Wide-angle lenses are like other kinds: just tools for a job. If inspiration or subject dictates, then use one.
I do a lot of architecture, especially churches, therefore I use a wide-angle lens often. There is nothing I hate more than those wide-angle shots where the snapper wanted to “get it all in” at all costs, didn’t even bother stepping back and just tilted the camera upwards until “yeah! it all fits!” —ending up with one of those so frequent and ugly snaps with converging verticals and a disfigured monument or building that looks just like it’s about to fall over backwards!
So, either I use a tilt-shift lens, or if I don’t have one in my bag, I take precautions so that I will be able to correct the perspective in post-.
It is just a matter of respect for the monument, the architect, the mason.