Is it because a lot of photographer's, some who even make a living from taking pictures, don't shoot Manually, and prefer the safety of TV AV or, dare I even mention it, Auto mode....... Nothing necesarily wrong with hobbyists doing that of course, as it was how I learned. ;-)
I make money from photography, my sole income in fact, and use AV and TV all the time. Why? Because it makes my job easier. It doesn't mean that I don't know how to shoot manually. :nono:

Is it because a lot of photographer's, some who even make a living from taking pictures, don't shoot Manually, and prefer the safety of TV AV or, dare I even mention it, Auto mode....... Nothing necesarily wrong with hobbyists doing that of course, as it was how I learned. ;-)
Is it because a lot of photographer's, some who even make a living from taking pictures, don't shoot Manually, and prefer the safety of TV AV or, dare I even mention it, Auto mode....... Nothing necesarily wrong with hobbyists doing that of course, as it was how I learned. ;-)

i feel i may of taken that hook line and sinker..
I make money from photography, my sole income in fact, and use AV and TV all the time. Why? Because it makes my job easier. It doesn't mean that I don't know how to shoot manually. :nono:

Yeah you did. If there was a tongue in cheek smiley I would have used him in my post......
Yep, though 90% of what i shoot is in Manual, AV and TV have there place. Its the end result that matters
Just an opinion. But I would see it as one of the main differences between how a professional and an amateur works.![]()
Ridiculous.
I bet professional photographers wear black suits too and arrive to their jobs in Range Rovers.
Yeah, you're right. And of course the top professional photographers, your Bailey's, Rankin's and Cornish's all use AV and TV. As do the top studio photographers. Of course they do. So where then is the distinction between what is a GWC and Prof. Is it having th fancier gear- which of course you make sure and use in pre-set mode. Rubbish....
If you are a Professional, you should by and large be using manual- not for every shoot and not all the time, but by and large. Not because it is the law, but because it is a skill that you have learned and honed over time and sets you apart from the avarage happy snapper AS a professional. It's no bloody wonder there are 100,000 photography businesses springing up every year if they all share your attitude.
Have fancy camera- will let it do all the work for me before transferring into CS4 to auto correct.
If you are taking money and are happy to put in only half the effort required, by shooting in preset's, you need to have a word with yourself.
Have fancy camera- will let it do all the work for me before transferring into CS4 to auto correct.
Yeah, you're right. And of course the top professional photographers, your Bailey's, Rankin's and Cornish's all use AV and TV. As do the top studio photographers. Of course they do. So where then is the distinction between what is a GWC and Prof. Is it having th fancier gear- which of course you make sure and use in pre-set mode. Rubbish....
If you are a Professional, you should by and large be using manual- not for every shoot and not all the time, but by and large. Not because it is the law, but because it is a skill that you have learned and honed over time and sets you apart from the avarage happy snapper AS a professional. It's no bloody wonder there are 100,000 photography businesses springing up every year if they all share your attitude.
Have fancy camera- will let it do all the work for me before transferring into CS4 to auto correct.
If you are taking money and are happy to put in only half the effort required, by shooting in preset's, you need to have a word with yourself.
Studio photographers generally have to use manual, as studio lights won't be taken into account when doing TTL metering, therefore making the cameras calculations in AV and TV useless. That's how it works in a studio. Even then, settings tend not to vary all that much, unless you are doing something experimental. White background stuff, 1/125, f7.1, ISO200 and away you go...


:boxer:
Incidentally, what does any of this have to do with Sarah's OP???
Woah- not sure I like the atmosphere in here. I like shooting on Av most of the time- but it depends on the subject.
Thats part of my point. you know the best setting for you and you produce a high standard product with it![]()

Do you normally tell people how to do their job?
TV and AV are presets? That's news to me. How can you possibly expect anyone to take your argument seriously when you don't even know that?
Baby mode. That's a preset. A true preset would mean that you have no control over any variables in camera. Candle Portrait, that's a preset too. Of course if you used those for a job you'd expect to be ridiculed. I'll shoot in any way I want as long as I get the desired photograph and the client is happy.
You're right in one respect, if you take your craft seriously you should know your camera inside and out.
I don't know what your Bailey's, Rankin's and Cornish's use. I don't really care to be honest. I also doubt they'd care for such an argument either.
Yeah, you're right. And of course the top professional photographers, your Bailey's, Rankin's and Cornish's all use AV and TV....... Is it having th fancier gear- which of course you make sure and use in pre-set mode. Rubbish....
Doing this work will not remove it. Its all about how you save you image.I often find that if I create a border and use layers it often ends up with all the exif data lost...A bit annoying at times and it's not intentional.