This was taken in Raw with no sharpening either in camera (neutral setting) or in CS3. There has been no processing at all. The exif is 1/250, F8, ISO 100, 20mm.
I have a 17-55 which is crackingly sharp, and I just feel that this would not cut it when compared to this. I guess I will need to do a direct comparison on something to see how it goes. Alternatively, I just return to Jessops and buy the Canon like I had planned to anyway!!
When you say 'compared to what' Rich, that is really compared to how sharp I would expect the pics to be in the first place to be honest.
Will do a test this evening in my garden compared to my 17-55. Thanks for your help so far.
Sure, you might have a duff copy but TBH I am skeptical of these reports. Folks buy a Sigma because it's cheaper, so reckon it can't be as good, so go pixel peeping for problems and, unsurprisingly, they find some. Mainly because they go looking for them, and don't set up a fair comparison. And please don't focus test it using that silly sheet of paper shot at 45 degrees
The difference between cheap lenses and expensive ones is rarely in central sharpness, and never at a mid range aperture like f/8. A guy on here recently compared a 16-35L against a kit lens and was pretty shocked when there was absolutely no difference at the centre when stopped down a bit. If you want to be picky, then look at the edges and corners, at lowest f/number, compare distortion and vignetting, see how they handle flare. Top lenses are also much better in terms of construction quality too, but it has to be said that the law of diminishing returns kicks in hard quite early.
I know you really rate your 17-55 2.8, as I do

So shoot with that side by side at 18mm or so, f/number for f/number. I'm sure you can focus okay

and you've got loads of DoF there anyway, but use live view 10x again. Run them out using your normal PP routine.
But to cut a long game short, if you can find the cash, why not go for the Canon 10-22? It is of known high quality and (this is the unique bit) you can make it even better by treating it to the lens correction suite in Canon's DPP. Any distortion and vignetting is gone, and also most residual CA. I think it's a brilliant feature, and it will surely be incorporated into the next generation of cameras (Nikon already has something similar) but you'll not be able to do that with Sigma. (TBH you can do something similar with a programme called PTLens with a lot of third party brands, but it's not as good, and it will never become in-camera.)
The other wide zoom I like the look of is the Tokina 11-16 2.8. If you believe Ken Rockwell and most others, and I tend to, it's pretty damn good and nothing else does f/2.8. Of course what you lose is zoom range, too much for me, but that is a different kind of trade off than between the normal same-but-cheaper options.
Lokking forward to your results
