RichardC27
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Something I've been thinking about today; Do you use the built in Film Simulations? Either for SOOC Jpegs, or as a profile in Lightroom / C1 when processing your files?
Something I've been thinking about today; Do you use the built in Film Simulations? Either for SOOC Jpegs, or as a profile in Lightroom / C1 when processing your files?
Funnily enough considering Fuji are renowned for their Film Simulations I rarely of ever touch them beyond the b&w with colour filters, but even then I use that only as a starting point.Something I've been thinking about today; Do you use the built in Film Simulations? Either for SOOC Jpegs, or as a profile in Lightroom / C1 when processing your files?
To everyone. I'm just interested as to how many of us use the simulations or not. One of the big attractions to Fuji for me was the film simulations but I've been experimenting with processing from scratch, just using the Adobe Colour profiles in LR and I like the results. They're not better as such, just different.me or everyone?
I have always processed my own photos. I know the attraction oif a SOOC jpeg to upload but almost always I will find something off with a photo, like tilt, or minor crop out certain things in the corner. Or someting I HAD to photoshop out before i show it to the world but at the time I had no way to remove it in camera...
Also, I like to have a photo that looks like mine, my processing, not something everyone else also uses.
To everyone. I'm just interested as to how many of us use the simulations or not. One of the big attractions to Fuji for me was the film simulations but I've been experimenting with processing from scratch, just using the Adobe Colour profiles in LR and I like the results. They're not better as such, just different.
I have my X-T4 set to put Raw on one card and jpegs on the other. For motorsport stuff I tend to use Classic Chrome as a base, and for general photography I really love the look of Classic Neg. Coming from a Canon DSLR I never had anything like the film simulations available so I suppose I feel I should use them all the time.It's just whether you like the flavour of it's in camera processing that's all.
I have thought about it....and have set my X100 to shoot both RAW and Jpeg. However, old habits die hard.
I have my X-T4 set to put Raw on one card and jpegs on the other. For motorsport stuff I tend to use Classic Chrome as a base, and for general photography I really love the look of Classic Neg. Coming from a Canon DSLR I never had anything like the film simulations available so I suppose I feel I should use them all the time.
I never understand the logic in this, I understand shooting JPGs with a Fuji in addition to the RAWs as you can zoom in further on the JPG on the camera, but with memory cards being cheap and the cameras pretty nippy, why not shoot RAW+JPG to each card. In your scenario if you had a RAW card failure (unlikely event I agree but still possible) then wouldn't you want the backup to also be RAW, you'd really kick yourself if your 'shot of a lifetime' was corrupted and you only had the JPG.
That's how I set mine up and although I've never had a card fail and never use the JPGS I think it is the wisest way.For my general, non-motorsport photography I tend to use the jpegs. I'm not shooting hundreds of images so I just grab them off the camera using the Fuji phone app and tweak them lightly in LR. But, I have the Raw to go back to should I ever want to do a more in depth edit, change the film simulation etc.I never understand the logic in this, I understand shooting JPGs with a Fuji in addition to the RAWs as you can zoom in further on the JPG on the camera, but with memory cards being cheap and the cameras pretty nippy, why not shoot RAW+JPG to each card. In your scenario if you had a RAW card failure (unlikely event I agree but still possible) then wouldn't you want the backup to also be RAW, you'd really kick yourself if your 'shot of a lifetime' was corrupted and you only had the JPG.
That's how I set mine up and although I've never had a card fail and never use the JPGS I think it is the wisest way.
. I've had a digital camera for 15 years and never, ever had a card fail.
I shoot RAW and JPEG on separate cards. I’ve also never had a card fail so happy with that.
Depending on what the shot is, I will have a scroll through the profiles to see if I like any of the variants. Mono I will take a peek on Acros, and then sometimes adjust from there.Something I've been thinking about today; Do you use the built in Film Simulations? Either for SOOC Jpegs, or as a profile in Lightroom / C1 when processing your files?
I've decided not to get gear from MPB out of principle as they embellish the conditions of their stock a bit too much.
Really? I've always found the opposite. I usually go for "Good" condition and struggle to see any signs of use.
www.talkphotography.co.uk
Yes I always find this with MPB descriptions. "Like New" or "Excellent" but no box, or no lens hood, or no strap. How do you lose a lens hood? If the item has anything missing then it should be Good condition at best.See my recent thread on the subject.
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Disingenuous ad listing by stores
I’ve been looking at lots of used cameras lately online, descriptions such as “Like New” Missing items Missing original box…since when do you buy a new camera missing the original box. Having the original box should be a pre-requisite of the Like New tag. Missing caps or accessories - PC...www.talkphotography.co.uk
I find LCE's description to be a lot more honest and inline with my perception of condition and I find their prices also a lot more attractive.
Really like that. If you cropped the modern To Let sign and the street signs out it would be timelessView attachment 380326
Saturday worship
Early afternoon in Hull.
I should post more, but I’m a bit rubbish at keeping up.
T3 and Newer 25mm
Thank you. I think using Eterna has helped with that feel.Really like that. If you cropped the modern To Let sign and the street signs out it would be timeless




Scotland by Jamie Moulton, on Flickr
Scotland by Jamie Moulton, on Flickr
Scotland by Jamie Moulton, on Flickr
Scotland by Jamie Moulton, on FlickrTook a trip to Glencoe area last week. I was hoping for some snowy/frosty sunrise shots, so I checked weather reports for the past decade, referenced old youtube videos from the area etc, late January is pretty much a sure thing... Soon after booking late last year, I saw the headline that for the first time in decades, Scotland was 100% snow free...
