Test strip negatives to determine ISO, is this viable?

EdBray

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Edward Bray
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I puchased some 4x5 Toyo Film Holders (7) which were pretty much like new, they were all sent dark side showing of the Dark Slide so was surprised to find when I opened one up that it had film in it. The film has a shallow semi-circular notch about 8mm wide and 2mm deep, the film has a green/grey emulsion with a very dark grey back. I then took all the holders up to my newly created darkroom (just absolutely light tight not set up as a proper darkroom) and checked them all, they all are loaded with the same film stock.

I have since done a bit of searching on the interweb and it would seem that a lot of suppliers have supplied sheet film with just a single semi-circular notch and the same manufacturers have even used the same notch for different film speeds. All I know at the moment is that it is not Shanghai 100 as even though that also has a semi-circular notch the film has a blue colour which is completely different to this film/

So, as I do not know what the film speed is I was thinking of doing an 4 strip test (ISOs 25, 50, 100 & 400) on one of the sheets of film with each strip based on part of an overall exposure to try to determine the ISO.

Assuming the exposure is based initially for an ISO400 film and with a constant aperture, I realise that I would have to have a number of varying exposures to build up the required exposure for the strip, assuming an aperture chosen to allow 1/200sec at ISO400 the film would be exposed, then the darkslide would be inserted about an inch (giving the strip an exposure for ISO400), for the following strip I would need another exposure of 1/200sec plus a further exposure of 1/100sec before pushing the darkslide in for the strip (giving enough exposure for a speed of ISO100), the following strip would have already had exposures giving ISO100 before a further exposure of 1/50sec which would give an exposure of the remaining uncovered film equalling a film speed of ISO50 before covering up the strip, the last strip will receive a further exposure of 1/25sec which would then give an exposure equal to that required of an ISO25 film.

So just to make sure I have got this correct:

ISO400..........ISO200..........ISO100..........ISO50..........ISO25

.1/200............1/200 ............1/200...........1/200...........1/200
.....................1/200 ............1/200...........1/200...........1/200
..........................................1/100...........1/100...........1/100
...............................................................1/50............1/50
.................................................................................1/25

I wouldn't bother with the ISO200 as not many films have been made at that speed. Speeds in Orange are the exposures required to complete the next strip.

So, provided I secure the film with some double sided tape (made less sticky first) does anyone see any problems with my suggestion? If so, any better alternatives other than shooting 4 seperate sheets at the various ISOs?
 
you could pick one ISO and then work from that when you have the result? chop a small piece off the film and shoot it as ISO 100, then work on how much you need to over or under expose from to get better exposure

I can guarantee it isnt PanF+ as it wasnt made in 5x4 :)
 
you could pick one ISO and then work from that when you have the result? chop a small piece off the film and shoot it as ISO 100, then work on how much you need to over or under expose from to get better exposure

I can guarantee it isnt PanF+ as it wasnt made in 5x4 :)

I'm pretty sure it is of Eastern European or Chinese manufacture.

I'm hoping it's EFKE 25 as that would be awesome to try.
 
Efke 25 is the same as Adox 25 i believe, which is dark blueish with a grey backing. It's pretty intolerant of dodgy exposure
 
Silly question but you have asked the seller haven't you?

Nope, I got them from Peter Walnes, he had just got them in and I bought them pronto. 6x Toyo 4x5 Film Holders in mint- condition for £49, I bit his hand off, when they arrived he had stuck in another 'gratis' £7 each for Toyo Film Holders is a real bargain.
 
Someone on another forum has given me another idea, cut a sheet of plastcard to fit in front of the film holder with a quarter cut out. Rotate for each exposure. Simples!
 
Well, I tried the test and guess what, it is not a print film colour or b&w, so can only assume it's a transparency film, looking at the notch codes again it looks like it is Fuji Velvia Pro RVP50. which if it is and has not been exposed is a nice bonus.

I will shoot a sheet and drop it into Spectrum and see what comes out.
 
Definitely does sound like Velvia
Lucky sod you are. Hopefully his becomes a trend when selling darkslides :p
 
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