I agree the test is flawed, but I don't totally agree with the rest.
The cropping of the D800 would work as a pretty fair comparison if the 70D was a 13MP camera.... But it's not, so the 70D has a ~9MP advantage in the cropped view. And the images would print at different sizes.
Which is why the 70D appears sharper, and why he, and others think it's sharper

They're effectively comparing the 70D against the D800 in crop mode as the 70D is using 1.6X magnification, and the D800 1.0X magnification. The only thing the test shows, is that the 70D is a better APS-C camera than the D800..... which would be great if the D800 was a APS-C camera
You could use different FL's *and* downsample the larger file to the same file size in order to see how they would compare at the same display size...
You mean like I did in the test in the other thread I linked to? I'm afraid when down sampled to the same size, the full frame camera still appeared sharper.
And f/8 isn't ideal for either camera in that it is limiting the maximum detail resolution the sensor is otherwise capable of (actually more for the 70D). F/4 should have been plenty sharp for a 50mm prime and would/should have been better for both (I wouldn't expect the MTF to fall off at f/4 for 50mm primes, but I don't know the lenses specifically or how they compare to each other; and I'm too lazy to go look it up).
Both those primes deliver maximum MTF at f4, yes. Irrelevant though... both tests used f8, so as a comparative test... still a like for like comparison even if neither lens was using the optimum aperture.
MTF Values below and the Nikon out performs on paper the canon in every department.
Those are MTF figures for the lens ON THE CAMERA

as Hoppy states. Here are some figures for the same lenses using similar cameras (D3X and 5D MkII).
Less than 200 lines res between them, which is not really something that's visible, unless using a lens resolution chart.
What you did was compare the MTF figures of the Nikkor on a full frame camera, and the MTF of the canon lens on a APS-C camera.

Of course the Nikkor would result in higher MTF.. it's on a higher resolution camera!
I've used tape to secure the mirror in the up position for Nikon Live-view use... Otherwise I come out of it and go to M-UP. Stupid Nikons...
I'm not taking any responsibility for the tape thing, just sharing a trick.
Why would you need to tape the mirror up? LOL.. once you've focused manually, just come out of live view and use the optical viewfinder.. especially if it's dark. Also... why are you doing the whole thing... focusing, metering and shooting in Live view? You do realise when in Live view it uses a different (and far less sophisticated) metering system when the mirror is up don't you?? What on earth are you shooting in Live view mode for? LOL The only time I've ever actually pressed the shutter in live view is when I'm holding the camera in a position I can't use the viewfinder in at all. It drastically reduces your metering options, kills batteries and if it's dark, will present a noisy, grainy display. Get in there, check focusing, then get the hell out.
Pookeyhead your final comment is appreciated and your explanation and love the picture and the way you explained how it was taken and would you have the same outcome if you took the picture in Live View mode or do you come out of that mode to stop mirror shake or alike..
Thanks.
I came out of live view to check/frame the shot, because even in dark conditions, nothing beats an optical finder when you have a fast lens on the front. All cameras in dark conditions will present a very dark, and noisy live view.. all of them.. even Canons

. Also... with the mirror up, you've compromised the metering system. I'll quote Nikon here...
"In viewfinder photography, exposure is measured from light falling not on the image sensor but on a dedicated metering sensor, which may produce results that differ from those obtained during live view." For different, read more accurate

Basically... you've gimped your meter if you need smething more sophisticated than simple evaluative metering. Also... working exclusively in live view kills batteries like you wouldn't believe.. more so when it's cold... which is what you
do not want when you're a 2 hour hike from the nearest power point, or shop. Any sensible landscape photographer would use live view to quickly check manual focus, then get the hell out of there.
The above image was using live view just to confirm focus by zooming in all the way and manually focusing on whatever was still visible in the area I wanted to be sharp. If it's too dark, then it's too dark... tough... which applies to ALL cameras with live view. When that happens, you fall back on your skill as a photographer, and focus hyperfocally. I then came out of live view and used mirror lock up to take the shot. If I had stayed in live view, the image wouldn't have been any different in terms of sharpness, but I would have probably killed my battery before I'd finished shooting everything I needed that evening. It would have also been incredibly difficult to exactly frame the shot in live view as it was so dark. Your eyes and a good optical viewfinder still win over live view when it's dark. Live view was just used to confirm focus (which is possible if there's something bright enough in the part of the frame you need sharp focus at.... otherwise live view will be useless.. on all cameras).
Working totally in live view is fine if you're a 12 year old kid with a red D3200 at a Beiber concert

.... but it's not really something someone would be doing if they want to make the most of their equipment in difficult conditions.
Reading this thread, anyone would think people couldn't take sharp images in dark conditions before we had live view
