Olympus OM-D E-M5, E-M1, E-M10 - Mk1, Mk2 & Mk3 Owners Thread

Yes, ProCap SH2, 25fps.
The 100-400 I class as a 'make-it-work-lens'..... it lacks features of the Pro lenses.
But what option is there....Oly 150-400 f4.5 at £6.5k....I don't think so.
As for video, I never go near it, never have.
Cheers. Yeah its one thing that has annoyed me a little with swapping pany for olympus. Im an old canon shooter so the L lenses were just better glass and AF. Features weren't gimped. It feels like Oly treat that 100-400 as what Canon would call an S lens (like an entry level one). Bit odd when its in straight comparison to the pany 100-400 which as far as i know doesnt have any features removed.
Yeah the price of that 150-400 is laughable imo. For a m43 lens. No way.
 
Cheers. Yeah its one thing that has annoyed me a little with swapping pany for olympus. Im an old canon shooter so the L lenses were just better glass and AF. Features weren't gimped. It feels like Oly treat that 100-400 as what Canon would call an S lens (like an entry level one). Bit odd when its in straight comparison to the pany 100-400 which as far as i know doesnt have any features removed.
Yeah the price of that 150-400 is laughable imo. For a m43 lens. No way

The shutter speed and therefore the Auto ISO I used for the ProCap are high, 1/4000 at ISO12800.

Using RAW I Denoise at the start of PP and Sharpen AI at the end after resizing.

Now be honest, does the ProCap of the sparrow look like ISO12800.

P6020380-RS by Dave in Wales, on Flickr
 
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Just had a chat with one of the techies at A.J.Johnson who handle olympus/ OM repairs for items bought from h.dew .. in the light of Olympus not supplying parts as has been stated on here .
I was assured they can still get whatever spares they need / require direct from OM.systems in Portugal . . . Worth knowing as I was wondering how it effects any warranty work if needed
.... I was introduced to A.J.Johnstone by HDEW and have used them a few times - Warranty repair, Insurance damage, Maintenance of both Canon and Olympus products. All with 100% satisfaction and the same goes for one of my best friends who shoots Canon and was introduced to them by me. Someone I know who works for OMDS also speaks very highly of them and being Scottish he knows some of the techies there personally, who are mostly photographers themselves.

Some of the retailers use them too but they add a significant profit mark up and also cause delays. Another instance where I had a bad experience with Park Cameras.

For what it's worth I cannot recommend A.J.Johnstone & Co highly enough.

 
Just to put the dampeners on you AJ Johnstone fans, twice my Canon 5d4 went back to them to have a fault rectified under guarantee, twice it came back "fixed" and twice it wasn't.... It eventually went back to canon and I got a new 5d4, but at that point I decided to move over to Olympus.
 
The 100-400 I class as a 'make-it-work-lens'..... it lacks features of the Pro lenses.
But what option is there....Oly 150-400 f4.5 at £6.5k....I don't think so.
Cheers. Yeah its one thing that has annoyed me a little with swapping pany for olympus. Im an old canon shooter so the L lenses were just better glass and AF. Features weren't gimped. It feels like Oly treat that 100-400 as what Canon would call an S lens (like an entry level one). Bit odd when its in straight comparison to the pany 100-400 which as far as i know doesnt have any features removed.
Yeah the price of that 150-400 is laughable imo. For a m43 lens. No way.
.... I was one of the first photographers in the UK to have the ED 100-400mm and shot thousands of images with it before replacing it with the ED 150-400mm TC Pro in August 2021 and I have shot thousands with that lens too, both on the E-M1X and new OM-1. The difference in user satisfaction is like between eating chalk and cheese!

Before Olympus I also shot Canon - 1DX-2, EOS-R, 5D-4, 7D-2 etc and only with Canon L lenses including the EF 500mm F/4L II. So I am going to say that I know what I am talking about when I suggest that you are both very mistaken if you think that the ED 100-150mm TC Pro isn't worth its price. What you really mean is that either you can't afford it at the moment or don't want to spend £6K on a lens < Fair enough but that has nothing to do with the quality of this lens.

Take a look at the results with it by professionals. And even check out my Flickr Album just to see its versatility as a practical lens (obviously subject to what subjects you guys choose to shoot).


