GyRob
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Northrups enough saidNot according to Northrups. You are better off with R5
Rob.
Northrups enough saidNot according to Northrups. You are better off with R5
Mmmm, 600mm f4Northrups enough saidI really don't think i will wish for a r5 over the a1 both will do what i want but there is no RF 600 f4 yet so that puts it in the shadow for me.
Rob.
I watched a video on YouTube last week showing that you can change the colour of the frame box that flashes on the A9/A9ii to show you’re taking photos in electronic shutter mode but I can’t find it and can’t find the video, anyone have any ideas how to do it?
The person on the video could change it to teal I think. I can find the option to change the colour of the AF box (white/red) but not the one that flashes when taking photos.
Thanks, but that seems to be the af focus box, but maybe changing that changes the frame I mentioned to. Trouble is I like the AF box white though if that’s the case :banghead:A9 v6.0. Now allows select Focus Frame Color !!!: Sony Alpha Full Frame E-mount Talk Forum: Digital Photography Review
Expert news, reviews and videos of the latest digital cameras, lenses, accessories, and phones. Get answers to your questions in our photography forums.www.dpreview.com
After watching their video the lenses used stood out to me. Would the smaller aperture of the Canon lens aid focusing!Not according to Northrups. You are better off with R5
There would obviously be less light because of that, which could be detrimental to focusing in low light, but they seemed to be in a bright day with lots of reflective snow. Mmmm, 600mm f4
I’m not sure why there’s not more people wanting slower, lighter more affordable primes such as a 400mm f5.6 or 600mm f8.
After watching their video the lenses used stood out to me. Would the smaller aperture of the Canon lens aid focusing!There would obviously be less light because of that, which could be detrimental to focusing in low light, but they seemed to be in a bright day with lots of reflective snow.
If looking at their video in isolation, without seeing any previous Sony cameras, some of which they themselves have lauded for the AF, you may get the impression that the a1 is rubbish at focusing. I doubt it is, and I doubt it would be worse than what Sony have done before.
It will be interesting to see more comparisons. And if there are any AF deficiencies, how quick Sony will address them with firmware updates.
The one lens I miss from my Canon days is the 300mm f2.8, razor sharp and took teleconverters perfectly. I believe Sony made one for A mount, is there one made for E mount that I've missed?Something like the Nikon 300mm f4 PF would be nice. can use 1.4x for 420mm/5.6 and 2x for 600mm f8.
No, just the 400mm f2.8 which is a bit of a beast.The one lens I miss from my Canon days is the 300mm f2.8, razor sharp and took teleconverters perfectly. I believe Sony made one for A mount, is there one made for E mount that I've missed?
That combination is very nice but only manual focusSomething like the Nikon 300mm f4 PF would be nice. can use 1.4x for 420mm/5.6 and 2x for 600mm f8.
I have the Tamron 17-28 much better lens than the Sony 16-35 f/4. Not quite as good as the G.M but I prefer the Tamron anyway as it’s small and light weight.Has anyone used the 17-28mm Tamron. The back pocket is now nearly empty but I have bought every lens I will need for the Sony with the exception of a ultra wide angle. If we get our freedom back I will be regularly shooting landscapes and a 16-35mm was my lens of choice on both Nikon and Canon. I have the 24-70GM so not too fussed losing at the narrow end but I do wonder if I will miss 16mm. I am also hoping it will double up as an astro lens for the once or twice a year I shoot astros. The other options are a 16-35mm GM but one of the reasons I moved to Sony was size and the Tamron wins hands down there. The other option is don't go with an ultrawide zoom and get a 20mm F1.8 or even a 21mm F2.8 that can cover astro and when I need something wider. The Tamron is favourite right now as I think it will make a good street lens in crop mode on the A7R IV. Any views welcome.
I’m happy with the 16-35mm f4, it’s usually used at f8-11 so sharpness is very good IMO. That being said f4’s too slow for Astro so the Tamron would be my choice.Has anyone used the 17-28mm Tamron. The back pocket is now nearly empty but I have bought every lens I will need for the Sony with the exception of a ultra wide angle. If we get our freedom back I will be regularly shooting landscapes and a 16-35mm was my lens of choice on both Nikon and Canon. I have the 24-70GM so not too fussed losing at the narrow end but I do wonder if I will miss 16mm. I am also hoping it will double up as an astro lens for the once or twice a year I shoot astros. The other options are a 16-35mm GM but one of the reasons I moved to Sony was size and the Tamron wins hands down there. The other option is don't go with an ultrawide zoom and get a 20mm F1.8 or even a 21mm F2.8 that can cover astro and when I need something wider. The Tamron is favourite right now as I think it will make a good street lens in crop mode on the A7R IV. Any views welcome.
