Thank you for the idea!Well done Simon![]()
Thank you for the idea!Well done Simon![]()
@Tricky01 if you want good kingfisher photos I can recommend this. I went last year and you are roughly 4m away from the kingfishers. Obviously you’re not guaranteed to see them, but they are ‘baited’ so you got as good a chance as anywhere. Plus they only have the hide during brooding seasons which increases the chances of seeing them.Good idea about running across the frame with a slow shutter and flash
Good luck with the Kingfisher.
Wow, that looks great! How long did you have in the hide and was the ‘workshop’ worth it? my brother is in Leeds so could make a nice opportunity to visit him.@Tricky01 if you want good kingfisher photos I can recommend this. I went last year and you are roughly 4m away from the kingfishers. Obviously you’re not guaranteed to see them, but they are ‘baited’ so you got as good a chance as anywhere. Plus they only have the hide during brooding seasons which increases the chances of seeing them.
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Here’s my photos from the day. The weather wasn’t great but I think they turned out OK nonetheless.
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I think it was 5 hours from memory, which was more than enough imo. I’ve done a couple of bird hide shoots and they’re not for me really as there’s a LOT of sitting around doing nothing.Wow, that looks great! How long did you have in the hide and was the ‘workshop’ worth it? my brother is in Leeds so could make a nice opportunity to visit him.
I’ve also found a similar place closer to me in Hampshire Here - you get just over 9 hours but no support. I think I’ll go for where ever you get longest time to maximise chance of getting a half decent shot, unless you found the tuition helpful?
What time of year did you go?
That was a bargain buy, I was sorely tempted but I already have the 35GM and would more than likely to look to sell it on, so felt it's better going to someone that'd use it for a while.I have an unexpected new toy - Sigma ART 35 f1.2. If you thought the 50 f1.2 GM was a big ol' lump, this kicks that lens into touch. If the weather isn't utterly impossible I'll be trying it around Blenheim tomorrow.
I have an unexpected new toy - Sigma ART 35 f1.2. If you thought the 50 f1.2 GM was a big ol' lump, this kicks that lens into touch. If the weather isn't utterly impossible I'll be trying it around Blenheim tomorrow.
Mainly for astro, but I much prefer a physical cable, often don’t want to be draining my iPhone battery when I’m out in the wilderness. Plus, given I’ve already got a perfectly good one, I’m hoping someone else has trialled a 3.5mm to usb-c cable and found it successfulWhat’s your use case?
There are various apps etc out there that will emulate the Bluetooth remote (I made my own, a page or two back for the Apple Watch but I’ve not released it, there are others out there for iOS/android though).
I use one of theseAny A1 shooters out there got recommendation for cheap shutter release?
Having already rebought the same bloody pixel one from the old Sony a-mount plastic block plug onto the Sony e-mount micro USB, it now seems I need another one for Sony A1 now the micro isb is dropped.
Ideally I’d like to just replace the cable - the remote works fine, just need the 3.5mm to USB-C cable, but presumably there’s more to it than that? Anyone have any experience?
Mainly for astro, but I much prefer a physical cable, often don’t want to be draining my iPhone battery when I’m out in the wilderness. Plus, given I’ve already got a perfectly good one, I’m hoping someone else has trialled a 3.5mm to usb-c cable and found it successful
I've found this with all my GM lenses, I wish the lock worked wherever you set it to rather than just between auto and manual.So, siggy 35 f1.2.
Nice lens, but that aperture ring is DO annoying, the way it rotated un-noticed. AF is a bit noisy and fussy after the GM50, but no worse than other 3rd party lenses and better than some. Still working through yesterday's pics, but I think it's a good pairing with the 50.
Prices have definitely went up in the last couple of years. The job has changed a lot in the same time frame though in terms of the work most need, to put into marketing.
I shot around 50 weddings this year (crazy looking back at a thread I made in 2017... Here)




Neverland-14 by Anton Ertl, on Flickr
Great shots, and I have to agree it’s looking like an excellent lens.A few from the Sigma 35 f1.2 on NYD. I like the rendering of this lens, and there's a gentleness and softness that enhances 'people' shots, even though it's a super-sharp lens - not at all crunchy like Sony lenses tend to be.
Classic subject separation at f1.2
Neverland-3 by Anton Ertl, on Flickr
Probably => 100% at full size, from the top left corner.
Neverland-7 by Anton Ertl, on Flickr
Take Me Peter!
Neverland-8 by Anton Ertl, on Flickr
f14 after the aperture ring got moved
Neverland-9 by Anton Ertl, on Flickr
f4 (not 14) a bit later as it kept moving.
Neverland-14 by Anton Ertl, on Flickr
Back to f1.2 for the chapel interior.
Neverland-16 by Anton Ertl, on Flickr
I think f1.2 lenses could become addictive.
Great shots, and I have to agree it’s looking like an excellent lens.
Can I ask what the issue is with the aperture ring? Is it just free spinning instead of clicked? Apologies if it’s been mentioned before, I’m gradually preferring 35mm over 50mm and am considering a wide aperture 35mm prime.
Many thanks
I can't comment on the Sigma 35mm but on every lens I own with an aperture ring even when set to clicked the aperture ring can still move without you knowing such as when taking your camera out of the bag, picking the camera up etc. I've even accidentally moved it when zooming on my 70-200mm, I can't tell you how many times I've shot at f3.2 rather than f2.8 as I've not noticed the aperture ring had movedGreat shots, and I have to agree it’s looking like an excellent lens.
Can I ask what the issue is with the aperture ring? Is it just free spinning instead of clicked? Apologies if it’s been mentioned before, I’m gradually preferring 35mm over 50mm and am considering a wide aperture 35mm prime.
Many thanks
As I mentioned above I wish you could lock it in to a specific aperture, I can't imagine it's that difficult to do 
As I've just mentioned it still happens onl ighter lenses such as the 35mm GM. Does the Sigma not have a lock at all then? I must admit even if the lens is set to auto I've knocked the aperture via the control dial on the cameraThe lens is large and heavy (IIRC more than 1kg) and when handling it's easy to apply enough force to overcome the resistance of the ring without noticing. The ring has distinct soft click-stops, which would be enough on a lighter lens. I'll probably just put a piece of tape on to hold it in the auto position.

