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Sorry Tony, not sure what I was doing there.Who's Nige?
Sorry Tony, not sure what I was doing there.Who's Nige?
Cheers Tony2nd one, epic.
Yes, toning was done in Lightroom.Is the sepia tone intentional?
Might just be my monitor of course.
Thanks. I scan at 3200 dpiNice!
What scan resolution do you use with the V850?






I've been finding it okay (still early days), a few extra steps with the extra ground glass and quite a bit more weight to carry, but straight forward to use and all works very nicely.Ooh - that's rather nice. What's the handling like on the back? I have a hankering for a pano back, even though I can only print to 5x4.




Yashica Mat 124G
Kodak Tri-X
Ilfotec DD-X 1+4 8mins @ 20°
Salt's Mill by fishyfish_arcade, on Flickr
I love that partial reflection.

Thanks, Peter. Don't mind criticism at all. Due to the orthochromatic nature of paper, it's very rare to have any clouds visible on paper negatives. On a lensed camera I might try using a grad filter but that's not an option with pinhole.Very nice, tight composition. Great reflections in for the foreground. I would probably have burned the sky in a bit to balance the dark reflections. Hope you don't mind the minor criticism.




Hilly Fields 2025-01-13-0026edit20250128 by Keith Hudson, on Flickr
They are good!A couple from from up in the Lakes with the Vintage Sports Car Club...
1078_LAKELAND_TRIAL_HP5_04 by David M Jones, on Flickr
1078_LAKELAND_TRIAL_HP5_06 by David M Jones, on Flickr
Camera // Hasselblad 500CM
Film // Ilford HP5 plus 400 (+1)
Developer // Kodak HC-110 (B)
Scan // Epson V850

The pictures have an interesting glow and luminosity about them. Since you were using the Fuji, I imagine it isn't a result of the lens design. I wonder how this film would look for portraits?My first roll of Phoenix 200 in 120. I like that it is toned down a bit compared to the 35mm version.
RZ67
Lab developed and home scanned
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Cycle Storage 2025-02-03-0017 by Keith Hudson, on Flickr
