Show us yer film shots then!

Canon A1

TP_Horse_Film_BW.jpg
 
Some on my 'Gift' CHINON CG-5 and 50mm f1.9 auto-CHINON lens , fresh FOMAPAN 200 rated 125 ASA in 510-Pyro 1:100 8 mins
Navestock Church famous for the wooden Spire here in Essex
Chinon CG-5 Fomapan 200 09 by Peter Elgar, on Flickr
The River Roding near Stapleford Tawney , Essex -- should have use my Yellow/Green filter but in a rush didn't HAVE it !
Chinon CG-5 Fomapan 200 07 by Peter Elgar, on Flickr
A British 'Red Telephone Box ' used as a Library - Snakes Lane, Essex
Chinon CG-5 Fomapan 200 10 by Peter Elgar, on Flickr
 
Brandon Marsh, poplar reflecions.

1)
2$04CPMXBW21 Brandon Marsh reflection.jpg

2) Fishing stage
2$04CPMXBW23 Brandon Marsh stage.jpg

Pentax MX, SMC Pentax K 55/1.8 lens, yellow filter, REFLX LABs DoubleX film (Eastman 5222) in HC-110 dilution E.
 
Brandon Marsh wind pump.

2$04CPMXBW15 Brandon Marsh pump.jpg

Pentax MX, SMC Pentax K 55/1.8 lens, yellow filter, REFLX LABs DoubleX film (Eastman 5222) in HC-110 dilution E.

(Have I got some sort of bromide drag/deficit effect going on here round the pump sails?)
 
Amsterdam 1979 - film - negative just found and copied using the Nikon ES-2, attached to Nikon DSLR and 60mm Nikon lens, then processed in LR to B & W

(nothing seemed that sharp in those days versus modern digital!!)

TP_Dutch_Couple.jpg
 
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An Agfa ISO rapid C camera came my way from the bay. It is a P&S camera of around 1964. It cost less than the postage.
It works well. I loaded up a length of 35mm film into its "rapid" cartridge and tried it out.
Only messing about outside in a patch of sunshine, between overcast skies and rain.

"Dry them while you can". Fomapan 200. Bellini Duo Step.

drying.jpg
 
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So finally a day out with the recently acquired Rolleiflex 2.8E, back to school in exposure, focus and more importantly framing with a TLR (Camera works fine, operator doesn't!!) - 3 rolls put through


Liverpool-MerseyMeetUp-1 by David Yeoman, on Flickr
Ilford Delta 100


Liverpool-MerseyMeetUp-3 by David Yeoman, on Flickr
Ilford Delta 100


Liverpool-MerseyMeetUp-8 by David Yeoman, on Flickr
Kodak Portra 400


Liverpool-MerseyMeetUp-9 by David Yeoman, on Flickr
Kodak Gold 200


Liverpool-MerseyMeetUp-10 by David Yeoman, on Flickr
Kodak Gold 200

More images here https://www.flickr.com/photos/89667368@N05/albums/72177720317732750
 
Mr Perceptive said:
So finally a day out with the recently acquired Rolleiflex 2.8E, back to school in exposure, focus and more importantly framing with a TLR (Camera works fine, operator doesn't!!) - 3 rolls put through


Liverpool-MerseyMeetUp-1 by David Yeoman, on Flickr
Ilford Delta 100


Liverpool-MerseyMeetUp-3 by David Yeoman, on Flickr
Ilford Delta 100


Liverpool-MerseyMeetUp-8 by David Yeoman, on Flickr
Kodak Portra 400


Liverpool-MerseyMeetUp-9 by David Yeoman, on Flickr
Kodak Gold 200


Liverpool-MerseyMeetUp-10 by David Yeoman, on Flickr
Kodak Gold 200

More images here https://www.flickr.com/photos/89667368@N05/albums/72177720317732750
Click to expand...
I think you are getting the hang of it. It does take a while for me to see in square format when I (infrequently) take the Rollei out for walkies despite been a regular Bronica SQ user back in the mists of time.
 
The News Steps:

1) By the top, those locks weren't there, last time I was!

2404DPMXBW27 Steps.jpg

2) Near the bottom. Yes, it's steep.

2404DPMXBW28 Steps.jpg

Pentax MX, SMC Pentax (K) 55mm f/1.8, yellow filter, Ilford FP4 home devved in HC-110 dilution B.
 
The first shot I esp like (fishyfish) and you'll need Photoshop with cloud to get rid of the car, but then it was interesting imagining reversing the car out on a dark night..well if the road doesn't continue.
 
A few from the Contarex taken on Fuji Superior 200 film that was processed and scanned at a lab.

Pierre Levèe Dolmen at Etagnac

Etagnac Dolmen 3 Contarex 35mm_resize_9.jpg

Etagnac Dolmen 2a Contarex_resize_98.jpg

Chapelle d'Etricot

Etricot 3 Quarter View Contaflex 35mm_resize_66.jpg

Etricot Chevet Contarex 35mm_resize_7.jpg

Albino variant of Early Purple Orchid

Albino Orchids Contarex_resize_9.jpg
 
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After a trawl though my film images, I found a few that I had worked on for a film comp here. I enjoyed the challenge of the "double exposure" theme, once that I had thought up an idea for an image of a moon rising in the sky.
I set up on my dining room table with a dark table cloth and more than one black coat to mask off the table and background. On the table, I set up a melon on a small glass. Test shots/film showed that I might be able to make the melon look like a planet as seen from another planet.

This is the sort of result that I managed.

Baremoon .jpg

As I had hoped, the background/table/glass aren't seen. I shot around twenty frames, varying some parameters (because I didn't know what would work). The film was rewound...(I really hate that the Pentax MZ series wind the film header right back into the cassette).
The film was reloaded into the camera, and the search for a blue sky begun. The idea was to find a suitable sky and then guess the position of the moon in the frame to place it in dark sky (red filter fitted to darken the sky).

Only a few images were workable, (problems with developing too). This one nearly made it, only the bottom right of the moon appears through the cloud, spoiling the effect a little.

moonexample.jpg

A similar image that worked a little better was entered in the comp. It didn't do very well. Perhaps some thought that it had been digitally manipulated.
It was a great exercise and good fun.
 
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A few snaps of Fuji CN200 (made in USA) testing a 1986 vintage Canon Sureshot Tele.
A surprisingly good camera. The twin lenses mean you get an F2.8 40mm plus a longer 70mm when you want a change of perspective. The Contax T2 doesn't do that!
The Canon also has multi exposure, back-light compensation and a soft focus filter.



001838840020.jpg001838840019.jpg001838840010.jpg001838840018.jpg
 
Horse and rider on Malthouse Lane. That first house on the left is "The Malthouse", but it is not the actual malthouse once on the site, see this post from the local historical society.

000045860032 Rider.jpg

Pentax LX, SMC Pentax 100/4 lens, slightly expired Superia 400, dev/scan by Filmdev.
 
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