Most wedding photographers in the U.K include digitals in all packages.Great to look back and see where we've come from! You've got a beautiful website, but I'm interested in how come you provide all digital copies for download? Is that something you've always done, or a recent development - and if so, did it make any changes to the number of bookings you had? I'd have thought prints are a key extra revenue stream, or do you find them not worth the fuss / people don't buy them anymore?
And it's only going to change so much more over the coming years, I really think people will start wanting their photos a lot quicker than most currently deliver. I shot around 50 weddings this year (crazy looking back at a thread I made in 2017... Here)
It's been a good year and it's come pretty easy to be honest, like @f/2.8 no real show stoppers this year, but at the same time created some of my favourite work and pushed my own work towards the end of the year. Photographing an outside ceremony (No ambient light) in October 31st at 5.30pm was definitely a test! Delivered every wedding in 4 weeks which is something I'm very keen to continue.
I delivered 60 galleries, totalling 24710 photos.
This year is slightly quieter year which I'm kind of happy about, I shot barely anything personally other than a few trips to Brands and a couple of family outing and that really has to change as the kids will soon not be interested. That little girl in my avatar turns 10 next week! I've also started a little side hustle that I want to grow a bit and put some effort into that isn't photography related.
Gear wise for 2025, maybe a 85mm and that's probably about it. The A9ii's are still doing the job and see no reason to replace them.
The lens is large and heavy (IIRC more than 1kg) and when handling it's easy to apply enough force to overcome the resistance of the ring without noticing. The ring has distinct soft click-stops, which would be enough on a lighter lens. I'll probably just put a piece of tape on to hold it in the auto position.
Hi, many thanks for the quick replies, wow I didn’t realise the weight of the lens, I’ll have to handle a couple of the 35mm primes next time I’m in park cameras or LCE.I can't comment on the Sigma 35mm but on every lens I own with an aperture ring even when set to clicked the aperture ring can still move without you knowing such as when taking your camera out of the bag, picking the camera up etc. I've even accidentally moved it when zooming on my 70-200mm, I can't tell you how many times I've shot at f3.2 rather than f2.8 as I've not noticed the aperture ring had movedAs I mentioned above I wish you could lock it in to a specific aperture, I can't imagine it's that difficult to do
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Someone did.I wonder why no-one makes a lens with a kinda sprung bayonet type action for the aperture ring. So to adjust you’d pull it forward/back then turn, and it’d spring back into the setting.
Hi, many thanks for the quick replies, wow I didn’t realise the weight of the lens, I’ll have to handle a couple of the 35mm primes next time I’m in park cameras or LCE.
Great to look back and see where we've come from! You've got a beautiful website, but I'm interested in how come you provide all digital copies for download? Is that something you've always done, or a recent development - and if so, did it make any changes to the number of bookings you had? I'd have thought prints are a key extra revenue stream, or do you find them not worth the fuss / people don't buy them anymore?
Yes it can, and you can lock it in that position too but you can still knock the camera dial without noticing, although this wouldn't happen if you moved the zoom/focus ring like you can on the aperture ring.Can the aperture ring be disabled at all so your just adjusting in camera instead? But then i guess it takes away the enjoyment of the aperture ring which I’ve always found an appealing extra.
The couple get a gallery with minimal restrictions but guests get another version that can’t be downloaded from for free.


Have seen that before from memory it was to do with what products were put on the car.Sorry for the iphone pics but we had some mad frost on the bonnet of my wife's car yesterday
IMG_9295 by Toby Gunnee, on Flickr
IMG_9296 by Toby Gunnee, on Flickr
Cool effect - looks as if you have had the vehicle wrapped.Sorry for the iphone pics but we had some mad frost on the bonnet of my wife's car yesterday
IMG_9295 by Toby Gunnee, on Flickr
IMG_9296 by Toby Gunnee, on Flickr
We did that for a while but found guests were rarely happy to pay for digitals and didn’t sell many prints either. Also found that couples were sending the files direct to guests or letting them use their login.
Once we let guests download for free as well we seen a massive uplift in sales of printed products.