I rest my case :)
 
Just to put the dampeners on you AJ Johnstone fans, twice my Canon 5d4 went back to them to have a fault rectified under guarantee, twice it came back "fixed" and twice it wasn't.... It eventually went back to canon and I got a new 5d4, but at that point I decided to move over to Olympus.
.... Based on using AJ Johnstone multiple times myself and also my buddy doing the same with his Canon 5D-4 and L lenses, I am surprised and disappointed to hear that. But I guess that no-one is perfect :)
 
I haven't posted for a while due to being away in Ontario for the spring warbler migration. I had intended to post while in Canada, but the Great Ontario Storm put paid to my our friends' mains electricity and internet for most of our stay with them towards the end of our holiday. I've just started going through my photos, so there may be more later, as well as some observations about the birdng and photography scene there.

Carolina Wren - a tick for me:
CarWren.jpg

Northern Parula:
NParula.jpg

Edit - should add OM-1 with 300mm f4
 
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I haven't posted for a while due to being away in Ontario for the spring warbler migration. I had intended to post while in Canada, but the Great Ontario Storm put paid to my our friends' mains electricity and internet for most of our stay with them towards the end of our holiday. I've just started going through my photos, so there may be more later, as well as some observations about the birdng and photography scene there.

Carolina Wren - a tick for me:
View attachment 356218

Northern Parula:
View attachment 356219

Edit - should add OM-1 with 300mm f4
.... Lovely shots of lovely birds.

That Carolina Wren looks rather like a Tree Creeper and the Northern Parula like a very colourful Wren.
 
.... I was one of the first photographers in the UK to have the ED 100-400mm and shot thousands of images with it before replacing it with the ED 150-400mm TC Pro in August 2021 and I have shot thousands with that lens too, both on the E-M1X and new OM-1. The difference in user satisfaction is like between eating chalk and cheese!

Before Olympus I also shot Canon - 1DX-2, EOS-R, 5D-4, 7D-2 etc and only with Canon L lenses including the EF 500mm F/4L II. So I am going to say that I know what I am talking about when I suggest that you are both very mistaken if you think that the ED 100-150mm TC Pro isn't worth its price. What you really mean is that either you can't afford it at the moment or don't want to spend £6K on a lens < Fair enough but that has nothing to do with the quality of this lens.

Take a look at the results with it by professionals. And even check out my Flickr Album just to see its versatility as a practical lens (obviously subject to what subjects you guys choose to shoot).


I rest my case :)
My feeling is m43 is not a “proper” system . Compared to canon , Nikon , Sony. I use m43 because it does what I need it to . But if any of the “proper” systems brought out what I need then I would switch back in a nano second. (Saying that my OM-1 has arrived this morning). For me a m43 lens should never be massively more expensive than a “proper” system pro range (ie the 100-500mm L) lens and secondly a zoom should not be that price as the quality can’t ever match a prime L lens.
That’s just my opinion though.
 
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My feeling is m43 is not a “proper” system . Compared to canon , Nikon , Sony. I use m43 because it does what I need it to . But if any of the “proper” systems brought out what I need then I would switch back in a nano second. (Saying that my OM-1 has arrived this morning). For me a m43 lens should never be more expensive than a “proper” system pro range (ie L) lens and secondly a zoom should not be that price as the quality can’t ever match a prime L lens.
That’s just my opinion though.
what a totally stupid statement to make , having used most of what you call "proper" systems over the years (circa 60+) I cant find anything that makes MFT inferior in any way .. all camera systems vary each is good at certain sections in its own way ,some will have better AF others better DR but usually at the expense of other items .. there is no such thing as the perfect camera/lens solution or we would all be using it .
you also have to take into account the age and health of end users ,i.e its no good buying a "proper " camera system as you put it if you are unable to lug around the weight or ancillary items that go with it .. I
 
what a totally stupid statement to make , having used most of what you call "proper" systems over the years (circa 60+) I cant find anything that makes MFT inferior in any way .. all camera systems vary each is good at certain sections in its own way ,some will have better AF others better DR but usually at the expense of other items .. there is no such thing as the perfect camera/lens solution or we would all be using it .
you also have to take into account the age and health of end users ,i.e its no good buying a "proper " camera system as you put it if you are unable to lug around the weight or ancillary items that go with it .. I
Like I said that’s just my opinion not a statement of fact . Sayings it’s stupid is a bit harsh tbh.

