Mr Perceptive
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I'm going to turn the screen off and stick a round red sticker on the Fuji![]()
I'm going to turn the screen off and stick a round red sticker on the Fuji![]()
Yep, you have to realise what a camera is designed for. I think it's unrealistic to expect every shot in focus in this scenario with a non-sports camera. If it's getting 75% or higher sharp I think that's OK. I wouldn't expect a sports camera to nail every single shot like this either, especially when shooting at such shallow DOF. I'd be happy with 90% hit rate. With every camera I've ever owned dogs running towards the camera has been by far the most difficult thing for it to deal with.Well. I’m prepared to not be so harsh. It’s not marketed as an action camera. That job is given to A9. Nowadays A9iii. If that can’t keep up with a running dog then that’d be very disappointing. More testing required on my R5. Only my 1st attempt with the 70-200.
Probably take the Olympus out later this week.
Why, ones more of a sports orientated camera vs a landscape/studio camera? Also Olympus are no second rate camera manufacturer, they have plenty of tech knowhow and have been innovative in the software side of thingsIf I was Sony, I'd be so embarrassed that the Olympus can out perform.
Why, ones more of a sports orientated camera vs a landscape/studio camera? Also Olympus are no second rate camera manufacturer, they have plenty of tech knowhow and have been innovative in the software side of things![]()
Thanks mate. I’ll check it out.Regardless of what you purchase, there always seems to be an excuse that its the wrong camera or that the next model will be better. If I was Sony, I'd be so embarrassed that the Olympus can out perform.
Trevor, take a look at this link from 6.21 minutesView: https://youtu.be/HtWVbDEtStA?feature=shared
Thanks mate. I’ll change some settings and see how I get on. Very interesting video.Regardless of what you purchase, there always seems to be an excuse that its the wrong camera or that the next model will be better. If I was Sony, I'd be so embarrassed that the Olympus can out perform.
Trevor, take a look at this link from 6.21 minutesView: https://youtu.be/HtWVbDEtStA?feature=shared
#LiarLiarFocusing. Let’s hope the A9iii is a better version.
Not that it’s on my Radar…obviously..
Disgraceful behaviour, only bested by people that put a GTR badge on a Skyline GTSI'm going to turn the screen off and stick a round red sticker on the Fuji![]()
Disgraceful behaviour, only bested by people that put a GTR badge on a Skyline GTS
It identified as a BMW

Has anyone used any of the Ricoh GR cameras, if so are they truly pocketable? I've recently been looking at them as a 'take everywhere' camera but would want it to be pocketable and looking on camerasize it's only slightly thinner than the RX100's and whilst I could fit this into my pocket I wouldn't say it was a comfortable fit.
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That's what's always put me off in the past but then I've thought you don't have that option with a phone and it's rare I'll have issues using that.The lack of a vf of any kind would rule it out for me.
It has 35mm and 50mm cropsHas the earth turned on its axis, a fixed focal length lens??? - just think of the missed opportunities
In all seriousness, these are good cameras and well liked, but the lack of a viewfinder would do my head in

Sparrowhawk Staring by Andy Williams, on Flickr
Photomontage Sparrowhawk by Andy Williams, on Flickr
Sparrowhawk on left with Sparrows on the right. by Andy Williams, on FlickrYep, you have to realise what a camera is designed for. I think it's unrealistic to expect every shot in focus in this scenario with a non-sports camera. If it's getting 75% or higher sharp I think that's OK. I wouldn't expect a sports camera to nail every single shot like this either, especially when shooting at such shallow DOF. I'd be happy with 90% hit rate. With every camera I've ever owned dogs running towards the camera has been by far the most difficult thing for it to deal with.
Why, ones more of a sports orientated camera vs a landscape/studio camera? Also Olympus are no second rate camera manufacturer, they have plenty of tech knowhow and have been innovative in the software side of things![]()
You’re right of course. But it’s primarily a. sport/action/wildlife camera and marketing is aimed that way. Of course it’s still very capable of other genres.I'm classing Olympus /ON Systems on having one model variant, which is being used successfully for both wildlife and landscape shooting.
+1 on what Trev said. Most modern day cameras can be used “successfully” for all types of shooting, but many are better in one area than others.I'm classing Olympus /ON Systems on having one model variant, which is being used successfully for both wildlife and landscape shooting.
