Nick_1981 said:http://www.talkphotography.co.uk/forums/showthread.php?t=355313
Have a look at the above from the tutorial section
If you want static starts your going want as shorter exposure as possible ideally, but balancing that you need to be open long enough to register as many stars as possible, as such i'd suggest shooting at you widest aperture on a 15 second exposure and the highest ISO that you are comfortable using on your camera then you may find you need to adjusts your settings to suit your scene to keep it simple I'd only adjust ISO to start and then maybe a combination of settings once your a little more confident in shooting stars![]()
Thanks for that![]()
It depends on what you want to capture, personally I would suggest the short end of your short lens as that's going to give you the longest exposure time without getting trails![]()
i got some okay shots on my 70-200 and 2xtc in the canary islands recently![]()
even shots of the 7 sisters
beautiful skies out there
Might be a stupid question, but for pics with foreground - what's the best way to ensure focus given that it's pitch black and AF won't cut it?
Any pics of these matt
Here's a couple of images for you iwols, these were taken with my Skywatcher
150p-ds scope mounted on a eq5 synscan pro goto mount and a canon 600d. you are limited with the length of exposure up to about 20 secs before you start getting star trails, unless you use a motorised mount, but you should still be able get some great images with just your camera and tripod. anyway here a a couple we took wednesday night.
Pleaides (severn sisters)
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Orion Nebula
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Thanks Andy
Would a 50mm. Nikon 1.8 d. af lens be any better than the 3 lens I have for star shooting and general photography cheers
Yes.. it would, but even better would be a 28mm wide angle, manual focus is best, I used to use an old sigma 28mm manual focus lens when I did it.. worked a treat.
It would be good if 50mm is the sort of length you want to work with. Personally I would prefer something wider than that which would maybe more easily allow you get something substantial as foreground interests whilst retaining a huge expanse of sky in your shot. In performance terms though, it should work well. If you do go down this route, I'd try stopping it down a bit to get better sharpness across the frame, 2.8 should work well on a crop body and will still let in plenty of light.
I'd still be temped to play with your current lens first before splurging any money. I know it's the boring route as it doesn't involve a shiny new toy but if nothing else it should tell you what focal lengths work best for you.