I’ve just spent 2k on a m43 camera so I’m staying with m43 for a while yet . But I am sticking to my opinion the 150-400 is massively overpriced . 3k absolute max for me
 
Like I said that’s just my opinion not a statement of fact . Sayings it’s stupid is a bit harsh tbh.

I’ve just spent 2k on a m43 camera so I’m staying with m43 for a while yet . But I am sticking to my opinion the 150-400 is massively overpriced . 3k absolute max for me
now that’s a better statement ,I agree a 3k top end price would be more realistic
 
A Lowry Beach: Trying out some higher key processing to see if I can make it work and deciding if it does work. And then if it does work, the harder part, trying to remember how I did it!

 
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now that’s a better statement ,I agree a 3k top end price would be more realistic
.... Rather than say "more realistic" I think it would be fairer to say "more affordable".

But when price comparisons against the lens equivalents offered by what our learned friend @peat calls "proper cameras" (Canon, Nikon, Sony, full-frame) are made, then the £6K of the Olympus lens is extremely good value for money and has several major advantages over them too.

Back in the day when I was a professional Art Director I worked with a variety of international professional photographers, many who were specialists in their fields, and most used to think that 35mm cameras weren't "proper cameras" because they used larger formats - Hasselblad up to 10x12 plate cameras.
But I am sticking to my opinion the 150-400 is massively overpriced . 3k absolute max for me
.... It's overpriced for your budget of £3K but that is quite different from being overpriced in the lens market.

My feeling is m43 is not a “proper” system . Compared to canon , Nikon , Sony. I use m43 because it does what I need it to . But if any of the “proper” systems brought out what I need then I would switch back in a nano second. (Saying that my OM-1 has arrived this morning). For me a m43 lens should never be massively more expensive than a “proper” system pro range (ie the 100-500mm L) lens and secondly a zoom should not be that price as the quality can’t ever match a prime L lens.
That’s just my opinion though.
.... I respect that this is your opinion but I it appears to be based on rather fixed and out of date ideas.

Whereas it was true over 10 years ago that no zoom lens could match a prime, this is no longer the case due to advances in technology. For example, the Olympus ED 300mm F/4 Pro is established as a very sharp lens and the ED 150-400mm TC Pro matches it, and that's not just my opinion.

Being an ex Canon shooter I know much more about them than Nikon or Sony and the Canon L lenses are stunning, especially the latest RF mount L lenses. The Canon EOS mirrorless bodies are excellent too, so what's stopping you "switching back in a nano second"?

I hope you are not disappointed with your new OM-1 and will be mounting it on some Olympus / OM Systems PRO lenses to realise the full potential of the m4/3 format. If OMDS produced a full-frame camera body I reckon the likes of Canon would have some very serious competition indeed regarding image quality excellence.

I think we will at least agree with each other that there is no such thing as the perfect camera nor the perfect lens :D

THE PHOTOGRAPHER MAKES THE PHOTOGRAPH by Robin Procter, on Flickr
 
with a bit of help from a decent computer or Mac and good software robin
 
.... Rather than say "more realistic" I think it would be fairer to say "more affordable".

..........

100% agree with your feedback.

Seems the format wars have certainly broken out on here, no idea why tbh.
It's pointless. There is no perfect camera that suits all.

Tech moves on but it seems some won't accept that.
The simple fact that they are posting on this forum is surely enough to make the point.

Don't remember many online forums from the 60's or 70's only local photography clubs.
 
.... Rather than say "more realistic" I think it would be fairer to say "more affordable".

But when price comparisons against the lens equivalents offered by what our learned friend @peat calls "proper cameras" (Canon, Nikon, Sony, full-frame) are made, then the £6K of the Olympus lens is extremely good value for money and has several major advantages over them too.

Back in the day when I was a professional Art Director I worked with a variety of international professional photographers, many who were specialists in their fields, and most used to think that 35mm cameras weren't "proper cameras" because they used larger formats - Hasselblad up to 10x12 plate cameras.

.... It's overpriced for your budget of £3K but that is quite different from being overpriced in the lens market.


