TheBigYin
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Tsk.. Okokok.. I won't mention iPhones, Hipstamatic or the even more evil Fosters again..do you mean this one...
I think we all know that nobody is the same as Rob Hooley....definitely a one-off.![]()
What colour film (120) - any issues with reciprocity with long exposures?




Today I am mostly using Kodalith, because it interests me. It is Line film - meant for repro work, so high contrast and very little grain. Dev'd in Paterson FX-39, just to see if it works. Kodalith has a very thin Estar base that keeps very flat, which is good. It also uncoils when you are trying to close the bulk loader, which is bad, especially as the emulsion is very delicate. So by the time you have tried to re-coil it, shaken it, sworn at it, and crammed it back in the loader, the emulsion is covered in tiny abrasion scratches. These show up nice and clearly on the neg, as it has next to no grain. Tsk. It does dry nice and flat, very quickly, but the strips flatly refuse to go into acetate neg sheets and only reluctantly into paper ones, as getting them in is like pushing string. Apart from being covered in scratches, I love the smoothness - no discernible grain in my scans. All of a sudden I am clearly seeing the limit of my lenses and the scanner. I didn't realise how much you can get away with using FP4+ and Rodinal..
Kodalith Trial by Ali Lampard, on Flickr
Kodalith Trial by Ali Lampard, on Flickr
Kodalith Trial by Ali Lampard, on Flickr
Kodalith Trial by Ali Lampard, on Flickr
but I love the images you've posted to justify/explain/excuse all that stuff which I've reproduced in bold font!