I mine and have been making a fair bit recently. Should have enough for the 20mm f1.8 in a couple of weeks.
Pretty sure the 300mm f4 PF is an AF lensThat combination is very nice but only manual focus![]()
The one lens I miss from my Canon days is the 300mm f2.8, razor sharp and took teleconverters perfectly. I believe Sony made one for A mount, is there one made for E mount that I've missed?
If the Canon tele F11 primes are successful I wonder if Sony, or even third party will bring out something to compete? F11 doesn't interest me, but if they could do an 600mm f8 sub £2k no more than 1.2kg that could be of interest.
I don’t mind using a 1.4 x TC but my experience with 2x TC’s isn’t great. A 400mm f4 would be nice, but seeing the cost, size and weight of Canon’s I’m not sure it’s a good ideaas i have said in other places I am sure there are parts of the world where f11 is perfectly fine but UK isn't one of them
same applies to some extent for f8 which is why I'd prefer a small 300mm f4 that I can use with teleconverters. And thanks to nikon we already know how light a good 300mm f4 can be.

Canon’s 400mm f4 isn’t huge for what it is. It’s about 30mm longer than Sony 100-400 when is closed. When the 100-400 is extended to 400mm it’s about 50mm longer the the 400mm f4. Of course it heavier than the 100-400 but 2.1kg isn’t that heavy in the scheme of lenses. I reckon they could get it below 2kg with new materials/tech.I don’t mind using a 1.4 x TC but my experience with 2x TC’s isn’t great. A 400mm f4 would be nice, but seeing the cost, size and weight of Canon’s I’m not sure it’s a good idea![]()
I don’t understand Canons thinking with the 100-500 f4.5-f7.1 let alone the 600mm f11!as i have said in other places I am sure there are parts of the world where f11 is perfectly fine but UK isn't one of them
same applies to some extent for f8 which is why I'd prefer a small 300mm f4 that I can use with teleconverters. And thanks to nikon we already know how light a good 300mm f4 can be.
Does anyone actually take them seriously? You can't watch one of their videos without them shoving their E-books or online tutorials down your throat every 15 seconds.Not according to Northrups. You are better off with R5
Canon’s 400mm f4 isn’t huge for what it is. It’s about 30mm longer than Sony 100-400 when is closed. When the 100-400 is extended to 400mm it’s about 50mm longer the the 400mm f4. Of course it heavier than the 100-400 but 2.1kg isn’t that heavy in the scheme of lenses. I reckon they could get it below 2kg with new materials/tech.
It’s the one lens I’d be interested in if Sony did release a 400mm f4, but the down side is it would likely cost £6K+. It would be a great option against the 400mm f2.8 which isn’t as portable/travel friendly and the 100-400/200-600 that are a stop slower.
Does anyone actually take them serious? You can't watch one of their videos without them shoving their E-books or online tutorials down your throat every 15 seconds.
I don't but I think a lot of people do, and anyone watching that will think A1 is a joke for £6.5k
Looking at your recent posts you seem to be keen to switch to Canon so why not give it a go?
Looking at the last of the Minolta 300 f/2.8's (which had SSM) and the Sony 300 f/3.8 SSM on Dyxum they appear identical, so I imagine it was just a rebadge (as Sony did with a number of the Minolta lenses).None on e-mount yet. Not sure if they even made the A-mount version or they copied the Minolta version. A-mount had the most versions of 300mm f2.8. they are all very nice but the problem with adapting them is you can't use TC with the adapter. You wouldn't have this problem adapting EF mount glass on a RF body.
I think this is why Mark Galer got his new vid out quickly to put things right.I don't but I think a lot of people do, and anyone watching that will think A1 is a joke for £6.5k
It’s to do with the diffractive optics technology in the 400mm f4 isn’t it. I’m not 100% sure on the technology but thought it was similar in how the Nikon PF technology reduces the size of the Nikon 300mm f4 over standard lens construction.Always wondered why 500mm f4 was so much larger than 400mm f4.
That's what he says in the intro to the video - he's released it quicker than he normally would because he's had enough of people sending him questions about 'faults' highlighted in other reviews that are just wrong, as far as he can tell.I think this is why Mark Galer got his new vid out quickly to put things right.
Rob.