Show us yer film shots then!

A few more taken with my Rolleicord V

1. Sad, my ongoing obsession with Bicycles, their bells and Bokeh ;-) Tmax 400 developed in Ilford LC29 (@1-19)
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2. Norwich Cobbles in the rain, again Tmax 400 developed in Ilford LC29 (@1-19)
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3. K6's in the rain! And another shot on Tmax 400 developed in Ilford LC29 (@1-19)
11277153343_f4039e2446_z.jpg
I like those Adrian. Nice and punchy with good tones.
 
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Taken in Northampton Town, part of the Guild Hall, i just wish i could have got it with out people.... and i'm still not sure it's straight!

Agfa Vista by Cg_Girl on Talk Photography
T, I like this and I think the people add to it, it is a complex composition with multiple layers, it works very well in my view.
 
I rather like close up shots like this of tree branches, trunks, moss and leaves. Often they work extremely well in b&w showing off the different textures and tones, concentrated on by using a shallow DoF.

Your shot is no exception although I'm actually more drawn to the textures of the woodwork than the leaf itself.

The leaf becomes much more the center of attention if the frame is cropped top and bottom.
cheers asha sorry i missed this post i'll have a look at the crop.:thumbs:
 
A few more taken with my Rolleicord V

1. Sad, my ongoing obsession with Bicycles, their bells and Bokeh ;-) Tmax 400 developed in Ilford LC29 (@1-19)
11277145854_c5ae82c3ca_z.jpg


2. Norwich Cobbles in the rain, again Tmax 400 developed in Ilford LC29 (@1-19)
11277139466_ec908bcf2a_z.jpg


3. K6's in the rain! And another shot on Tmax 400 developed in Ilford LC29 (@1-19)
11277153343_f4039e2446_z.jpg



Keep up with the obsession.... i can't decide if i love the first or the second more.. i just love cobblestone streets!....lovely set all round
 
A few more taken with my Rolleicord V

1. Sad, my ongoing obsession with Bicycles, their bells and Bokeh ;-) Tmax 400 developed in Ilford LC29 (@1-19)
11277145854_c5ae82c3ca_z.jpg


2. Norwich Cobbles in the rain, again Tmax 400 developed in Ilford LC29 (@1-19)
11277139466_ec908bcf2a_z.jpg


3. K6's in the rain! And another shot on Tmax 400 developed in Ilford LC29 (@1-19)
11277153343_f4039e2446_z.jpg

I am a great fan of your work Adrian, I really like the tones and high contrast in your images.... of this set my favourite has to be the second one.... it's great
 
A few more taken with my Rolleicord V

1. Sad, my ongoing obsession with Bicycles, their bells and Bokeh ;-) Tmax 400 developed in Ilford LC29 (@1-19)


2. Norwich Cobbles in the rain, again Tmax 400 developed in Ilford LC29 (@1-19)


3. K6's in the rain! And another shot on Tmax 400 developed in Ilford LC29 (@1-19)

Loving the bike shots as ever, can't wait for the heavy bound coffee table book.


These are some of my first images that I've taken and processed myself. Image 1 + 3 are 120mm shots taken with a Bronica SQAi, then printed and scanned. Image 2 is a 35mm taken with a Konica rangefinder which I developed and then scanned and processed with PSE 11

Please give comments freely I'm very new to film and I appreciate all advice.

Chris the Bronnie is a great camera although not biult for discreet photography once the grip and hammerhead flash are fitted!!

Really nice Erik, that is one weather beaten truck.
 
Finally developed my b/w shots from Paris. Only took two weeks...


Paris NHM gardens
by bombs and monitors, on Flickr


Paris city 2
by bombs and monitors, on Flickr


Arc stairs
by bombs and monitors, on Flickr

Also put together an album using a fun little tool called Exposure.so - see it here: https://charlottedavis.exposure.so/paris


Gorgeous set! i bet you are glad you finally got them done now.... i had a look at the rest too not sure i could pick a fav as i ooh'd at lots! Exposure.so looks quite interesting as well
 
These are some of my first images that I've taken and processed myself. Image 1 + 3 are 120mm shots taken with a Bronica SQAi, then printed and scanned. Image 2 is a 35mm taken with a Konica rangefinder which I developed and then scanned and processed with PSE 11

Please give comments freely I'm very new to film and I appreciate all advice.

