jonneymendoza
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Yea the art lens is legendaryAs long as I can use the 35 ART on whatever camera with good af I'll be happy.
Yea the art lens is legendaryAs long as I can use the 35 ART on whatever camera with good af I'll be happy.
Also did u know that the A9 is lossley compressed not fully compressed like the A7 bodies?
People wanted Lossley compressed and they got it on the A9. thats why there is next to no difference between the a9 compressed and uncompressed raws
They have it nowEveryone else has had it forever.
Everyone else has had it forever.
yea its the first to have it.It's a world's first! .. world's first Sony camera to have Lossley??? compression
Testing A7r2 with sigma 35,, art. For @twist
View: https://www.youtube.com/watch?v=eOljLMYdEoI
near darkness
View: https://www.youtube.com/watch?v=VYWGuH8xc0c
decent light
I'm using my phone to record lolJust a suggestion but you might want to spot meter and manually focus on the rear screen when shooting these videos so it doesn't blow out or end up blurred.
I'm using my phone to record lol
I just got the A7 - first mirrorless camera - I just stuck the lens on (28-70) inside and tried the viewfinder inside the house, it looks flickery and not fully clear - is this normal or do I need to return it?
Can't help thinking that 24MP with a better ISO range would be 'preferred' by most punters
What are your thoughts on my video
What are your thoughts on my video
I guess it's very difficult to test that scenario on a dynamic low contrast scene. But when taking street photos it focuses fine. Basically in the real world usage it's fine. I don't shoot fast action on this lens though as it's too wide for thatThanks for doing them but they don't really prove that much in terms of difficult focusing (besides that it can achieve a lock in low light), the subjects have lots of contrast and are stationary, in comparison to a DSLR the good light shoot looks slow as it has that 2nd focus adjust before lock (id say this is down to the type of motor in the DSLR designed lens).
From what I've read the combo really suffers more than native with lower contrast subjects. Sony has made very good progress though over the years with adapted stuff.
Can't help thinking that 24MP with a better ISO range would be 'preferred' by most punters
Here you go @Riz_Guru and @jonneymendoza Something for the seasoned street shooters;
https://www.kickstarter.com/project...fastest-and-coolest-always-in-foc/description
A bargain too...
Thanks for doing them but they don't really prove that much in terms of difficult focusing (besides that it can achieve a lock in low light), the subjects have lots of contrast and are stationary, in comparison to a DSLR the good light shoot looks slow as it has that 2nd focus adjust before lock (id say this is down to the type of motor in the DSLR designed lens).
From what I've read the combo really suffers more than native with lower contrast subjects. Sony has made very good progress though over the years with adapted stuff.
This takes me back to my first camera, a Kodak Instamatic. This is also how I sometimes used my Panny LXx cameras. Great Stuff![]()
I guess it's very difficult to test that scenario on a dynamic low contrast scene. But when taking street photos it focuses fine. Basically in the real world usage it's fine. I don't shoot fast action on this lens though as it's too wide for that
It would be great if the price matched the technology. It's basically the same as the Olympus lens cap lens (except that one allows some control over focus) but the cheapest option on this one is well over £250 for a mediocre lens.
It's difficult to manufacture items for a low price in smaller volumes but there's nothing stopping anyone setting any other 35mm lens to F8 and hyperfocal focusing to get the same 'experience'.
Yup
I do think there's something very pure and lovely about a camera with maybe two controls, a shutter button and a daylight/nightime selector switch. I love cameras like that. This new thingy isn't that but using it would make me smile![]()
There you go Alan, save all those buttons getting in the way of the purity;
http://www.currys.co.uk/gbuk/cameras-and-camcorders/digital-cameras/compact-and-bridge-cameras/vivitar-ve128-compact-camera-black-10159275-pdt.html?store=2810&cmpid=ppc~gg~(PLA)-LOCAL~~Exact&istCompanyId=bec25c7e-cbcd-460d-81d5-a25372d2e3d7&istItemId=xplrxrtrll&istBid=t&srcid=198&cmpid=ppc~gg~0001+(PLA)+COMPACT+CAMERAS~All+Compacts~Exact&mctag=gg_goog_7904&kwid=GOOGLE&device=m&ds_kids=92700021554124369&PLA=1&gclid=CKaov5Pc9tQCFTcW0wod2pAGsA&gclsrc=aw.ds&dclid=CO_E45Pc9tQCFYKkUQodsKEAuA
;0)

The fact that my test was done in almost complete darkness and managed to obtain AF has to be a plus point and that was not even with the A9 but the old A7r2When some people talk about low light they mean ISO 1600/3200 and reasonable shutter speeds in a well lit high street or daylight indoors not actual darkness. In real world "low light" shooting I'm sure many people and perhaps even most will be perfectly happy.
When some people talk about low light they mean ISO 1600/3200 and reasonable shutter speeds in a well lit high street or daylight indoors not actual darkness. In real world "low light" shooting I'm sure many people and perhaps even most will be perfectly happy.
I already have something.... A Medion 85173. Apart from the usual play, delete etc it only has one button, the shutter button
I still have the Kodak I got when I was 10 and I also have a newer Jessops 35mm compact camera.
3D Printed 6x7 Pinhole - Fuji Pro160S by Steve Lloyd, on FlickrThat depends entirely on what you photograph. Static subjects it could be great, as soon as it moves and you need to use caf it could be crap.