Portable Lighting (not flash) for Food/Travel Photography

sixpersimmons

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Frank Miller
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I travel a great deal in Asia, primarily shooting tea and coffee cultivation and processing in field and factory. Interesting and rewarding work, but all of my experience to date is available light. Recently, I have needed to shoot processed tea leaves for use on websites (use Nikon D80/Tamrom 90 Macro and Nikkor 18-200). Also need to shoot street food in Bangkok, Kolkata, Bombay in available light. I often wish I had some accent and fill light. Some of the best street food shots are at nighttime, where lighting is garish, miserable, inadequate. Can someone recommend a highly portable lighting set-up with battery pack that can go as carry-on and can be lugged on foot about the city? Don't own flash, lights, umbrellas, anything at present.
 
You're going to struggle to tick all those boxes without using flash. (Without getting into the flash / continuous debate you can put a much brighter flash in a small battery operated packaged than you can with continuous).

I'd look at what the video boys use - LED panels or PAG lights. With a static subject and tripod it's amazing what you can do with LED torches.
 
Hmm. I would personally at least go with pop up reflectors (cheap & light), some Lenser LED torches (you can focus them, batteries seem to last for ever) and a camera mounted flashgun (SB 600/800/900)
 
LED panels, and an LED torch.


you can get the panels really pretty cheaply off ebay, and they do the job pretty well. If you've got a bit more to spend, the Comer 1800 is a fantastic LED light.

If you're after tungsten balance, either gel the LEDs, or get a PAG light.
 
Thanks. It's gratifying to get such rapid response from so many! Yes, Jonathan, "hard to tick all those boxes" without depending somewhat on flash, especially for the street food photography.
Seems I have THREE TYPES OF SHOOTS:
(1) TABLE-TOP OUTDOORS - tea leaf (product-type) photography. I've been doing this on my north-facing, 7th floor apt. deck. No reflectors, lights, anything - just diffused northern light (11am-2pm). I have had some shadow problems with the DRY tea leaves (which I guess a simple reflector might cure?), and reflection/highlight problems off the WET tea leaves, which made the tea look as though it had been dipped in olive oil! To calm these down, I improvised a light box from a plastic jug wrapped with white paper; put the wet tea down into that. This got rid of most of the reflections.
(2) TABLE TOP INDOORS - Food (plates, veggies, fruit, desserts, etc.) I gather that food often needs more than one light source for highlighting, modeling or lighting shadows. If you have natural light, I assume a lot can be achieved with simple reflectors, but not all. My source of natural light (here in Thailand) is somewhat unreliable due to rapid-onset permutations in the weather (otherwise known as clouds!) There are also rain squalls,wind, dust, etc., to screw things up. That's when I'd like to be able to MOVE INSIDE, where I will need some sort of simple, inexpensive studio lighting kit, no? What sort of basic kit would I need to get started inside? My budget, to reply to Adam G, is under $500, but if payments keep coming from writing jobs, eventually about $1,000. Is that woefully under par?
3) STREET FOOD IN INDIA (In the daytime, lots of harsh sunlight mixed with shaded areas at sidewalk food stalls. At night, weak ambient tungsten mixed with harsh tube light My guess is this is where FLASH/STROBE will be most versatile, but I don't have much faith in using only one, on camera, unit. Won't it take multiple, synced units with reflectors? I appreciate the suggestion of LED PANELS, LED TORCHES or PAG LIGHTS. I know of LED technology, of course, but not "LED panels" and "torches" for photography. Don't know PAG LIGHT, but will Google and try to catch up. I want LIGHT WEIGHT, COMPACTNESS and EFFICIENT, RECHARGEABLE BATTERY PACKS. Without this, I doubt I could take the kit as carry-on and onto the crowded streets of India. Any further comments, suggestions, reflections (pun unintended) are most welcome.
 
this is where FLASH/STROBE will be most versatile, but I don't have much faith in using only one, on camera, unit...... I want LIGHT WEIGHT, COMPACTNESS and EFFICIENT, RECHARGEABLE BATTERY PACKS.

A set of triggers (RF602 or similar), a couple of Nikon flashguns (old ones like the SB26 will do), a Manfrotto Nano stand + umbrella adapter, a clamp/hotshoe assembly (to allow the second flash to be mounted on a chair back or door) and a shoot-through umbrella (Westcott double fold).

All of that, and a pile of AA batteries, will go in something like a monopod bag to carry over your shoulder and would come in comfortably under $500....
 
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