Show us yer film shots then!

Peter B said:
This was the multi-exposure I really wanted to work, but unfortunately the first exposure was overwhelmed by the second. This was a double exposure of the Assynt mountains Suilven and Canisp, with one taken from the NW and the other from Elphin in the SE. I was happy with getting the NW shot to fit between the mountains in the SE shot, but the NW exposure was a bit light. Ensign Selfix 820, Ilford HP5+, HC110 Dil E.

From both sides by Northsnapper, on Flickr
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It might not quite work, but it's a very nice image all the same.
 
These are the last ones from this roll of Fomapan 400 and the Fire Engine Red Panasonic C-420AF ( i'm sure the colour makes a difference !) I was interested how it would cope with a woodland setting and see if the tones would be well separated , I think it under expose some what. My Digi cameras hate this location because of the darkness in the Valley of Borle Brook and the relatively high brightness in the sky behind the trees!

The Donkey Bridge New England Shropshire.

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last one of the 43 images from a 36 exposure roll , Long live Fomapan and the Panasonic !

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BADGER.BRAD said:
These are the last ones from this roll of Fomapan 400 and the Fire Engine Red Panasonic C-420AF ( i'm sure the colour makes a difference !) I was interested how it would cope with a woodland setting and see if the tones would be well separated , I think it under expose some what. My Digi cameras hate this location because of the darkness in the Valley of Borle Brook and the relatively high brightness in the sky behind the trees!

The Donkey Bridge New England Shropshire.

View attachment 373365

View attachment 373366

last one of the 43 images from a 36 exposure roll , Long live Fomapan and the Panasonic !

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Difficult shots in B/W to avoid confusion and think colour (esp if the bridge was red brick) would have been better/easier.....just saying
 
excalibur2 said:
Difficult shots in B/W to avoid confusion and think colour (esp if the bridge was red brick) would have been better/easier.....just saying
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Depending on the colours, a green filter could have lightened the foliage to make the bridge stand out more, or, again depending on the bridge colour, an orange or even red could possibly have done the reverse, depending on the Wood effect*.

Not "Wood" as in trees, but "Wood" as in "Robert Wood". Foliage can reflect strongly in the deep red/IR region (hence showing white in IR), and can therefore be lightened by an orange or red filter.
 
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Topsy said:
Typical Velvia Colour Nige, good choice of subject/film combination. (y)
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Thanks Paul.

I'm always a little undecided on whether I should try and tone down the purple hues in Velvia 50 images. I think I pulled them back a touch for this one, but it's what they look like on the actual transparenct too. Sometimes they can look too purple though.
 
In the south will we get this 2022-2023
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One of my interest is seeing how a lens performs and if you get the right film, subject and lens it all seems to come together. The X-Fujinon T 100mm f2.8 is a very good lens and quite rare now.
The other end of the tunnel with red roofed Tesco.....previous shots showed where the tunnel collapsed.
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And Vivitar 135mm with Reala
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