviously yours may differ.
In short both are great, another thing to consider is that the 55mm seems to be lens that everyone will probably own at some point, meaning that if you keep your eye out for a second hand lightly used one, you probably won't lose much money if you decide that it isn't for you.
I'd go with 55mm any day. Zeiss rendering is lot better than ART 50. I especially dislike the ART 50's bokeh and not to mention it's huge for very little gain (or in some cases a loss).
Yeah leaning more towards the 55mm more for size, I had the Sigma 35mm art on a D750 and I loved that lens which is why I'm looking at the 50mm. Decisions, decisions.
Thanks a lot guys! Seems like what I'm looking for, I'm not too keen on the depth of the Smallrig.
With the Gabale mounted on camera is there still a threaded hole to attach a Blackrapid strap?
Also, where is the allen key kept? Same as on the RRS or Smallrig?
Finally where did you get yours from? The one son eBay take forever for delivery.
16-35f4
Anyone using it/ experience of it, any fe d back would be great, what’s the good bad and ugly ....
Well I've given in and joined the gang. A7 iii, 85mm 1.8 and Samyang 35mm 2.8 arrived today, had a quick play and liking it. I had the original A7 but never keen on it, Sony have fixed alot of the issues I had with the original and it seems a much more solid camera. Currently debating which 50 to get, torn between the Sigma 50mm and the Sony 55mm