My only grumble is that there appears to be no way of adjusting the model lamp light level ? is this the case with most flash heads ?
The ElitePro heads have proportional modelling lamps, the SmartFlash ones don't, they have less features to keep costs down.My only grumble is that there appears to be no way of adjusting the model lamp light level ? is this the case with most flash heads ?
The ElitePro heads have proportional modelling lamps, the SmartFlash ones don't, they have less features to keep costs down.
Whether that matters or not is a personal thing. Personally I only ever use the modelling lamp on the key light, and I only ever use it on full power because IMO it's pointless having it set to anything less than full power unless the room is in total darkness. In theory, the modelling lamp produces a WYSIWYG effect, but the presence of ambient light weakens that effect even at full power.
In a perfect world, all modelling lamps at maximum power would be proportionate to the output of the flash, but we don't live in a perfect world - for example, I have an Elinchrom Chic 2 that outputs 2400 Ws and an Elinchrom head that outputs 600 Ws. Both of them have 250w modelling lamps, so using them on proportional settings doesn't alter the fact that each 'pretends' to produce the same amount of light as the other at any given setting, even though one of them produces 4x as much...
My Genesis ones adjust but to be honest I only use the modelling lamp on the key light and for focusing.
Nice shots. The dof doesn't quite look right to me - looks almost like motion blur which is unlikely though. Have you tried using F11 or something instead of F5.6?
I used F5.6.
Reality check...I don't want to overstate the effect that over-bright modelling lights can have on the exposure, but it can and does add a bit of warmth due to the difference in colour temperature. I notice that just after I last raised this issue, Lencarta reduced the brightness of the modelling lights in the Smartflashes from 250w to 150w, despite Garry arguing that it wasn't necessary
I would imagine it depends how the model lamp is driven, if its directly from the mains power via the "model" switch then it could take a 250W bulb, if it was driven my a thyristor circuit in which I imagine is how the proportional model lamp are driven then you are limited to the power capabilities of that circuit.
I was thinking along similar (less technical) lines myself in that perhaps it runs off a different circuit. Surely if you can then it must be otherwise you could buy a 200W light head and stick a 1000W flash bulb in it and save a fortune! lol
You're not confusing watts with joules (watts per second) are you....?

Reality check...
The SmartFlash has exactly the same build quality as the ElitePro. With many manufacturers, the entry level lights are absolute crap, so they can include a lot of features because they've spent very little on the important componants. But the only way that Lencarta can save money is by reducing the features without sacrificing the quality.
I'm not sure that there was any need to reduce the power of the modelling lamp on the SmartFlash from 250 to 150W. That's why I argued that it wasn't necessary, although I can of course see that, in very limited lighting situations, some colour pollution could occur (minimum power, very close distance, unreasonably long shutter speed). The real reason for reducing the power of the modelling lamp was a marketing one, creating more clear blue water between the ElitePro and the SmartFlash specs. There's nothing to stop anyone from sticking a 250W lamp into the SmartFlash if they want to.
My reason for arguing that there was no actual need to reduce the power of the modelling lamp was based purely on experience. I am however perfectly happy to carry out objective tests, using a colour temperature meter, if anyone reading this thinks that I'm wrong.
I do feel rather deflated now, was really excited when I started playing with the kit, yes the results are good, and sure the quality of the kit can't be denied, but having paid £140 more than I did for the Interfit EX150 kit I kind of expected ALL the features that kit had, and I had pay'd more for the quality. Ok I do have two softboxes instead of one softbox with an umbrella, but it also come with 2 standard head reflectors, that the Lencarta softbox kit doesn't come with.
I did try shooting at max X-Sync speed, 1/250, but for some reason the bottom of the photo's exhibited a horizontal darkened area, as if the flash heads weren't actually sync'd up to the shutter curtains correctly? shooting at 1/125 fixed this ? One of the heads was connected to the Lencarta radio trigger, while the other head was IR slaved. Camera is also setup to fire flash on 2nd curtain, maybe if it were setup to 1st curtain this would be fixed? especially at x-sync speed!
Ok I do have two softboxes instead of one softbox with an umbrella, but it also come with 2 standard head reflectors, that the Lencarta softbox kit doesn't come with.
Is that the spill kills that attached on the end? The photos look like they come with them, maybe it was just missed?
Richard,Garry, there's no need to trouble your colour temperature meter. If you simply take a picture with a Smartflash fitted with a 250w modelling bulb at minimum flash power (close distance has got nothing to do with it) then you will get some colour polution. It's not great, barely noticeable in fact with most subjects, but it's there and I'm glad that Lencarta have addressed this by fitting a lower wattage bulb, which is a better compromise given the lack of adjustment there.
