Show us yer film shots then!

Here's another recent scan using the V700. I am really happy with the Epson, scans are so sharp.

7815109294_fabb5a3234.jpg

really nice! might need to upgrade my v500 with shots like that.. great result
 
Chichester cathedral taken from Bishops palace gardens..

Mamiya 645 pro, fuji provia & developed at home with tetenal E-6

 
Steveo, I feel your pain!

I had the same problem with b,stard spool and changing bag, with the whole film off the reel at several times and a major paddy! :'( :eek:

Here is the original scan of what would have been a nice shot across to Arundel castle with two balloons just taking off........

Pentax K1000 and Kodak Tmax 400 in Rodinal 1+50


Heather


 
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.....and with a bit of judicious cloning and a little crop in P/S it is not too bad considering!


Heather


 
More Kodak BW400CN, but with a Mamiya M645 1000S this time,* with a 55mm f/2.8 Sekor 'C' lens.

Sadly it's discontinued in 120 format, but I got my hands on a box of five expired rolls recently and this is the first one I've got to use.


Bedale Street by cybertect, on Flickr


e2a:

* Upgrade on my M645J - Probably should put a mention about that in the 'new toys' thread :)
 
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Here's another recent scan using the V700. I am really happy with the Epson, scans are so sharp.

Delightful shot, I use a V500 and have no problems with it, some decry them but to me they are very good scanners.
 
More Kodak BW400CN, but with a Mamiya M645 1000S this time,* with a 55mm f/2.8 Sekor 'C' lens.

Sadly it's discontinued in 120 format, but I got my hands on a box of five expired rolls recently and this is the first one I've got to use.

* Upgrade on my M645J - Probably should put a mention about that in the 'new toys' thread :)

Well exposed shot in difficult conditions, so many different lights to take into account, well done!
 
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More Kodak BW400CN, but with a Mamiya M645 1000S this time,* with a 55mm f/2.8 Sekor 'C' lens.

Sadly it's discontinued in 120 format, but I got my hands on a box of five expired rolls recently and this is the first one I've got to use.


Bedale Street by cybertect, on Flickr


e2a:

* Upgrade on my M645J - Probably should put a mention about that in the 'new toys' thread :)

London Bridge?

Consistently producing great stuff Rob! Loving what your doing with the BW400CN Kodak film - are you home dev'ing it? How much PP you doing? Lovely and contrasty
 
Here's another recent scan using the V700. I am really happy with the Epson, scans are so sharp.

That is a fantastic flower shot.
 
London Bridge?

Consistently producing great stuff Rob! Loving what your doing with the BW400CN Kodak film - are you home dev'ing it? How much PP you doing? Lovely and contrasty

Thanks. Yes, just round the corner.

I'll admit there's a bit of dodging and burning in PS. It's rather flatter straight out of the scanner (although I tend to scan to a RAW file which leaves out any processing by the scanner software). The kind of thing I would do with a print is how I figure it.
 
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I tend to scan to a RAW file which leaves out any processing by the scanner software).

Interesting. Can this be done with a V500?

Andy
 
Yep. It's a feature of the Pro edition of Vuescan to save to a DNG file.

I open the file in Lightroom (or Adobe Camera RAW) and use all the tools I usually do with native digital RAW images.
 
Here's a little text to explain my tale of woe,
I took my time to set things up to make my ideal show
I waited extra patiently and checked and checked again
It all looked super spiffing and along then came the train
I pushed the cord, the shutter clicked, the picture had been caught
I couldn't wait, the processing, it would be 'great,' I thought
I opened up the process drum I couldn't wait to see
I had not installed the film holder where it ought to be
Light had buggered up my image, oh my, what to do?
I'll learn from this and try again, I'll go and have a brew.



ColletCockup.jpg
 
Here's a little text to explain my tale of woe,
I took my time to set things up to make my ideal show
I waited extra patiently and checked and checked again
It all looked super spiffing and along then came the train
I pushed the cord, the shutter clicked, the picture had been caught
I couldn't wait, the processing, it would be 'great,' I thought
I opened up the process drum I couldn't wait to see
I had not installed the film holder where it ought to be
Light had buggered up my image, oh my, what to do?
I'll learn from this and try again, I'll go and have a brew.

Brilliant! :thumbs:

Shame about the result but as you say you will learn from this...we never stop learning no matter how long we've been shooting!

Nice location and a smashing subject to go shoot...hopefully you will get another chance soon.
 