Chris the Bronnie is a great camera although not biult for discreet photography once the grip and hammerhead flash are fitted!!

Eric, I too like old rusty piles of industrial archaeology, and I think these are great shots (can't quite write "lovely"!), especially the first, which I think is excellent.
 
Here are a few photos from the Tai O fishing village in the Hong Kong SAR:


11157750216_208b456027_c.jpg

11157740476_1a1fac010e_c.jpg

11157875193_0da88c1f6b_c.jpg

Another great set of images. I like the first and second ones the best.
 
A few more taken with my Rolleicord V

1. Sad, my ongoing obsession with Bicycles, their bells and Bokeh ;-) Tmax 400 developed in Ilford LC29 (@1-19)
11277145854_c5ae82c3ca_z.jpg


2. Norwich Cobbles in the rain, again Tmax 400 developed in Ilford LC29 (@1-19)
11277139466_ec908bcf2a_z.jpg


3. K6's in the rain! And another shot on Tmax 400 developed in Ilford LC29 (@1-19)
11277153343_f4039e2446_z.jpg


Crisp,clear and contrasty, you and your Rolleicord work very well together.:thumbs:
 
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Finally developed my b/w shots from Paris. Only took two weeks...


Paris NHM gardens
by bombs and monitors, on Flickr


Paris city 2
by bombs and monitors, on Flickr


Arc stairs
by bombs and monitors, on Flickr

Also put together an album using a fun little tool called Exposure.so - see it here: https://charlottedavis.exposure.so/paris

Charlotte I really like this set. What I like most is that each of the images is really very different but they work very well together and are quintessentially so Parisian. More details about the camera and film combination would be good. Glad you shared exposure.so it looks a great find.
 
A Crane !!!!

Wide open @ F4 with the FUJI GS645 and Provia Slide film..
Boy is the lens a sharp sucker

 
The wood was realy hard work Brian, it was almost black as well.
 
R
Here are a few photos from the Tai O fishing village in the Hong Kong SAR:


11157750216_208b456027_c.jpg

11157740476_1a1fac010e_c.jpg

11157875193_0da88c1f6b_c.jpg

RJ, I do like the work you produce very much. You set a high bar in terms of engaging and thought provoking images. The colour palette you achieve and the muted tones in all four suit the subject matter very well. I am unsure how much is the emulsion and how much is your processing technique but the finished effect is very natural.

Mostly though it is the initial apparent simplicity of your composition that in truth contains far more complex picture elements that I find most interesting. This is particularly true in numbers 2, 3 and 4 where the framing of individual image elements is really very strong. Your hallmark use of a shallow depth of field and sharp dividing lines between the 'in focus' picture elements and the 'out of focus' zones controls the viewers engagement with the image in my view. This is most pronounced in the second image I think. Although these images might appear at first glance to be somewhat random in construction I suspect they are anything but!

The bottom line is they are just bl**dy excellent!
 
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Another good set RJ, I like all of these, they're great :thumbs:

Many thanks, Lee.

Another great set of images. I like the first and second ones the best.

Cheers, Robert. :)

We didn't encounter very many film shooters while we were away, but there was actually a guy with a Hasselblad right next to me when I was taking the first pic.

The bottom line is they are just bl**dy excellent!!

Thanks, Adrian!

RJ, I do like the work you produce very much. You set a high bar in terms of engaging and thought provoking images. The colour palette you achieve and the muted tones in all four suit the subject matter very well. I am unsure how much is the emulsion and how much is your processing technique but the finished effect is very natural.

With regard to the colour palette, it's largely a combination of the subject matter, the emulsion itself (Fuji 160NS), and UK Film Lab's scanning. The only thing I'll do to the scans when I get them back is slightly desaturate the yellows (I don't like too much yellow in my pics).

