The only way that I think might come close to the idea of digital HDR is split-grading in the darkroom on variable contrast paper - i.e you expose the paper for half or something of the total exposure time on a soft contrast grade (usually grade 0) to create the highlights (probably not the best way of describing it) and then for the remaining exposure time use a hard contrast grade like grade 5 to establish the shadows so contrasty negatives can be printed much easier.
Of course dodging and burning increases the dynamic range of a print and theres always the old way of using two negatives with different exposures for the sky and land for example and then only exposing half the paper for one negative before exposing the other half for the other negative.
I have not tried this BTW, in fact I've not even ever done any wet printing but I read about it in a darkroom printing book and it came across my mind.
Loads of options, zone theory or dodging and burning prints.
You can also bleach areas of prints or tone to increase the density.
Have a look at some of Salgados prints if you want to see what can be achieved from a neg.
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