Pookeyhead
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- David
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Ah! Knew I'd filed it somewhere...
Will a degree make it easier to become a professional photographer? (Archant, Professional Photographer, May 2010)
Does your institution offer this, Pookeyhead? Do you think it may be a good idea?
Yep. We have a full visiting lecturer programme, and wherever possible (usually decided by the visiting lecturer) a portfolio clinic. Last year we had Tim Flach, Paul Hill, Simon Barber, Mishka Henner, Sean Conboy, and several people from the AoP run portfolio clinics with a keen eye on presentation. We have a very talented technician with a great deal of experience as a curator and picture framer on hand, and all our third year students exhibit professionally as a result of some heavily planned graduate shows that are well attended, both at Cube gallery Manchester, and Hoxton Gallery in London, and we usually exhibit at the AoP gallery in London, although won't be this year as they are currently sourcing new premises as they're no longer at their old place.
Presentation is a watch word. I was surprised to see poor presentation as something recognised in Degree students in that article if I'm honest. We prepare them from level 5 regarding the cost and seriousness of printing quality and presentation, and they all know they're into some financial commitment regarding a decent quality folio, and decent quality printing. Fortunately printing is something that's not a problem for them as we've invested heavily in both the equipment and training in order to use it.
All the above is not a "module" as that wouldn't even get close to covering it all, it's a work ethic firmly embedded in the whole course from the start.
This one I can identify with. I remember going through applications for a junior staff job on a paper. We had asked candidates to submit four images that they thought would go well in the paper. We got mono urban landscapes, arty nude studio poses, waterfalls and waves by the thousand... instant bin.
That's just poor preparation from the college or Uni, but there is a factor beyond our control, and it's called "being a student"
One final paragraph from that article:
Sums it up nicely.
Well.. not much we can do about that one. We can't actively DIScourage them, and despite every effort to impress upon them the sheer amount of hard work required to get a foot in the door, some just think they can breeze in there. That's a condition that has more to do with being 19 or 20 years old rather than an indictment of the college they went to though
Care to expand on that a little? How long ago? Film, digital, both? Did you do your own processing? What qualifications did you gain before becoming a photographer?
From around 1989 to around 2004 or 5 when I started to get more heavily involved with teaching. I've always taught along side my photographic career wherever possible. I like being around new ideas and the creative buzz of that environment. I still retain a few clients who keep me busy, but I'm no longer actively promoting myself or advertising, and I no longer have an agent. I am shooting for the pleasure of it these days - not that found it unpleasant.. but commercial work is hard work, and the work is not always what you want to do. As for quals, I have BA(Hons) and MA.. and of course PGCE and QTLS certification.
Obviously, I started on film, still love film, and still shoot film, and yes, I have processed my own as much as I have had it processed by others. I still process my own black and white film... I find it therapeutic. I rarely processed film for clients.. who does, or even did? Far too impractical. I sometimes hand printed both black and white and colour if print was what was needed, but again it's a time sink you can rarely afford. I've been fully digital since 2002.. I say fully, but I still use film.. I mean fully ABLE to work 100% digitally. I am happy and fully conversant with both, and so are our graduates.
At risk of coming under a barrage of flame here, I had no qualifications whatsoever when I started professionally. It was later in my career I gained those, and the primary motivation was for educational reasons not photographic. Despite what people think, you have to not only be a practitioner to work at HE level in most institutions but you need high level qualifications to do so.
In fairness though, I have repeated several times that you don't NEED a degree, or indeed a HND to work professionally, and the qualification alone will not guarantee anything. We actually make our students aware of this. What a degree does show however, is that you have demonstrated the ability to work in a self-led manner to a high academic and professional manner. It actually makes little difference to students. They still want a degree because they want to be part of a creative community while learning, and they want the facilities the college offers, and they also want the tuition regarding industry networking and the contacts from a very strong VL programme. Most students we get are actually quite pragmatic, and are not expecting to get a "job" from their photography degree.
So.. that's me in a nutshell. I feel like I'm being challenged somehow by your enquiries
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