chris malcolm
Suspended / Banned
- Messages
- 1,369
- Name
- Chris
- Edit My Images
- Yes
…not possible when the poster has NO for edit, Matt.
To put it simply, Matt, the shots were great captures
but the level of shooting was not supported by the
proposed renditions.
My comment was based on observable inconsistent…
These, among others, are taking a bunch of cool ca-
- WB
- DRL
- saturation etc
tures to the level of SET that is coherent in terms of
luminance, chrominance, graphic elements and story
telling.
I'd like to thank you for those comments. I realised when reading them that I suffer badly from those problems too! My focus has up to now been too exclusively on each individual photograph. I've now become sophisticated enough that for three successive photographs of the same event I'll may even go so far as to use three quite different processing methods involving three quite different image editors. I'll end up with three successive photographs of the same event which look as though they were taken at the same place on three quite different days and times.
Why would I use three quite different editors? Because in one photograph I may be concentrating on faces, in another on the trees, and in a third on the somewhat shadily obscured details of the machinery they're standing beside. Each editor has a special magical virtue in one particular area which it does so easily and so well in ways which I've struggled and failed to duplicate with the other editors. Rather like using three quite different paint boxes because one has much the best blues and greens, another has the best reds and browns, while a third has a consistency of paint which permits the use of very fine brushes.
Do I need to polish my processing skills? Is there such a thing as one editor which will do all I want? Can I use my different editors and processes for their different virtues and then subject the results to some kind of consistifying process? Clearly I have a lot of experimenting and learning to do here.
Thanks, Kodiak! You have opened a door into an aspect of photography which I hadn't realised I had inadvertently closed!