.... I respect that this is your opinion but I it appears to be based on rather fixed and out of date ideas.

Whereas it was true over 10 years ago that no zoom lens could match a prime, this is no longer the case due to advances in technology. For example, the Olympus ED 300mm F/4 Pro is established as a very sharp lens and the ED 150-400mm TC Pro matches it, and that's not just my opinion.

Being an ex Canon shooter I know much more about them than Nikon or Sony and the Canon L lenses are stunning, especially the latest RF mount L lenses. The Canon EOS mirrorless bodies are excellent too, so what's stopping you "switching back in a nano second"?

I hope you are not disappointed with your new OM-1 and will be mounting it on some Olympus / OM Systems PRO lenses to realise the full potential of the m4/3 format. If OMDS produced a full-frame camera body I reckon the likes of Canon would have some very serious competition indeed regarding image quality excellence.

I think we will at least agree with each other that there is no such thing as the perfect camera nor the perfect lens :D

THE PHOTOGRAPHER MAKES THE PHOTOGRAPH by Robin Procter, on Flickr
Like I said, the “proper” systems don’t have a camera that does what I want it to do in a oner. I have no budget to speak of but I won’t over pay for something I don’t think is worth it. I’m not paying prime prices for a zoom lens when the quality can not be as good. It might match the 300mm pro but does that one match a canon L ?
I think I realise why I call m43 not a proper system and it’s probably down to the fact pros don’t use it. Sport photographers are mainly canon with some Sony now. And the true pro wildlife photographers are a mix of canon, Sony and Nikon.
 
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100% agree with your feedback.

Seems the format wars have certainly broken out on here, no idea why tbh.
It's pointless. There is no perfect camera that suits all.

Tech moves on but it seems some won't accept that.
The simple fact that they are posting on this forum is surely enough to make the point.

Don't remember many online forums from the 60's or 70's only local photography clubs.
I don’t think this is format wars as I am the only one saying something negative about m43 but I use m43 and have done for about 4 years now.
I think people just get defensive about what they invest a lot of money in. I’ll just go to whatever system does what I need it to do. At the moment it’s m43 for me.
 
I seem to remember that the Pros didn't use the original OM-1.

Apart from those Pros that did, of course.
 
I don’t think this is format wars as I am the only one saying something negative about m43 but I use m43 and have done for about 4 years now.
I think people just get defensive about what they invest a lot of money in. I’ll just go to whatever system does what I need it to do. At the moment it’s m43 for me.
Err? So how would you describe the recent posts on this thread,
To me, it seems the recent posts claim M43 is bad and Canon is the best. If that's not format wars then what is it?

I see you do use M43 for wildlife photography as apparently, do an ever increasing number of "Pro" whatever that means photographers, but still Canon (Sony, Nikon) is better - hmm.

I just take pictures for my own pleasure. Tech moves on, If it helps me take images I could not otherwise take then I will buy it, if not I won't - Simple as that.
 
Like I said, the “proper” systems don’t have a camera that does what I want it to do in a oner. I have no budget to speak of but I won’t over pay for something I don’t think is worth it. I’m not paying prime prices for a zoom lens when the quality can not be as good. It might match the 300mm pro but does that one match a canon L ?
I think I realise why I call m43 not a proper system and it’s probably down to the fact pros don’t use it. Sport photographers are mainly canon with some Sony now. And the true pro wildlife photographers are a mix of canon, Sony and Nikon.
..... You keep using the term "proper" about camera systems as if anything other than full-frame Canons etc are merely toys - It's derogatory language and such a sweeping statement that it makes your opinions difficult to respect.

Also, you haven't used an Olympus 150-400mm TC Pro have you? - Whereas my previous most used camera was a Canon 1DX-2 + EF 500mm F/4L II and other L lenses and so I feel better qualified than you are to make comparisons and I form my opinions on the basis of long term use - And I shoot most days, I'm not a fair *weather weekend only type of photographer. In my opinion, the £6K Olympus lens is absolutely as good optically as any current Canon EF L lens - The system differences are mostly a result of the differences in sensors.

* Another major advantage of the Olympus/OM Pro gear being that you can shoot reliably in all weathers - This is extremely enabling.

Regarding m4/3 vs full-frame there are pros and cons with both systems.