A phone has a very large and very nice screen. Sadly none of the current cameras have anything even close. I would be happy to lose evf with a good LCD. I much prefer it on these modern cameras, barely touched the evf at all. I'm allergic to themThat's what's always put me off in the past but then I've thought you don't have that option with a phone and it's rare I'll have issues using that.
That was quickSigma 500mm f5.6 officially announced, £2779.
Weight, and size compared to the 70-200mm GM II
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How did you manage to get your hands on it that quickly?Sigma 500mm f5.6 officially announced, £2779.
Weight, and size compared to the 70-200mm GM II
View attachment 415327
View attachment 415328
Not my photoHow did you manage to get your hands on it that quickly?
Very much so as seen in Alf's postingsYou’re right of course. But it’s primarily a. sport/action/wildlife camera and marketing is aimed that way. Of course it’s still very capable of other genres.
OK so, Sony's answer to the OM System 2 £2199 is the A1 £5879 or now the A9iii £6099 and maybe the A6700 £1799.+1 on what Trev said. Most modern day cameras can be used “successfully” for all types of shooting, but many are better in one area than others.
The OM1 is more focussed on sports and wildlife, and is a high speed camera. Whilst it can of course be used for landscapes it’s not its forte.
Similarly the A7RV can shoot everything, and whilst it’s capable of shooting fast action it’s not its forte, landscape and studio are.
Alf takes amazing photos, he's also been to some stunning locations. But taking the same photos on a high res full frame sensor will yield better results, just like shooting fast action on the OM1 yeilds better results (at least in terms of hit rate) than the A7RV.Very much so as seen in Alf's postings
OK so, Sony's answer to the OM System 2 £2199 is the A1 £5879 or now the A9iii £6099 and maybe the A6700 £1799.
Sony A7CR. Sony 70-350. Cheap double glazing. Cold dark raining outside. Warm inside. NO topaz. Hungry, wet Sparrowhawk. Only had to look to it's left
I understand where you're coming from Toby, however I'm afraid it's my opinion rightly or wrongly and over the years I've got pretty sick of promotional/review crap.Alf takes amazing photos, he's also been to some stunning locations. But taking the same photos on a high res full frame sensor will yield better results, just like shooting fast action on the OM1 yeilds better results (at least in terms of hit rate) than the A7RV.
There is no direct Sony equivalent to the OM1. The A6700 is probably closest but loses out in frame rate. The A1 and A9's have a sensor that has 4 times as much surface area therefore production costs are going to be greater, not just with the sensor but with other components such as IBIS etc so it's unrealistic to make a direct comparison.
I've always thought Sony bodies are overpriced though, the A1 should be £4000-4500 and the A9III around £3500 imo, although with the latter I don't know how much global shutters cost.
I don't get the view of sony should be "embarrassed", they make some very good cameras that are more competitive, and they make class leading lenses. M4/3 is a different philosophy, there are undoubtedly many pros for the system. There seems to be a misconception that it's somehow not a serious system, but it quite clearly is. The bodies and lenses are every bit as good as the big manufacturers, the only difference is sensor size.
You are of course entitled to your opinion, I'm not trying to change it I'm just trying to give a balanced reasonI understand where you're coming from Toby, however I'm afraid it's my opinion rightly or wrongly and over the years I've got pretty sick of promotional/review crap.
Depends on price and real life performance. It looks like a wider alternative to tamron 28-75mm.I'm still not getting this lens, seems neither here nor there to me but surely Sony thiks there's a market for it so hopefully it does well.
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Sony FE 24-50mm f/2.8 G Review: A Solution in Search of a Problem
The idea is to have a more affordable and compact lens alternative to the expensive 24-70mm G-Master while still having a fast f/2.8 aperture.petapixel.com
You are of course entitled to your opinion, I'm not trying to change it I'm just trying to give a balanced reason. I'm not sure what you mean by the promotional/review stuff?
Apparently it shows signs of stretching in the corners due to distortion compensation.Depends on price and real life performance. It looks like a wider alternative to tamron 28-75mm.
Mtf is ok, maybe nothing too spectacular but also not offensive. It should be decent for video, maybe stills on a7iv, A9 resolution bodies. It depends if they do much image stretching to arrive to the final output. I hope they don't; the cheapskates canon are all over publishing parents with lenses that struggle to even cover 18mm sensor height
Ahh right, I gave up reading/watching those kind of reivews a long time ago. I too was fed up of the latest model being the best thing out there and last months models suddenly being rubbish.I know where you are coming from. Re Promotional/reviews, always the best thing since sliced bread.