Being a "new" mirrorless system this is where Sony lacks. Probably because there is less of a market for it so it's one of the last things to get addressed.
But from what I gathered light was more of an issue then reach. So you'd benefit more from likes of 200mm f2 than a 300mm f2.8?
If you can get closer then the 135mm f1.8 would also give you fair bit more light.
Sorry for lack of clarity, I'm mixing up two concert scenarios..
The school hall where I shoot 70-200 2.8, I can skirt around the edges - a zoom is needed really as students go from middle to edge - even if I found the 135 1.8 / 200 2.0 to work for some shots, since I can end up shooting portraits of every student performing from near to far, without being able to move much - then a zoom is convenient.
The g-live concert/event hall where I originally shot 100-400 4-5.6 because the hall is bigger and I'm positioned further away - this is when I had the original 'no noise' request... which when you're 400mm @ 5.6 indoors with shutter speeds needed it's understandable the ISO might have peaked. This is where my predecessors 300mm 2.8 would have coped better
Ah and that 400mm 2.8 would be nice for the sport I shoot, particularly when it comes to winter afternoons..
Working with a set of fast telephoto primes when a zoom is needed would be cumbersome and very expensive, having better bodies benefits every shoot.


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