specialman
Suspended / Banned
- Messages
- 8,193
- Name
- Pat MacInnes
- Edit My Images
- Yes
So here's the studio space I have at work - this is mid-shoot so forgive the light position and the big pile of paper in the middle:
It's bijou at 3.5m wide by 4m deep (my back is to the wall on a 17mm lens taking this shot) and to the right, just out of shot, is a set of double doors for access into the studio. To the left you can see a fridge (which is being moved to de-clutter the space) and it goes off into another area that's barely 3m wide and about 4m long, but has supporting struts along the walls for a mezzanine floor upstairs so it better suited to photographing smaller things on a table I have situated there.
In the area in the photograph, I'll be shooting mainly larger objects such as sweatboxes, barrows, collections of luggage, rods and poles, plus people shots ranging from portraits to full-length.
Currently we have four Bowens esprit lights that have more than adequate power for this space, so no issues there. In terms of modifiers we have the 24" x 24" softboxes that were supplied with the heads, plus shoots, 10" diameter reflectors, plus some small barn doors.
Where I want to get the most out of the space is in choosing modifiers that will give and equal spread of light for full-body shots, plus a few opinions on how you'd improve the studio. Our last studio at the old office was totally black and really worked well.... not sure whether to do the same or go for a medium grey or just put a material covering of black cloth over the roof tiles to at least kill some of the bounce?
In terms of modifiers, for lighting the roll evenly (i.e for one or more people, full-body) I'll have to have lights tight to the left and right walls and fairly close to the BG.... will larger reflectors give me an advantage or will the fall-off be too much to create an evenly lit BG? Should I instead be looking at additional heads on short stands so I have four light on the BG?
I have a boom that I can manouvre to light foreground/subject and my preference much of the time is (for portraits) to light from one side and add in some reflected fill. Will those long, body-length soft boxes work or will the ends of the soft box just not get that much light compared to the centre, leaving me with an ineffective modifier? In the past I've used stacked softboxes and although a bit DIY looking (and cluttered) did come close to providing even, full-length lighting.
BTW, much of out shooting is on white because we do lots of cutouts - it's not my preference but I just do as I'm told.
It's bijou at 3.5m wide by 4m deep (my back is to the wall on a 17mm lens taking this shot) and to the right, just out of shot, is a set of double doors for access into the studio. To the left you can see a fridge (which is being moved to de-clutter the space) and it goes off into another area that's barely 3m wide and about 4m long, but has supporting struts along the walls for a mezzanine floor upstairs so it better suited to photographing smaller things on a table I have situated there.
In the area in the photograph, I'll be shooting mainly larger objects such as sweatboxes, barrows, collections of luggage, rods and poles, plus people shots ranging from portraits to full-length.
Currently we have four Bowens esprit lights that have more than adequate power for this space, so no issues there. In terms of modifiers we have the 24" x 24" softboxes that were supplied with the heads, plus shoots, 10" diameter reflectors, plus some small barn doors.
Where I want to get the most out of the space is in choosing modifiers that will give and equal spread of light for full-body shots, plus a few opinions on how you'd improve the studio. Our last studio at the old office was totally black and really worked well.... not sure whether to do the same or go for a medium grey or just put a material covering of black cloth over the roof tiles to at least kill some of the bounce?
In terms of modifiers, for lighting the roll evenly (i.e for one or more people, full-body) I'll have to have lights tight to the left and right walls and fairly close to the BG.... will larger reflectors give me an advantage or will the fall-off be too much to create an evenly lit BG? Should I instead be looking at additional heads on short stands so I have four light on the BG?
I have a boom that I can manouvre to light foreground/subject and my preference much of the time is (for portraits) to light from one side and add in some reflected fill. Will those long, body-length soft boxes work or will the ends of the soft box just not get that much light compared to the centre, leaving me with an ineffective modifier? In the past I've used stacked softboxes and although a bit DIY looking (and cluttered) did come close to providing even, full-length lighting.
BTW, much of out shooting is on white because we do lots of cutouts - it's not my preference but I just do as I'm told.
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