On camera Flash gun

Garyhh89

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I know I won't get the best pictures I can using my flash gun on the camera for portraits. But I'm wanting to gain more experience and get the best out of the kit I have now before I take it off camera.

Does anyone have any tips or dos and dont's for portrait pictures using this method. I may not be right but so far I've got that I should bounce the flash rather than point it straight to my subject.

Many thanks

Gary.
 
Neil Van Niekirk's book is very good.

Basically, get yourself some black foam from a craft shop and a hair band or elastic band and use it to flag the flash so only bounced light goes on subject and angle it so it's not straight on to get some non-flat lighting for your subject. You'll probably need to up the ISO a bit to get decent results if you're lighting only with the flash (e.g. shooting in manual so exposure minus flash is black) but I am quite pleased with the results of my admittedly amateur snaps. Neil's website is good too.

Ideally you'd want to get some cheap Yongnuo triggers and try some off-camera flash too but you'll still get better results using the above than the ubiquitous Stofen diffuser and firing it straight at the subject approach a lot of people take.
 
Thanks for the links and advice guys will have a good look and start trying some stuff out over the weekend
 
I know I won't get the best pictures I can using my flash gun on the camera for portraits. But I'm wanting to gain more experience and get the best out of the kit I have now before I take it off camera.

Does anyone have any tips or dos and dont's for portrait pictures using this method. I may not be right but so far I've got that I should bounce the flash rather than point it straight to my subject.

Many thanks

Gary.

Neil V is very good. Another standard answer is the Speedliter's Handbook by Syl Arena, which is a very good and very complete guide to all aspects. It's Canon-centric, but just change the model numbers and it all applies to Nikon, too. http://www.amazon.co.uk/Speedliters...53551629&sr=1-1&keywords=speedliters+handbook

Neil V's Black Foamie Thing works really well, very natural daylight-like results. Another easy and effective method is a simple bounce card - piece of white card about the size of a cigarette packet, attached with a rubber band or BluTack. Costs nothing - google it. With both these techniques, the flash is fine on-camera, with the light coming from off-camera. Also look at the Lumiquest QuikBounce and Rogue FlashBender.

Bear in mind that with all these techniques, and almost all accessories sold for flash guns, the result you get is 90% dependent on the environment - nearly walls and ceilings.
 
Neil V is very good. Another standard answer is the Speedliter's Handbook by Syl Arena, which is a very good and very complete guide to all aspects. It's Canon-centric, but just change the model numbers and it all applies to Nikon, too. http://www.amazon.co.uk/Speedliters...53551629&sr=1-1&keywords=speedliters+handbook

Neil V's Black Foamie Thing works really well, very natural daylight-like results. Another easy and effective method is a simple bounce card - piece of white card about the size of a cigarette packet, attached with a rubber band or BluTack. Costs nothing - google it. With both these techniques, the flash is fine on-camera, with the light coming from off-camera. Also look at the Lumiquest QuikBounce and Rogue FlashBender.

Bear in mind that with all these techniques, and almost all accessories sold for flash guns, the result you get is 90% dependent on the environment - nearly walls and ceilings.

Neil Vs latest YouTube video (can't seem to link on my mobile) does a comparison of the black foamie thing against some ready made modifiers, but reiterates the point that if you have walls that you can bounce off this will give you th softest lighting
 
I know I won't get the best pictures I can using my flash gun on the camera for portraits
As nothing is absolute, not even this statement is completely right.
Sometimes, it is the only and best way to go!
Does anyone have any tips or dos and dont's for portrait pictures using this method.
DO: a straight on bare gun is the best way when shooting a bride against daylight
DON'T: the more one steps away from the previous, the more the gun should be tempered with
 

Neil V makes some good points as usual, but he's also being very misleading in that video.

He's comparing his Black Foamie Thing, bounced off a conveniently nearby wall, to other accessories designed to be used in more common environments that don't have his high studio ceiling - 14ft he says, or 4.3m. That's extremely high, almost double the standard domestic ceiling height of 2.3m. Therefore, with accessories designed for lower ceilings the bounced component is going to be very weak - like 2 or 3 stops down on where it should be. Huge difference. So of course he got poor results. In other words, I'm sorry to say that he's deliberately making them look bad. In the much more typical domestic kind of environment they were designed for, most of them would give very good results.

He also says to just bounce off a wall/ceiling behind, and that is certainly a very effective method in the right circumstances. But you don't always have a nice white wall just the right distance behind, and even when you do, he doesn't mention the big loss of brightness that bouncing from behind suffers. For that technique to work, you need a powerful gun, to shoot at low f/numbers, and/or ramp up the ISO. Solos and couples are okay, but larger groups at f/8 not nearly so easy. The other thing is when you start bouncing off walls and other furnishings etc, the light picks up a colour cast that may or may not be acceptable.

There is a reason why most flash accessories work the way they do, sending most of the light up for soft ceiling bounce, plus a dash of direct-light fill-in to lift shadows under eyes and noses and chins, and put a sparkle in the eyes (basically like a bounce card). In other words, the bounced light should be dominant, not the fill-in, and he's showing it the other way around.

I have a bag full of these bits and pieces, including the Black Foamie Thing, but my go-to accessory is usually the Lumiquest QuikBounce, because it works well, quickly and easily, in most situations (even outdoors). It's also relatively efficient, doesn't waste precious light, and that translates into faster recycle times that are important in social situations with fleeting expressions. It's a rare treat to be able to get out the Black Foamie Thing, or to bounce from behind.
 
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