Stunning, American classics are my favourites.





That’s certainly looking like a great quality lens.A7 and Sony 40mm f2.5. A miserable day and spotting on.
Nice house.
View attachment 425372
Roseberry Topping.
View attachment 425373
100% from a flower shot.
View attachment 425374
This isn't my thing at all and it never will be but I've watched a few of these...
This lady uses an A1 and what looks to be Sony 35mm f2.8 and 28mm f2.
View: https://www.youtube.com/watch?v=9yOLOI2Y2LU
Here's the home page if anyone is interested.
![]()
Paulie B
I’m Paulie B, a photographer primarily making my photos in New York City. I make videos about photography, people, and the energy of being out in the world. Here, you’ll find Walkie Talkie episodes where I walk and talk with other photographers, vlogs where I’m just out shooting, exploring, and...www.youtube.com
I found this guy annoying but he gets away with it.
View: https://www.youtube.com/watch?v=HjuP527Xt2Q&t=780s
That’s certainly looking like a great quality lens.
How are you finding it compared to what your used to?
I'm not sure if this is considered cheap, but I'd recommend the Samyang 50mm f1.4 FE II all day long. If you want cheaper the Samyang 45mm f1.8 is a great little lens.I’m not buying yet but am thinking of getting a cheap but good 50mm 1.4 or 1.8 lens. You guys between you seem to have tried most of them so what would you recommend.?
Depends on how cheap and how good you want your optics+AF to be.I’m not buying yet but am thinking of getting a cheap but good 50mm 1.4 or 1.8 lens. You guys between you seem to have tried most of them so what would you recommend.?
I’m not buying yet but am thinking of getting a cheap but good 50mm 1.4 or 1.8 lens. You guys between you seem to have tried most of them so what would you recommend.?
I still can’t decide whether the Samyang FE II renders nicer than the Sony f1.2 GM. There’s so many variables but I do sometimes think the Samyang had more ‘pop’, but is it a case of the grass is greener? I know I always had the green eyed monster seeing the rendering of Trev’s motorbike photos when I had the SamyangThe Samyang 50 f1.4 MkI has possibly the nicest rendering of any native FE mount lens I've used. AF is better than the Sony 50 f1.8 (i.e. it's usable, but not brilliant).
The Samyang 45 f1.8 is tiny, light and decent, but rendeing is only ordinary.
The Sony 50 f1.2 GM is big, heavy, evenly sharp across the frame and outrageously expensive.![]()

I can see where your coming from, having seen the images you’ve posted from some of the manual focus primes compared to the more modern prime lenses there is a definite difference and I think depending on the subject both certainly have their advantages.It's almost been put up for sale. Several times. Last night I had the box out and the lens nearly went in it
There's no doubt that it's a good lens but it's tighter than 35mm which has been my most used focal length for quite some time and that has been troubling me as I'm used to standing at 35mm distance from my subject / scene and raising the camera to my eye and seeing what I expected from a 35mm lens. Back in my DSLR days a 50mm used to be my most used lens but I've got used to 35mm and although the change to 40mm might not sound much it is or at least it is for me.
Other than that. This lens is in the top 3 best lenses I've ever used and that in itself is unsettling me as the sharpness across the frame and the colour and contrast are IMO just so good it's left me wondering if I like this look or if I prefer a lens which leaves more of a recognisable trace in the picture. It does seem to be well made and the aperture ring and the focus ring seem to work well for me and the minimum focus distance is nice and I have enjoyed using this lens as a manual lens. Sadly it doesn't have end stops and markings though. I do wish they'd made a similarly built 35mm f2.x with a similar minimum focus distance.
Today the light was bad and that at least gave me something to do on my pc.
I can see where your coming from, having seen the images you’ve posted from some of the manual focus primes compared to the more modern prime lenses there is a definite difference and I think depending on the subject both certainly have their advantages.
Have you tried recreating the film era type effect in post processing from the modern lenses? I only do basic editing with affinity at the moment so I’m not entirely sure what’s possible with regards to more detailed editing and putting more character into the images.
I can see where your coming from, having seen the images you’ve posted from some of the manual focus primes compared to the more modern prime lenses there is a definite difference and I think depending on the subject both certainly have their advantages.
Have you tried recreating the film era type effect in post processing from the modern lenses? I only do basic editing with affinity at the moment so I’m not entirely sure what’s possible with regards to more detailed editing and putting more character into the images.
That’s an interesting idea, I seen shots taken with those and quite like the effect it provides.You can't really add rendering or 'character' effects in Lightroom for example. Colours, yes. I edit a lot of mine in a more film like style. And even adding grain or similar doesn't always work well I've found. I guess a mist filter might give a softer look though as a start.
That’s an interesting idea, I seen shots taken with those and quite like the effect it provides.
I've tried a mist filter but found the effect to be mostly subtle and I could really see it without looking closely at identical with and without pictures. I think the effect is most visible if there are lights in the frame.
I had to stop myself earlier today as I nearly bought another characterful film era lens. I had to remind myself that I have too many already.
My latest tactic to convince myself I don't "need" something is to call up a dealer to haggle and verbally kick them in the nuts as hard as possible, the only flaw in my plan is if they agree to the priceA good cure thats working for me is to procrastinate just long enough that someone else buys the item........ (then get 'missed' sellers remorse).... worked for me this weekend, saved £599
- or in non man maths - didn't spend £599
![]()
the only flaw in my plan is if they agree to the price
TBH I'm usually too late, "sorry sir we've just sold that to a Mr Bray"Just tell @trevorbray, he will step in and save you from yourself
I have that lens in VM mount adapted to my Nikon Zf. It’s a fabulous optic. Note the scalloped focus ring. You don’t have to use the tab.Oooooh. I want...
It's in Sony mount but is it optimised for Sony?
Actually. Scrap that. It has a focus tab and I just don't get on with them so it's a non starter for me, at any price. Even at Pergear prices I wouldn't want one. Oh well.
£559.73 saved. Free Money. I'll now have to find something to spend it on.
That’s an interesting idea, I seen shots taken with those and quite like the effect it provides.
I have that lens in VM mount adapted to my Nikon Zf. It’s a fabulous optic. Note the scalloped focus ring. You don’t have to use the tab.
I've had lenses with tabs in the past and I just can not see them as anything other than an annoyance and a hinderance and I've never been able to get accurate control and focus with them. I did think about buying one and just not using the tab but I know that it would be in my way at some point and I know it'd trigger me every time I use the lens so sadly that rules that lens out for me.
I've been looking for a decent manual 28mm for quite some time. I have the film era ones which are all f2.8 and of these the Minolta Rokkor and the Nikon AIS are the best but each have issues. The Minolta makes just an oddly shaped combination when mounted on my Novoflex adapter and the Nikon works backwards to everything else I own apart from other Nikon lenses. There is a TTArtisan in Sony mount which is just about impossible to get so there is maybe a real gap in the market for someone to make a decent lens or even a cheap one, without a tab.
I've been looking for a decent manual 28mm for quite some time. I have the film era ones which are all f2.8
See, I didn't mind the tab on the old CV40/1.4 Classic I had beforeEasy one finger operation
And also sort of lets you know where focus is by the tab position. I actually manual focus the X100f in the same way from underneath (index finger sits in the perfect place) just moving left/right - that does spin much easier though.
Nikon have made some 1.4 28s haven’t they? Not very budget friendly I imagine though!