Nice pome :)

Was that the second shot on HP5?

Nope, this was the shot 45 minutes before the Pannier Tank one I posted yesterday, I thought something was wrong when I took it but I couldn't work out what. It was a brand new film holder and I somehow managed to push it past the actual light sealing spot which then allowed some light to pass. I have managed to do it again as a trial at home and now know what to be careful of.

Still another lesson learnt, the HP5+ will be here in the morning and if the weather isn't too bad I'll go and have another go.

Pleased with the focus though, I got it to go straight down the nearside line :thumbs:
 
I somehow managed to push it past the actual light sealing spot which then allowed some light to pass. I have managed to do it again as a trial at home and now know what to be careful of.

:

You're only human Ed....well at least we believe you are!!!! :thinking:

At least now you're aware of it although i know from personal experience of fouling a shot even when ive known the "faults" of the gear i'm using......inability to remember comes to us all with age!:D
 
Yes, as we get older we become more orgetful of recent things yet reminisce about things from years previous.
 
Nice bunch of images there Andy.

Nice tonal range across all of them.

Is that film the Acros 100 a 100 ISO film? if so that I am suprised at the amout of grain I can see :thinking:
 
Double post but it s Friday

Some more candids from the Steam Fair this time in Kodak Porta 400 using the Pentax 67

1
7809159084_fff1250342.jpg


2
7809161920_79665d042e.jpg


3
7809163484_94134ae5da.jpg
 
Thanks Ed & Nick.

Nick, yes there is a lot of grain but that is because I ran them through Topaz Black and White and I felt a little extra grain worked. The originals are much finer grained and I shall probably do a version without the grain later.

By the way I'm loving those Pentax shots.

Cheers

Andy
 
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Thanks Andy

Arh I see, yes the added grain does work with them.
 
Thanks Ed & Nick.

Nick, yes there is a lot of grain but that is because I ran them through Topaz Black and White and I felt a little extra grain worked. The originals are much finer grained and I shall probably do a version without the grain later.

By the way I'm loving those Pentax shots.

Cheers

Andy

I was going to say that they didn't look like acros shots! Contrast and grain added, makes it look more like kentmere 100! ;)
 
That car has really got me beat. The recessed headlights, the bumper design and the chrome stripe all suggest a MGB with a modded bonnet. Arguing against that, the quarter lights don't look quite right, the wing mirrors seem in the wrong place, and it should have wire wheels not hub caps (I don't think that would be an obvious mod given the different hubs of wire wheels)!

I've tried everything I can think of: MG Midget, Austin Healey Sprite (my first car was a Mk 2... the one without the bug eyes but with no external door handles!), Jensen Healey, Ginetta (I used to have a G15), various Triumphs, Lotus, etc etc.

I think it's a chimaera!

Ah... I see it's been discovered! Definitely a Ford Chimaera, then. :naughty:
 
Thanks Rob, I've had everyone in the office scratching their heads over it.

Andy
 
One and three are superb, Acros 100 is a film I don't seem to have much luck with.
 
Some more from me!
These are from sensia 200 film from the CCimaging offer a while back. Digital processing on them is minimal as my computer isn't working so I'm on a borrowed laptop (but then I'm sure most people here prefer minimal digital processing anyway :))


Weathered by adamhawtin2, on Flickr



Turbine by adamhawtin2, on Flickr



Timber by adamhawtin2, on Flickr

Taken with a Pentax MX and 50mm f/1.7 SMC or Cosina 24mm f/2.8. I've probably got some more to post from this roll, but even basic necessary processing like contrast tweaks are a pain using microsoft picture manager :gag:, so it might be a while :lol:.
 
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Some more from me!
These are from sensia 200 film from the CCimaging offer a while back. Digital processing on them is minimal as my computer isn't working so I'm on a borrowed laptop (but then I'm sure most people here prefer minimal digital processing anyway :))

...

Taken with a Pentax MX and 50mm f/1.7 SMC or Cosina 24mm f/2.8. I've probably got some more to post from this roll, but even basic necessary processing like contrast tweaks are a pain using microsoft picture manager :gag:, so it might be a while :lol:.

Lovely jubbly especially 1 and 3. I really like textured surfaces like that and often take shots but I've never achieved anything as nice as this!
 
#1 has a great feel to it. When I tried Sensia in my OM10 from the CCI offer I liked the look of it, but that's when I found out she had a light leak, so none were postable (is that a word?)

Nice exposures squishy :thumbs:
 
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