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This thread is 90% arguing over inane sh*t and 10% Sony talk, let's be honest here. This is the first page in 800 that nobody's thrown a strop, no doubt.![]()
Lol
This thread is 90% arguing over inane sh*t and 10% Sony talk, let's be honest here. This is the first page in 800 that nobody's thrown a strop, no doubt.![]()
You can tell it's evolved, as opposed to radically different.
As opposed to Audi with their virtual cockpit and Volvo's big iPad looking centre console.
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What Tom said... I'd buy it if it was more reasonableWill somebody please buy that A6000 in the classifieds. £280 is waaaay too reasonable.
Youve all got too much money for my liking.the most expensive car ive ever owned was a Micra till the other half wrote it off,thats when i gave up on cars and went fully pushbike.
Never looked back.
Think i need to move to the cheap compacts thread![]()
Playing with Processing - Wedding by dancook1982, on Flickr
Playing with Processing - Wedding by dancook1982, on Flickr
Playing with Processing - Wedding by dancook1982, on Flickr
Playing with Processing - Wedding by dancook1982, on Flickr
Playing with Processing - Wedding by dancook1982, on Flickr
Playing with Processing - Wedding by dancook1982, on Flickr
Playing with Processing - Wedding by dancook1982, on Flickr
Playing with Processing - Wedding by dancook1982, on Flickr
Playing with Processing - Wedding by dancook1982, on Flickr
Playing with Processing - Wedding by dancook1982, on Flickr
Playing with Processing - Wedding by dancook1982, on Flickr
Playing with Processing - Wedding by dancook1982, on FlickrSorry to interrupt with Sony/Photography related business...
Sorry to interrupt with Sony/Photography related business...
I really quickly skimmed through some photos from last week - just to try some processing out to see if it would work across differently scenarios. I think I'm wondering if I've made the whites too flat now I see them in the thread. The green shadows is going to be a matter of taste.
Here's a few photos,
If there's a particular lens I have anyone want to see, I can always try to find a good example of that lens output
35/50/85 1.4
16-35, 24-70, 70-200 2.8
Playing with Processing - Wedding by dancook1982, on Flickr
Playing with Processing - Wedding by dancook1982, on Flickr
Playing with Processing - Wedding by dancook1982, on Flickr
Playing with Processing - Wedding by dancook1982, on Flickr
Playing with Processing - Wedding by dancook1982, on Flickr
Playing with Processing - Wedding by dancook1982, on Flickr
Playing with Processing - Wedding by dancook1982, on Flickr
Playing with Processing - Wedding by dancook1982, on Flickr
I like the processing, to my taste it could do with a tiny little bit less green but I like the muted tones and overall feel of the images.
What Tom said... I'd buy it if it was more reasonable![]()
Great images but the processing is not to my taste tbh. They do look a little flat (as though they're shot on a dark overcast day, which of course they could have beenSorry to interrupt with Sony/Photography related business...
I really quickly skimmed through some photos from last week - just to try some processing out to see if it would work across differently scenarios. I think I'm wondering if I've made the whites too flat now I see them in the thread. The green shadows is going to be a matter of taste.
Here's a few photos,
If there's a particular lens I have anyone want to see, I can always try to find a good example of that lens output
35/50/85 1.4
16-35, 24-70, 70-200 2.8
Playing with Processing - Wedding by dancook1982, on Flickr
Playing with Processing - Wedding by dancook1982, on Flickr
Playing with Processing - Wedding by dancook1982, on Flickr
Playing with Processing - Wedding by dancook1982, on Flickr
Playing with Processing - Wedding by dancook1982, on Flickr
Playing with Processing - Wedding by dancook1982, on Flickr
Playing with Processing - Wedding by dancook1982, on Flickr
Playing with Processing - Wedding by dancook1982, on Flickr
Sorry to interrupt with Sony/Photography related business...
Great images but the processing is not to my taste tbh. They do look a little flat (as though they're shot on a dark overcast day, which of course they could have been) and there's too much of a green hue for me. As you say though, it's all purely taste and as long as you and/or clients are happy that's what matters. The actual shots are great though.
