theMusicMan
Suspended / Banned
- Messages
- 3,838
- Name
- John
- Edit My Images
- Yes
Hi All
I have been asked by a client to photograph her 17yr old daughters eye that was damaged in a disgraceful attack by a gang who actually fired a paintball into her eye from the safety of their car! Thugs eh! They were caught and punished - though not sure what the punishment was.
Anyway, the Mum took a photo originally and sent this in, but this has since been returned by those she sent it to due to 'insufficient clarity and detail'. So, I have been asked if I'd take the photograph of her eye.
The injury is many months old, but it has left a permanent scar in her eye that is visible. What I am after is advice on the best set up to use to capture this. I don't have ring-flash, but I do have a top class camera mounted Olympus FL-50 flash unit, as well as, of course the built in on-camera flash. I also have several external flash units and slaves that I could use.
Can someone give me an indication of which set up would be best please? Should I use the FL-50, or should I set up one of the studio units...?
Ta all...
UPDATE: Just had an email from the client saying the letter she received rejecting her image suggests not to use flash. I guess this is if it is done by the claimant on a P&S camera...?
I have been asked by a client to photograph her 17yr old daughters eye that was damaged in a disgraceful attack by a gang who actually fired a paintball into her eye from the safety of their car! Thugs eh! They were caught and punished - though not sure what the punishment was.
Anyway, the Mum took a photo originally and sent this in, but this has since been returned by those she sent it to due to 'insufficient clarity and detail'. So, I have been asked if I'd take the photograph of her eye.
The injury is many months old, but it has left a permanent scar in her eye that is visible. What I am after is advice on the best set up to use to capture this. I don't have ring-flash, but I do have a top class camera mounted Olympus FL-50 flash unit, as well as, of course the built in on-camera flash. I also have several external flash units and slaves that I could use.
Can someone give me an indication of which set up would be best please? Should I use the FL-50, or should I set up one of the studio units...?
Ta all...
UPDATE: Just had an email from the client saying the letter she received rejecting her image suggests not to use flash. I guess this is if it is done by the claimant on a P&S camera...?
