Show us yer film shots then!

Fuji 690
Fuji Pro 400H
Neon exhibition, Bolton Museum

Fuji 690_Fuji Pro 400H_Neon exhibition_Bolton Museum copy.jpg

Fuji 690
Ilford HP5 Plus
Bolton Town Hall
I was talking to a curator at the museum who examined the architectural drawings, every little part of this structure is documented in the tiniest detail, more than meets the eye in this shot, although, looking at the negative scan at full size you can really appreciate the details

Fuji 690_Ilford HP5 Plus_Bolton Town Hall copy.jpg

Fuji 690
Ilford XP2 Super
Powder House, Seahouses, taken at a very low tide to expose the rocks completely

Fuji 690_Ilford XP2 Super_Powder House, Seahouses copy.jpg
 
Last edited:
Fuji 690
Fuji Pro 400H (very out-of-date)
RNLI tractor, Seahouses

Fuji 690Fuji Pro 400H (very out-of_date)_RNLI tractor, Seahouses copy.jpg

Hoemade 6x9 pinhole camera based on Ensign body, approximately 15mm focal length
Fuji Superia 100 (almost the last film of this type I have, grossly out-of-date)
Relaxing with g&t (me on the left) in seaside holiday cottage, Seahouses copy


Hoemade 6x9 pinhole camera based on Ensign body, approximately 15mm focal length_Fuji Superia ...jpg

Voigtlander Bessa 1
Fomapan 200
Berwick

Voigtlander Bessa 1_Fomapan 200_Berwick copy.jpg
 
PeterSpencer said:
Relaxing with g&t (me on the left) in seaside holiday cottage, Seahouses copy
Click to expand...
You look very female Peter ! At first I thought maybe it's reversed but the writing on the film Box is correct !
 
Thanks for the complement, mixing left and right seems to be a bit of a feminine trait but doesn't always cause me a problem. Of, course, it's me on the left.
 
From the first "test roll" of film I shot and developed myself, around November / December 2021...

An industrial storage (or pressurisation?) tank, Washington, Tyne & Wear. Taken with an old Agfa Isola II on Fomapan 200, developed in Fomadon R09 (Rodinal), home digitised and converted / cleaned-up* in Darktable.

* For my first attempt at home developing, I was wearing a favourite "hairy" wool pullover, and managed to get lots of fibres onto the wet negatives when handling and hanging them to dry. I was able to remove most of them later, but in doing so I left a few marks on the negatives that showed up in digitising. Thank heavens for clone & heal in post. I learned a valuable lesson that day: when developing, digitising or doing anything else with film, wear appropriate clothing that won't shed fibres!

full
 
Last edited:
I caught a bit of flare on this one, but I still quite like it.

Olympus OM-10
Zuiko Auto-S 35mm f/2.8
Agfa APX 100 (@400)
Rodinal 1 hour semi-stand development. 1+100 in 500ml of water, with a couple of extra ml of developer added.


The Lion and Snake by fishyfish_arcade, on Flickr
 
The last one from the roll of APX 100 I mucked up in Lincoln (although there are others I've not posted her on my Flickr site). I'll start boring you with some colour stuff I shot on the same day soon. :D

Olympus OM-10
Zuiko Auto-S 35mm f/2.8
Agfa APX 100 (@400)
Rodinal 1 hour semi-stand development. 1+100 in 500ml of water, with a couple of extra ml of developer added.


Modesty by fishyfish_arcade, on Flickr
 
New (to me) Minolta SRT101. Bought an 85/1.7 and the camera was thrown in with it. It's not working very well. Light meter's not working properly. And I've just discovered that the seals have gone too. Some of the shots, from certain angles, have got a light patch in the middle.

These were with Kodak Gold 200 and a Minolta 58/1.4

Dev and scanned by FilmDev. PP in LightRoom.


Path's a bit wet by Kell, on Flickr


Making tracks by Kell, on Flickr


Bourne End by Kell, on Flickr


Bourne End by Kell, on Flickr


Bourne End by Kell, on Flickr
 
Last edited:
Contrasting photos from within a few days, on one roll of HP5 from January...

a) Castle in fog and light snow

2501CPMXBW16 Sunday stile.jpg

b) A few days and 20 frames later, after the thaw, the flood

2501CPMXBW36 Castle flood.jpg

Both taken with my Pentax MX (not sure if this is the 3rd or 4th... I'm taking a bit more care with the wind-on these days, and also trying not to throw them down mountains!) with the SMC Pentax-M 35mm f/2 lens, devved by The Darkroom UK in XTOL and scanned with my ancient Plustek 7500i.
 
Another old shot with the Hasselblad: Malmsbury Market Cross. Through the centre opening is the later wall and gateway to Malmsbury Abbey, This Wikipedia article describes it better than I could...

en.wikipedia.org

Malmesbury Market Cross - Wikipedia

en.wikipedia.org en.wikipedia.org

Hasselblad 80mm 002.jpg
 
This week's Silent Sunday post...

R1-09979-018A_Adj Sunday birch.jpg

Pentax LX, Fuji Superia 400. At a push, I'd guess the SMC Pentax-M 100mm f/4 lens, based on surrounding frames plus my reluctance to change lenses mid-film!
 
Poplar reflections (how we could do with some of that water now!)

2501DPMXBW07 Flooded poplars.jpg

Pentax MX, SMC Pentax-M 35mm f/2, yellow filter, HP5, developed by The Darkroom UK in XTOL, home scanned on a Plustek 7500i with Vuescan Pro.
 
You must log in or register to reply here.
Back
Top