Fast forward to January and as the day creeps closer, Thomas Heaton is posting a series of videos from a VERY snowy Scotland, while the forecast for my trip was saying "Strong winds and heavy rain" - After a 10 hour drive we arrived to just that. I didn't sleep well, still pretty wired from the drive, and after a while started to see a little bit of colour coming through the crack in the curtains. I dragged myself out of bed to get outside and shoot a few shots as the sun popped up. Little did I know this was going to be the only semi-decent light we'd get. We'd arrived in the dark so hadn't done any recon for where to go or where to park other than some bookmarks on google maps, so we opted to stay around the grounds of the hotel for the sunrise....
Scotland by Jamie Moulton, on Flickr
Scotland by Jamie Moulton, on Flickr
Scotland by Jamie Moulton, on Flickr
After breakfast, we headed out o some of the spots I had marked on the map, first of which was "Lochan na h-Achlaise" -
Scotland by Jamie Moulton, on Flickr
I'm glad we forced ourselves up and out, as from lunchtime onward the weather moved in and photography for the rest of the trip wasn't great - either heavy rain and poor visibility, or flat grey skies. There are a few more to come, but they require some serious polishing and rolling in glitter.
Despite the weather though, it was an amazing trip and an awe inspiring place to see regardless of photography. I highly recommend it to anyone who hasn't been yet.
For a variety of reasons, not picked up a camera for a nearly a month - but today it was sunny (though cold) a trip to the seaside was in order. (All X100F)
Sea View - Llandudno by David Yeoman, on Flickr
Pier View - Llandudno by David Yeoman, on Flickr
Pirates - Llandudno by David Yeoman, on Flickr
Into The Sun - Llandudno by David Yeoman, on Flickr
View attachment 380550
Closed on Wincolmlee
One from a wander round the best part of Hull.
T3 - 25mm Acros
A walk around Beeston and Peckforton on Saturday with my X-T4 and the 18-55mm kit lens. The weather was dull, grey and murky so none of my landscape shots were any good, but I still had a willing model with me
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Typical !!
I have carried my little X100 around with me in my bag for weeks and not seen much that inspired me to snap away.
Didn't take the bag with the X100 in when we went out on Monday, as we were only going to a couple of shops in town and to the wife's blood donor appointment. Decided to bimble along the seafront as we had a few mins to spare, there was a sea mist meaning wasn't alot to see but spotted this from the van, pulled over and literally snapped it quick with my (ahem) iPhone.
Foggy SUP’er by iam_BLOATER, on Flickr
And it made Flickr Explore![]()
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Absolutely stunning selection of shots.Took a trip to Glencoe area last week. I was hoping for some snowy/frosty sunrise shots, so I checked weather reports for the past decade, referenced old youtube videos from the area etc, late January is pretty much a sure thing... Soon after booking late last year, I saw the headline that for the first time in decades, Scotland was 100% snow free...
Fast forward to January and as the day creeps closer, Thomas Heaton is posting a series of videos from a VERY snowy Scotland, while the forecast for my trip was saying "Strong winds and heavy rain" - After a 10 hour drive we arrived to just that. I didn't sleep well, still pretty wired from the drive, and after a while started to see a little bit of colour coming through the crack in the curtains. I dragged myself out of bed to get outside and shoot a few shots as the sun popped up. Little did I know this was going to be the only semi-decent light we'd get. We'd arrived in the dark so hadn't done any recon for where to go or where to park other than some bookmarks on google maps, so we opted to stay around the grounds of the hotel for the sunrise....
Scotland by Jamie Moulton, on Flickr
Scotland by Jamie Moulton, on Flickr
Scotland by Jamie Moulton, on Flickr
After breakfast, we headed out o some of the spots I had marked on the map, first of which was "Lochan na h-Achlaise" -
Scotland by Jamie Moulton, on Flickr
I'm glad we forced ourselves up and out, as from lunchtime onward the weather moved in and photography for the rest of the trip wasn't great - either heavy rain and poor visibility, or flat grey skies. There are a few more to come, but they require some serious polishing and rolling in glitter.
Despite the weather though, it was an amazing trip and an awe inspiring place to see regardless of photography. I highly recommend it to anyone who hasn't been yet.
Thank you. Originally shot them using a Fuji Superia 800 jpeg film simulation recipe but really didn't like the results on such a dull day so had to reprocess them.Nice selection of pics![]()
As the saying goes, the best camera is the one you have with you.Typical !!
I have carried my little X100 around with me in my bag for weeks and not seen much that inspired me to snap away.
Didn't take the bag with the X100 in when we went out on Monday, as we were only going to a couple of shops in town and to the wife's blood donor appointment. Decided to bimble along the seafront as we had a few mins to spare, there was a sea mist meaning wasn't alot to see but spotted this from the van, pulled over and literally snapped it quick with my (ahem) iPhone.
Foggy SUP’er by iam_BLOATER, on Flickr
And it made Flickr Explore![]()
![]()
As the saying goes, the best camera is the one you have with you.