thecornflake
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So I picked up 2 daylight developing tanks on the bay recently out of interest. One is a Rondinax 60 for 120 film and the other is an Essex 35 for 35mm. There is a very good site with lots of information about these tanks here - http://rondinax.wordpress.com/
So having one film of each type I trid developing with both last night. The 120 was unfortunately a disaster. I encountered an issue well documented on the site mentioned with the 120 tank, where the film got caught while separating from the backing paper. You pull the paper out of the tank with the reel inside, and the film should be fed into a separate area of the tank. Then you can turn something to make the film light tight, cut off the end from the spool, then the film can be loaded onto the reel with the tank closed. Even though I took the precaution suggested of not turned the knob all the way round the film still got caught. Therefore it wasn't all inside the light tight part, and I wasn't able to turn the knob back to close that bit as the film was in the way. The tank was already filled with developer as per instructions but I could have poured it out. In hindsight I could have then got the tank into my changing bag, removed the film and tried to get it onto my Paterson reel to dev in that tank instead. However the film was very creased where it had got caught then bunched up so realistically I don't think that would have gone well.
Luckily it was only a test roll, I may have to buy some cheap expired 120 film and see if I can find a way to reliably load into the tank, because I think it would be better if I can get past that bit.
Loading the 35mm into the Essex tank was easier as there isn't the issue with backing paper, and developing was very straight forwards. I'm about to scan some of the negs so I'll post the results but they look ok. People do complain about having to constantly turn the reel during development and fixing, but I'd only be standing there in between inversions with a Paterson tank anyway and it wasn't that much of a big deal. Filling and emptying is slower so timings aren't as accurate, not sure yet whether this has had a noticeable effect.
So having one film of each type I trid developing with both last night. The 120 was unfortunately a disaster. I encountered an issue well documented on the site mentioned with the 120 tank, where the film got caught while separating from the backing paper. You pull the paper out of the tank with the reel inside, and the film should be fed into a separate area of the tank. Then you can turn something to make the film light tight, cut off the end from the spool, then the film can be loaded onto the reel with the tank closed. Even though I took the precaution suggested of not turned the knob all the way round the film still got caught. Therefore it wasn't all inside the light tight part, and I wasn't able to turn the knob back to close that bit as the film was in the way. The tank was already filled with developer as per instructions but I could have poured it out. In hindsight I could have then got the tank into my changing bag, removed the film and tried to get it onto my Paterson reel to dev in that tank instead. However the film was very creased where it had got caught then bunched up so realistically I don't think that would have gone well.
Luckily it was only a test roll, I may have to buy some cheap expired 120 film and see if I can find a way to reliably load into the tank, because I think it would be better if I can get past that bit.
Loading the 35mm into the Essex tank was easier as there isn't the issue with backing paper, and developing was very straight forwards. I'm about to scan some of the negs so I'll post the results but they look ok. People do complain about having to constantly turn the reel during development and fixing, but I'd only be standing there in between inversions with a Paterson tank anyway and it wasn't that much of a big deal. Filling and emptying is slower so timings aren't as accurate, not sure yet whether this has had a noticeable effect.
