snerkler
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It's how the pros do it innitInteresting technique ... I usually (well used to) hold it like that throwing side swipe under arm![]()
It's how the pros do it innitInteresting technique ... I usually (well used to) hold it like that throwing side swipe under arm![]()
Exquisite bokeh!
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Notice you really love your 70-200 seems like your most used lens?
Cracking image
Interesting technique ... I usually (well used to) hold it like that throwing side swipe under arm![]()
There's two camps, those that say it doesn't affect RAW and those who says it does![]()
See this. It might help. The same guy who's vid I posted earlierI know mate. I've almost decided but shock he thinking of it too
That's interesting, I will get around to testing it properly one day with some 'scientific' tests. In theory active d lighting is like camera profiles in that it's set on the jpeg and not the RAW file, RAW data is just that. However, from other people's findings it does effect the RAW file still, and if using a program such as LR that doesn't recognise the profile it won't add it. It might be a little like WB and camera profiles in that it makes such negligible difference to the RAW file that folk say not to worry about it.I have done some study on Nikon's Actibe D Lighting.
In a nutshell, this setting tries to suppress highlights and boost shadows to give a balanced image and not blow or underexpose a shot.
If you set it on camera and shoot raw and use Nikon raw software, it will be fine as the curve it uses will be maintained.
If you use any other raw converter - DO NOT use any other setting than off as the camera applies a tone curve that may result in a underexposed photo.
If you shoot jpeg, this can give you good results in certain scenes.
I use the off setting on Camera and use the command in CNX2 sometimes where it really renders a nice image and boosts shadows or reduces highlights on both raw and jpeg. Also corrects contrast and black level.
That interesting saying he wouldn't suggest upgrading from a A7ii to a A7rII whilst his camera is the A7RiiSee this. It might help. The same guy who's vid I posted earlier
View: https://www.youtube.com/watch?v=qHyVrfCpYyU
Dont show RookiesSee this. It might help. The same guy who's vid I posted earlier
View: https://www.youtube.com/watch?v=qHyVrfCpYyU
And haven't you had the A7ii and come back to the D750?That interesting saying he wouldn't suggest upgrading from a A7ii to a A7rII whilst his camera is the A7Rii
And haven't you had the A7ii and come back to the D750?
He owns both, but uses the A7II more. See again.That interesting saying he wouldn't suggest upgrading from a A7ii to a A7rII whilst his camera is the A7Rii
I haven't tried the setting in Camera on my D750 or D610, but on using it on D5100 and importing into LR most pics were underexposed in raw.@anibap I've not really used the Capture-NX software as I didn't like the layout or controls, but am interested to see how it handles profiles and d-lighting and such like. Can you import into NX to get the camera settings and then export straight into LR to do the rest of the adjustments? Or do you have to export to the hard drive as a TIFF and then import this TIFF into LR? If it's the latter can you also export as a .DNG to get smaller file sizes as TIFF's are huge?
He owns both, but uses the A7II more. See again.
Sorry, he says it is not worth the upgrade rather spend on lenses and the A7II is his main camera for wedding.The Subtitles as a bit poor on the video as I am sure your aware I am Hard Of hearing.. But thank you for clarifying this for me..
That's a shame, either you lose a lot of data or have huge files. Shame Nikon and Adobe haven't come together to get the two to work seamlessly like LR and PSI haven't tried the setting in Camera on my D750 or D610, but on using it on D5100 and importing into LR most pics were underexposed in raw.
I can open in NX2 and import in LR as jpg or tiff.
Sorry, he says it is not worth the upgrade rather spend on lenses and the A7II is his main camera for wedding.
Also one reason why I don't use LR much even though I have a free license. I prefer CNX2 rendering over LR. D750 is perhaps the last camera I would use CNX2 , so have to learn LR at some point.That's a shame, either you lose a lot of data or have huge files. Shame Nikon and Adobe haven't come together to get the two to work seamlessly like LR and PS
I've just had another quick play with Capture NX, it's sooooo 'clunky' compared to LR, 5 mins and it drove me madAlso one reason why I don't use LR much even though I have a free license. I prefer CNX2 rendering over LR. D750 is perhaps the last camera I would use CNX2 , so have to learn LR at some point.
As long as she can throw it, mateNot my technique, but somehow she seems comfortable with it.
That Sony G Master 85mm lens looks the utter mutts nutts....!!
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My understanding is that it's applied to both. LR won't recognise it in the RAW file but obviously the JPEG will have it applied as the camera has already processed the file to produce the JPEG.So, if shooting RAW + JPEG, is it possible to have the Active D lighting applied only to the jpeg, and have a genuine RAW too ?
If so, when importing into LR, would the active d curve (or whatever ) be recognised, or is it only using Nikon software?
I shoot raw only, but have thought of shooting raw + jpeg, and applying some in camera effects to the jpeg.
I guess my luck had to run out sometime, the £600 70-200 was an absolute crapshoot, AF was clunking and then stopped working after 3 shots...refund it is!
On the plus side, my bargain 50 ART is being replaced by 35 ART and JJs 85mm 1.4, so I'll actually have the combo I want![]()
I think I've gone soame way to determining why d-lighting affects RAW files and underexposes them. I did some test shots this morning setting exposure in full manual taking shots with and without d-lighting. First of all I shot without d-lighting and set the exposure so that the meter was zeroed. I then turned d-lighting on and to high and it was then telling me that the same shot was going to be 0.7 ev over exposed. I shot two more shots, one with the original exposure settings and one with the light meter zeroed according to the d-lighting exposure. Here's the results.
1. No d-lighting: jpeg and RAW 'normal'
2. d-lighting active but exposure left unchanged: jpeg underexposed, RAW file exactly the same according to my eyes and the histogram
3. d-lighting active exposure set according to the d-lighting light meter reading: jpeg exposed correctly, RAW file 0.7 ev underexposed.
So my take on this is that d-lighting does not affect the RAW file per se but affects the exposure/light meter. D-lighting appears to underexpose the image in order to lift the shadows in processing, and hence at the same time preserving highlight detail. This would explain why RAW files are underexposed, it's like d-lighting is adding a global exposure fine tune in a negative value and it is only during the processing stage that shadows are lifted. I would imagine that Capture NX does this same, if you could see the unaltered RAW it would be underexposed but obviously it recognises d-lighting was active and automatically adjusts for it in post.
So I finally picked up a D750.. bought second 2nd hand.. great nick, 1 year old UK model with 7k shutter count.. no recall on serial.. Couple of wee points.. coming from a D700 viewfinder seems very small as does top LCD display, slightly less ergonomic than the D700.. It came with a Sigma 24-35mm F/2, which is probably too much glass for me, but ice for a play none the less.. also a 50mm Sigma macro which seems great.. Just need some new SD cards and I'm away..![]()
Yeah, checked the serial last night.. All seems good..
I think they made the top lcd smaller so they could make the grip deeper. And yep the viewfinder is smaller and square, but the D750 is also lighter tooSo I finally picked up a D750.. bought second 2nd hand.. great nick, 1 year old UK model with 7k shutter count.. no recall on serial.. Couple of wee points.. coming from a D700 viewfinder seems very small as does top LCD display, slightly less ergonomic than the D700.. It came with a Sigma 24-35mm F/2, which is probably too much glass for me, but ice for a play none the less.. also a 50mm Sigma macro which seems great.. Just need some new SD cards and I'm away..![]()