I borrowed a Samyang 35/2.8 off a friend of mine last night to test out the performance on my A7 and am seriously impressed. The AF speed is excellent and it's a tiny lens. Ok, I know it's 'only' 2.8 but it's sharp wide open and weighs next to nothing so seems like a bargain of a lens.
It is a pain trying to develop a preset that you're happy with for most shots when you change cameras isn't it? Took me ages to be finally happy with one for my Olympus and D750. I've now got to develop one for my D850 although I think it's just going to require a minor tweak from the D750. The colours do seem slightly more Canon-esque to my eyes, whereas the D750 were more true to life. Could also be in part down to WB too, there's some new auto WB settings on the D850, it has 3 auto WB settings (normal, keeping warm colours and keeping white [reducing warm colours]) as well as natural light auto. They're getting too sophisticated/complicated for their own goodi'm not delivering to the client (the main tog will process all), and my processing is still a work in progress.. I agree with too much green in the shadows, I will work on it before I start delivering to my own client (Louise's brother, his wedding in July)
It is a pain trying to develop a preset that you're happy with for most shots when you change cameras isn't it? Took me ages to be finally happy with one for my Olympus and D750. I've now got to develop one for my D850 although I think it's just going to require a minor tweak from the D750. The colours do seem slightly more Canon-esque to my eyes, whereas the D750 were more true to life. Could also be in part down to WB too, there's some new auto WB settings on the D850, it has 3 auto WB settings (normal, keeping warm colours and keeping white [reducing warm colours]) as well as natural light auto. They're getting too sophisticated/complicated for their own good![]()
I wish I had your eye for a photo though![]()
@dancook Nice set, already been said, greens.
thanks - yea, it started off I quite like them - then when I've done a bunch of photos I start to change my mind, particularly when you place them next to each other in a threadI'll get it right when i deliver in July!
I can’t view those images but assuming they’re similar to this? Apart from having the main things in the same place they’re pretty different looking
View attachment 124464
I prefer the older interior as well, the newer one reminds me of a Halfords stereo displayFortunately my X5 is somewhere in between. I agree that Audi interiors are nice though. I’m not a massive fan of Merc interiors but the A45 AMG’s is nice.
Wilkinson's A73 pre-orders - Did they come through with the £300 discount?
I borrowed a Samyang 35/2.8 off a friend of mine last night to test out the performance on my A7 and am seriously impressed. The AF speed is excellent and it's a tiny lens. Ok, I know it's 'only' 2.8 but it's sharp wide open and weighs next to nothing so seems like a bargain of a lens.
Loving the 35 f1.4 I honestly don't seen any difference between this and a Sigma Art, AF seems great. Would be tempted by the f2.8 for travel potentially.
Im a bit stuck, I know the Zeiss is better in every way and I was lucky to get a nice copy, but theres money to be saved by keeping the Samyang instead.... but its my most used FL so I really should keep the better lens... or should I.... AAARRRGGGHHHHH! Choice can be a real PITA.
The Sigma art is soooo much cheaper and for those willing to use it with an adapter it must be very tempting. Is the Sony/Zeiss that much better?
The Sigma art is soooo much cheaper and for those willing to use it with an adapter it must be very tempting. Is the Sony/Zeiss that much better?
Im a bit stuck, I know the Zeiss is better in every way and I was lucky to get a nice copy, but theres money to be saved by keeping the Samyang instead.... but its my most used FL so I really should keep the better lens... or should I.... AAARRRGGGHHHHH! Choice can be a real PITA.
Are you talking 85/1.4s?... the "native" Sigma will come in at £700 but its still a DSLR design with DSLR motors.
I borrowed a Samyang 35/2.8 off a friend of mine last night to test out the performance on my A7 and am seriously impressed. The AF speed is excellent and it's a tiny lens. Ok, I know it's 'only' 2.8 but it's sharp wide open and weighs next to nothing so seems like a bargain of a lens.