Sorry Michael, forgot to mention your considerable expertise in actually shooting the video. I was watching it and wishing I had been there in the team, possibly to help the old grey haired guy walking around. lol
The old
grey white haired guy took care to keep out of shot
However, it's only when you do something like this, you realise how the bald spot is progressing. I seem to be progressing rather well
It isn't a bald patch, it's a pond - a sign of maturity!
The video is OK, it does the job. The music we wanted to use for it cost an unbelievable amount for the licence fee, so we ended up with what you
see hear instead. And the video ended up with a vignette which personally I don't like and which gives the impression that the lighting doesn't cover the whole frame, which of course it does. The stills from the video show that,
on the Lencarta blog, on on
Micheal's own blog, which is more detailed.
What I would like to do is to have an extra video that is more 'real world' - this one shows that the triggers do their job and work at 1/8000th, and that they can also turn day into night by completely killing the ambient, but it would be good too to show them in use in more 'normal' situations, using them at maybe 1/1000th or 1/2000th, where they can freeze "most" subject movement and give far greater control of ambient than "normal" sync speed. But the cost of producing professional videos, for a small Company, is high, and it just isn't possible to do everything.
I was very disappointed that we didn't have these triggers in time for the
video we shot on using the Safari Li-on on an outdoor fashion shoot,
here. They would have made an enormous difference but the prototypes arrived 2 days after the video was shot
