srichards
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2nd one. Proportions are nicer and its better with some of her face visible rather than just the back of her head.
You asked for it Paul...
Osh shoots Ponies... I get this...
Very nice pics, Paul. I particularly like pic4 and 5. The shapes and colours in those 2 pics are just amazing.
One frame of Acros dipped in Xtol 1+1:
Remind me never to give you free film developing again![]()

Not unless your photo constantly crashes. As I remember it, their screen was solid blue most of the time wasn't it?....but wait didn't microsoft produce something similar for win XP.
Not unless your photo constantly crashes. As I remember it, their screen was solid blue most of the time wasn't it?
I've just got the joke 
I've just got the joke
![]()

Was it worth the wait?
Re the picture, I actually think a subject might spoil it, because it's the colours and banding that make it, so you wouldn't want that broken up.
)



Fabulously sharp those Fujinon lenses Erik, weird and wonderful shots mate.
A couple from the Yash 124g on Kodak Ektar
Carriage2 by andysnapper1, on Flickr
Post-Box by andysnapper1, on Flickr
Stream2 by andysnapper1, on Flickr
I'm liking this Yash more and more. Its very light, focusing is easy through the bright finder and the lens is very sharp.
Andy

Both these two, Greenhead Park, Huddersfield - MPP Microflex, Ilford HP5+, Red Filter, Rodinal @ 1hr
This one is aReservoir on Nikon F, 105mm f2.5, Fuji Acros 100 @ 1hr in Rodinal



Lovely set RJ. Have you processed/filtered those at all? They have a really nice soft feel to them.
^^Ditto
I agree with the comments above - lovely look to the pictures. How do you find Pro 400H in comparison to Portra?





^^ If I am honest, I like both of them. The Porta is more subtle though, so if I had to decide I would swing towards the Fuji film as I really like the warmth of it. Thanks for the info on how you achieved it, I think I will give that a go this weekend
My, ahem, disqualified, entry to this months POTY comp
Thanks for the feedback and I agree the Fuji does look warmer.
I go back and forth to which one I prefer, but they both produce great skin tones and have fantastic dynamic range, so they both cover two of the major things that I look for.
The Portra is probably more versatile, however, as the light gets even lower (or even brighter as well), but I find the 400H in 120 easier to load and unload (it seems trivial, but I really like the little tab in the spool and the easy-end seal on Fuji films).
Wow, look how dark those clouds are. What camera did you use for this photo?
Why was it disqualified, if you don't mind my asking?
)I have yet to try out either film! I have seen some good results from the Fuji from other people, so need to pick some up! I have only shot with the Porta 160, and liked it.
I used a Pentax ME Super with 28mm lens, Lee filters and some Velvia.
I made an admission when submitting it to adjusting the contrast to try and negate a problem with scanning (the only way I can describe it is as slightly fogged) for a no PP round.
:bonk:
Yeah, Portra 160 is a good film as well and has a nice colour palette.
That's tough about the no pp for film photos, as the scanning stage is far from a perfect process.