Nikon D750 & D780

So any tips or advice to improve holding technique?

I wouldn't say I am a shakey shooter but I'm by no means super stable either. I can definitely see some movement when pressing shutter.

If I do get the lump known as the 24-70 I really want to improve my holding technique. Not only to be more stable but also to stop the chances of wrist ache during such events as a wedding. 2kg worth of gear is quite a lot to be holding all day!
 
JJ! said:
So any tips or advice to improve holding technique?

I wouldn't say I am a shakey shooter but I'm by no means super stable either. I can definitely see some movement when pressing shutter.

If I do get the lump known as the 24-70 I really want to improve my holding technique. Not only to be more stable but also to stop the chances of wrist ache during such events as a wedding. 2kg worth of gear is quite a lot to be holding all day!
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I swear by my Black Rapid sling... I'd be lost without it. The best advice I can give is the same as I used to give to novice rifle shooters... 'Squeeze' the shutter button, don't press it! Keep your elbows down and tight to your body to keep your Centre of Gravity close 'cos that helps too (especially with long lenses). Use anything that's available to rest on... Fenceposts/backs of chairs/lean against things. They'll all help. :)
 
minnnt said:
In Lr:

Auto WB
+0.50 exposure
+15 contrast

-50 highlights
+25 shadows
+35 whit
0 black

+25 clarity
+38 vibrance
+10 saturation

+15 blue hue

Split toning:
37/25 highlights

215/5 shadows

+50 sharpening

Enable profile correction
Remove Chromatic Abberation

Camera standard profile

I also lifted the exposure on my jumper with a brush.
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Is this your standard workflow as a base? I.e. your default preset or just happened to be used for this shot?

PS.. Not a million miles away from my default..
 
JJ! said:
So any tips or advice to improve holding technique?

I wouldn't say I am a shakey shooter but I'm by no means super stable either. I can definitely see some movement when pressing shutter.

If I do get the lump known as the 24-70 I really want to improve my holding technique. Not only to be more stable but also to stop the chances of wrist ache during such events as a wedding. 2kg worth of gear is quite a lot to be holding all day!
Click to expand...
I tend to take the weight of the camera/lens in my left hand and try to keep my grip as relaxed as possible. Tucking your elbows into your body helps keep it stable. Let the camera hang on your neck/sling strap whenever you can to minimise arm ache, and of course if you're going to be in one spot for a long period use a tripod or monopod.
 
I'd like to get back into photography again with a DSLR. This might be the body I go with over the D800.
 
minnnt said:
You mean we don't?

Just noticed that the Siggy 24 is down a few more quid this evening... Mmmmmmm...
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I'm currently banned from buying any more photographic equipment (for now) #strokesD7200lovingly :D
 
texfoto said:
I'd like to get back into photography again with a DSLR. This might be the body I go with over the D800.
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D750 is a better all rounder, and for most has a more comfortable grip. Most people don't need 36mp, in fact most don't even need 24mp ;)
 
JJ! said:
So any tips or advice to improve holding technique?

I wouldn't say I am a shakey shooter but I'm by no means super stable either. I can definitely see some movement when pressing shutter.

If I do get the lump known as the 24-70 I really want to improve my holding technique. Not only to be more stable but also to stop the chances of wrist ache during such events as a wedding. 2kg worth of gear is quite a lot to be holding all day!
Click to expand...
Personally, I actually find the vertical grip helps in landscape mode (!) - it just gives a bit more camera to hang onto.

All the usual things - find something to rest your hand or arms or something on. Feet planted well, too - if standing. And don't stand if you can sit, although crouching is only good if very comfy. Lying down is perfect as your elbows go on the ground!

And don't drink too much coffee :)

Edited to add: practice handholding my Mamiya RZ67 and the D750 will feel like a child's toy! (And you'll miss the WLF of the RZ...)
 
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pjm1 said:
Personally, I actually find the vertical grip helps in landscape mode (!) - it just gives a bit more camera to hang onto.

All the usual things - find something to rest your hand or arms or something on. Feet planted well, too - if standing. And don't stand if you can sit, although crouching is only good if very comfy. Lying down is perfect as your elbows go on the ground!

And don't drink too much coffee :)

Edited to add: practice handholding my Mamiya RZ67 and the D750 will feel like a child's toy! (And you'll miss the WLF of the RZ...)
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How strange, I find the vertical grip a hindrance in landscape as my hand naturally curves underneath the body without, and so with the grip it can't do this and so feels more cumbersome.
 
snerkler said:
How strange, I find the vertical grip a hindrance in landscape as my hand naturally curves underneath the body without, and so with the grip it can't do this and so feels more cumbersome.
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Funnily enough, I remember you saying the same thing earlier in this thread when we were all discussing the things. I was surprised that I got on so well with it - hands are different shapes I guess after all!
 
pjm1 said:
Funnily enough, I remember you saying the same thing earlier in this thread when we were all discussing the things. I was surprised that I got on so well with it - hands are different shapes I guess after all!
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Yep, that's why we all need to try these things for ourselves (y)
 
Some great Brands Hatch and bluebell images in thread, it looks like you have all been busy. I've spent the last 5 days in the Lake District, mainly away from the internet so not much chance to check whats been going on in here. As the red squirrels decided the weather was too good to put in many appearances I spent a bit more time trying out infrared landscapes with a Hoya R72 Infrared filter. I've not used the 24-120 f4 that much but I practically spent the whole landscape time using the 24-120 except at my visit to Wast Water where the longer 70-200 helped isolate compositions. I've been very impressed with the 24-120 f4, for the money it can be picked up for its a cracking lens. Best of all it doesn't seem to be affected by any infrared lens hotspots unlike the 20mm f1.8 G lens. The 70-200 f2.8 is also very good with not infrared hotspots either that I could see.

With infrared I'm not a massive fan of the 'bright full sunlight greens turn pure white' look but I do like the high contrast B&W images it can give. The Hoya R72 filter does a great job producing high contrast scenes in dappled sunlight. I've posted a couple below to see what you think, please let me know if you think I've over done the Lightroom/SilverFX processing.


Lingmell and Wasdale Head Hall Farm- Infrared B&W by Rob Cain, on Flickr


Yewbarrow and Great Gable- Infrared B&W by Rob Cain, on Flickr
 
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minnnt said:
Tempting. :D

I've been looking at the Siggy Art driving myself mental.
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Been bidding on eBay but people love paying OTT prices so keep missing out.... Also driving me mental!!!
 
JJ! said:
Been bidding on eBay but people love paying OTT prices so keep missing out.... Also driving me mental!!!
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Just buy it. At least you know it`s a goodun :thumbs:
 
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