You can also minimise the influence of polution substantially by using the highest x-sync speed possible, but you always recommend 1/125sec for some reason. If you can run at 1/200sec or 1/250sec, the influence of any ambient light is cut in half staight away.
However, what I'm really talking about here is the absense of a dimmable modelling light on the Smartflash. It is an ommission, everyone knows it is, and it's pointless to argue that it doesn't make any difference. One of the biggest advantages of studio flash over hot-shoe guns is the modelling light, so it would appear to make sense to optimise that advantage.
From what you are saying it seems to be deliberate downgrading and has more to do with enhancing the features of the more expensive models in the Lencarta range than it is to save significant cost on the Smartflash. I don't agree with that, but I don't have a problem with it either, it's common marketing practise, but sometimes I think that you'll argue that black is white if the Lencarta brand name is invloved.
I don't think that's true and it definately isn't fair. I like to think that I give honest information and I back my statements with actual, tested facts, as in this case.but sometimes I think that you'll argue that black is white if the Lencarta brand name is invloved
Sorry, this is the correct link for the spillkillThose links are the same?
Sorry, this is the correct link for the spillkill
I do feel rather deflated now, was really excited when I started playing with the kit, yes the results are good, and sure the quality of the kit can't be denied, but having paid £140 more than I did for the Interfit EX150 kit I kind of expected ALL the features that kit had, and I had pay'd more for the quality. Ok I do have two softboxes instead of one softbox with an umbrella, but it also come with 2 standard head reflectors, that the Lencarta softbox kit doesn't come with.
I did try shooting at max X-Sync speed, 1/250, but for some reason the bottom of the photo's exhibited a horizontal darkened area, as if the flash heads weren't actually sync'd up to the shutter curtains correctly? shooting at 1/125 fixed this ? One of the heads was connected to the Lencarta radio trigger, while the other head was IR slaved. Camera is also setup to fire flash on 2nd curtain, maybe if it were setup to 1st curtain this would be fixed? especially at x-sync speed!
Richard,
I respect your knowledge in many areas of lighting but you are simply wrong on this one.
We could argue with each other until the cows come home and each of us would still think that the other is wrong, and people reading the arguments wouldn't know who to believe.
So, to put this to bed I'm relying on objective measurements rather than opinion, so I've tested my assertions against yours, using a Minolta 3F Color Temperature Meter.
And here are the test conditions:
SmartFlash 200 fitted with a standard reflector, distance from flash head 60cm, power set to minimum, shutter speed 1/250th second, 250W modelling lamp.
And the reading? 5420K
With the modelling lamp changed from 250W to 150W, still 5420K
With the shutter speed changed from 1/250th to 1/125th, still 5420K, with either modelling lamp
With the modelling lamp switched off, still 5420
I don't think that's true and it definately isn't fair. I like to think that I give honest information and I back my statements with actual, tested facts, as in this case.
And here is another fact: AFAIK Lencarta is the only manufacturer to actually test their statements about colour temperature, and to actually publish their findings.
Edit: And I stand by my testing 100%. There's a Lencarta studio lighting workshop at my studio on Sunday and some of the people attending are TP members. If anyone wants me to I'll be happy to repeat my test in front of them
I don't think that you should be deflated, certainly not becuase of the kit you have. Get to know it better and learn a bit more about lighting, and you'll be pretty thrilled I'm sure. It's extremely capable. Garry and I might argue about technical details, but the modelling lights thing is very much a detail - and something that most folks will probably never notice, and not bother about even if they do. I'm only picking up on it because I've noticed it and tested it, and when Garry then says it doesn't exist but three days later Lencarta change the Smartflash modelling light wattage, I just want to set the record straight.
Maybe what you are finding is that studio photography is just a bit more difficult. Unlike regular picture taking in daylight where basically everything is set up for you and you just record it with the camera, with studio work you start with literally a blank canvas and you have to build and create the whole image - subject, lighting, the lot. Stick with it, it's really rewarding for all the same reasons. Plenty of help on hand here![]()
and then it goes on to list the items that are includedThe reflector shown in some photos is NOT included as it is not needed when used with the softboxes supplied. Our standard reflector is however very useful when soft lighting is not required, and can be used with honeycombs and umbrellas. Please click here for details and to add it to your order.
What's in the box?
2 x SmartFlash 200 (200Ws) Flash Heads FLA010
2 x Studio Light Stands STA002
2 x 85cm x 85cm Softbox SOF005
1 x 5-in-1 reflector kit REF001
1 x 4 channel Radio trigger/receiver TRI008
1 x Carry bag for lighting stands BAG002
Each flash head also includes:
1 x protective head cap
1 x modelling lamp
1 x mains lead (with UK plug)
1 x synch cable