Mostly though it is the initial apparent simplicity of your composition that in truth contains far more complex picture elements that I find most interesting. This is particularly true in numbers 2, 3 and 4 where the framing of individual image elements is really very strong. Your hallmark use of a shallow depth of field and sharp dividing lines between the 'in focus' picture elements and the 'out of focus' zones controls the viewers engagement with the image in my view. This is most pronounced in the second image I think.

I do use shallow depth of field a lot—sometimes I worry too much—but I really dig the look, especially with colour film. Medium format just gives you so much control over where the viewer looks, which you just can't get with any of the smaller formats. That said, I do wish that I'd stopped down a bit on pic three to get all of the fishing rod in focus.

Although these images might appear at first glance to be somewhat random in construction I suspect they are anything but!

I'm often thinking about presentation when I'm taking photos, as I usually print my photos 8"x8" and put them in an album/scrapbook. I typically try to match colours, tones, textures, or themes across photos. The order and selection of photos here is based on the layout in my album. :)
 
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Taken in Northampton Town, part of the Guild Hall, i just wish i could have got it with out people....

If you want it without people during the day you need a much longer exposure - probably using a pin hole - you can do this with the ME (well you could if it wasnt stuck on auto - but it will work on any film camera) , simply take a body cap (available on ebay for pence) and drill a small hole in the centre. You won't be able to compose through the finder so you'll need to set the camera up (on a tripod) by eye. then set the camera to B and lock the shutter open with a cable release (the old fashioned manualsort are cheap as chips) ... you'll have to guess the length of time (there are guides available on line) but i'd expect at least 30 mins.

you could do the same thing with a digital body but beware of dust and crap being attracted to the sensor during the long exposure.

Alternately for a shorter long exposure you could use a 10 stop filter on your 50mm lens - or a bit of welding glass (though watch out for the sharp sides)

Matt is your man for more info, as the big guy knows far more about the joys of long exposure than moi
 
I've been meaning to go up to Edinburgh Castle Esplanade and do somthing similar. I've been up there at 5 in the morning and there were still tourists milling around!
 
If you want it without people during the day you need a much longer exposure - probably using a pin hole - you can do this with the ME (well you could if it wasnt stuck on auto - but it will work on any film camera) , simply take a body cap (available on ebay for pence) and drill a small hole in the centre. You won't be able to compose through the finder so you'll need to set the camera up (on a tripod) by eye. then set the camera to B and lock the shutter open with a cable release (the old fashioned manualsort are cheap as chips) ... you'll have to guess the length of time (there are guides available on line) but i'd expect at least 30 mins.

you could do the same thing with a digital body but beware of dust and crap being attracted to the sensor during the long exposure.

Alternately for a shorter long exposure you could use a 10 stop filter on your 50mm lens - or a bit of welding glass (though watch out for the sharp sides)

Matt is your man for more info, as the big guy knows far more about the joys of long exposure than moi


Or i could have waited a few minutes i just didn't have time that's all
 
I've been meaning to go up to Edinburgh Castle Esplanade and do somthing similar. I've been up there at 5 in the morning and there were still tourists milling around!

course the other option is to make a pinhole out of a biscuit tin and some sheet filmor something and then secure it somere inconspicuous and leave it - saves hanging arround for the 5 hour exposure
 
Or i could have waited a few minutes i just didn't have time that's all

lol or that - i was asuming it was one of these places that always has people wandering about. - pin hole photography is how they did deserted streets in zombie apocalypse films and such before the advent of CGI
 
Charlotte I really like this set. What I like most is that each of the images is really very different but they work very well together and are quintessentially so Parisian. More details about the camera and film combination would be good. Glad you shared exposure.so it looks a great find.

Thanks very much, I was pleased with it :) Was all taken on my Olympux XA-4, on HP5+, devved in Kodak T Max. I should add some details to the gallery post over on Exposure!
 
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course the other option is to make a pinhole out of a biscuit tin and some sheet filmor something and then secure it somere inconspicuous and leave it - saves hanging arround for the 5 hour exposure

I've got a couple of pinholes kicking around one with a "proper" pin hole so depending on how overcast its I should be able to shoot it in less than 30 minutes... I'll take a book...
 
ive got a holga pinhole panoramic which I really must get around to using - apart from testing it when it first arrived I don't think its ever been used
 
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