Red Sky at Night by Graham Norton, on Flickr
Ex-Pro make excellent batteries. I prefer the White, but in reality there’s probably negligible difference.
Been a real wash out for me trying to doing any shooting but hopefully be up in the Lakes on my own this week.
Least I'm managing to sort some old stuff.
Fuji X-T2 and 16-55 f2.8
@dave.hallett , I have no problem with sharpness of my 10-24 at any aperture, even fully stopped down where I would/should experience diffraction.
EDIT
This is a 3-shot merge with the 10-24 at f11, through 3 filters.
Wain Wath, Swaledale by Stephen Lee, on Flickr
As far as I'm concerned I've never encountered any problems, going back only to 2014 admittedly.
I more or less only shoot landscapes and have never noticed this phenomena. However, I don't view at more than 100%.
There’s a case for either version. Personally for architecture and mechanical structures I usually prefer mono. But there’s sufficient colour detail in this, and in the sky, to make this iteration also interesting.Just a simple tourist type Fujigraph taken of the famous London Eye & County Hall. I have actually already posted a high contrast mono version of this snap and someone suggested it should be left in colour. So here it is.
X-T2, 18-55mm Lens, 1/640th @ F8, ISO-200, Handheld.
London Eye And County Hall (C)-03158C by G.K.Jnr., on Flickr
for looking.,
George.
Just a simple tourist type Fujigraph taken of the famous London Eye & County Hall. I have actually already posted a high contrast mono version of this snap and someone suggested it should be left in colour. So here it is.
X-T2, 18-55mm Lens, 1/640th @ F8, ISO-200, Handheld.
George.
A couple from me from today. Was pretty crappy weather but as it's been so long since I've been out, I decided to force myself. Turned into a lovely afternoon walking and/or standing in a stream in the end.
Overtoun Burn (Stone Bridge) by Ian Williams, on Flickr
Overtoun Burn (Timber Bridge) by Ian Williams, on Flickr
Cheers
Ian
Well worth the effort, particularly number 1
This is certainly a nice shot, but I think the mono has the edge. Mind you my other half would say the opposite. Horses for coursesJust a simple tourist type Fujigraph taken of the famous London Eye & County Hall. I have actually already posted a high contrast mono version of this snap and someone suggested it should be left in colour. So here it is.
X-T2, 18-55mm Lens, 1/640th @ F8, ISO-200, Handheld.
George.
Several on here have had the same dilemma. I think the general approach has been to sell the Canon gear and concentrate on the Fuji. You don't say what sort of photgraphy you do but the X-T2 will handle just about every type of photgrpahy that you can throw at it. Lanscapes, motor sport, wildlife, weddings and portraits. All handled extremely well.
I leave all that to the gear heads with more money than sense. I'm only ever looking to used bargains, smaller, lighter but still very capable packages. I've been eyeing M43, as a side to the ol' Fuji. Even my desire for the X-T2 has waned, it's not going to improve my end results so I don't need it. I think a teensy M43 camera actually might though.
This is certainly a nice shot, but I think the mono has the edge. Mind you my other half would say the opposite. Horses for courses
Money Tree (Crassula Ovata) Bud (1)-03545 by G.K.Jnr., on Flickr for looking., 
Just a simple macro/close up Fujigraph taken of a Money Tree (Crassula Ovata) Bud.
X-T1, 55-200mm Lens Plus Raynox 250, 125th @ F16, ISO-200, Modified Ring Flash, Handheld.
George.
I'm delighted I got away from Full frame, I don't have any GAS or urges for any new high end models that come out anymore. I couldn't give a monkey's about the D850 or whatever lump of over-priced brick Sony churn out, I don't care if they can do 99fps, have 10000 focus points and can swim to shore and dry themselves off after being dropped in a lake!
It's not just about gear though, my 1Ds2 with Sigma 50mm setup that I love, costs less than my X-T2 and 35mm setup, is cheaper than my X-T1 with the same lens, but not the X-E1! Of course it's also a massive brick of a setup compared to the Fuji's! The shutter sound is awesome though, like chambering a round with a 12 gauge
Gear aside, I just like FF more than crop when comparing lens equivalent setups. At the moment crop doesn't have the super fast AF lenses (sub f1.0) to make a good shout of it. In isolation I love the Fuji output, but alongside FF I just prefer a FF 35mm f1.4 over a crop 23mm f1.4. I still like the crop, which is why I still cling on to two setups!
I keep meaning to buy the mitakon 35mm f0.95 but they haven't got round to it. It's when considering this that I think more of a Sony FF mirrorless setup with small manual glass and larger AF glass as and when is needed. I Iike EVF and tiltable rear screens, and the tactile Fuji X-T1/2 bodies are great. I've literally tossed a coin to decide which setup to sell in the past, and only haven't gone through it as it's such a pain to sell (mpb never offer me anything close to second hand sale price, I don't know how others get that), Fuji has lost out on each coin toss my the way!
I don't shoot landscape at all, my main is candid family stuff as a happy snapper, but I like the wide open look (with moving subjects indoors a fast aperture is needed anyway).