Would you like me to give you a list of highly respected professional wildlife photographers who now shoot on Olympus / OM System? I grant you that I don't know any sports photographers who do and the 150-400mm is probably too much focal length for field sports journalists. I have an opportunity to shoot a goal keeper friend while she is training soon and will probably use my Olympus 40-150mm and 12-40mm F/2.8 Pro lenses.
 
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I seem to remember that the Pros didn't use the original OM-1.

Apart from those Pros that did, of course.
.... I think you probably already know from previous posts that Patrick Lichfield was both a friend and co-director of my company. I remember him getting the original OM-1 and then phoning me to say I must come to the studio to see it. He loved it but of course used other cameras as well - Horses for Courses.

The second video below includes Lichfield aka 'Lionel Blair' by some! :D

View: https://www.youtube.com/watch?v=3H__HYSAuJU

View: https://www.youtube.com/watch?v=nWlj9ZJkliA
 
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@peat

I can only suggest at this stage you take the time to watch and appreciate what this Professional Wildlife Photographer achieves with his Olympus gear
 
with a bit of help from a decent computer or Mac and good software robin
.... Absolutely!

I view the camera + computer with good RAW processing software as all parts of the same tool in achieving satisfactory results. The camera is just the first step.
 
And the true pro wildlife photographers are a mix of canon, Sony and Nikon.
Errm,

David Tipling, https://davidtipling.com/

Petra Bambousek https://www.sulasula.com/en/home/

Mike Lane https://www.nature-photography.co.uk/

Dan Cox https://www.nature-photography.co.uk/

Jari Peltomaki. https://jaripeltomaki.com/

Andy Rouse https://www.andyrouse.co.uk/

To name but a few well known "career" wildlife photographers who have been using Olympus (with a bit of Panasonic in the case of Dan Cox) for years.
 
Some interesting comments by Thom Hogan regarding the current Olympus lens range:

'These days, that's exactly what I'm finding. Particularly:
  • m4/3 — the Olympus/OMDS PRO glass deserves the three-letter suffix. There's not a dud among them. Moreover, most of the ED labeled lenses are also really good, too. That's over two dozen lenses that are solidly state-of-the-art optically in the m4/3 mount.'
And:
'That's one of the things that's impressive about Olympus's (and now OMDS's) PRO optics: they're dealing with a smaller capture area and far higher tolerance and acuity needs than full frame, but they've created a full lens set that stands up to that.'
 
Some interesting comments by Thom Hogan regarding the current Olympus lens range:

'These days, that's exactly what I'm finding. Particularly:
  • m4/3 — the Olympus/OMDS PRO glass deserves the three-letter suffix. There's not a dud among them. Moreover, most of the ED labeled lenses are also really good, too. That's over two dozen lenses that are solidly state-of-the-art optically in the m4/3 mount.'
And:
'That's one of the things that's impressive about Olympus's (and now OMDS's) PRO optics: they're dealing with a smaller capture area and far higher tolerance and acuity needs than full frame, but they've created a full lens set that stands up to that.'
.... And Olympus/OMDS have been able to do this largely due to their looong established excellence with lenses and optics in the world of microscopes.

In fact, the OMDS breakaway from Olympus is only giving separation and autonomy to their camera products - This is a good thing and not a hostile corporate takeover or death of a great camera company as some out there on the hyperinterwebbynet were claiming! The change bodes well for the future.

As a (serious) amateur photographer coming from Canon L glass I was very surprised by the excellence of Olympus PRO glass.

I know I am sounding like a fan boy but Olympus have always been famous for their innovation as well. Just as one example, why haven't the so-called 'proper' brands caught up with weatherproofing!?

I'm sorry but I find comments and opinions that Olympus/OMSystem are not "proper" camera brands to be misleading and somewhat irritating and I cannot leave such opinions unchallenged.
 
100% agree with your feedback.

Seems the format wars have certainly broken out on here, no idea why tbh.
It's pointless. There is no perfect camera that suits all.

Tech moves on but it seems some won't accept that.
The simple fact that they are posting on this forum is surely enough to make the point.

Don't remember many online forums from the 60's or 70's only local photography clubs.
Possibly because there was no internet back then Dave LOL
 
I'm only interested in the format wars in so far as they affect me and that's the only way you can effectively judge things, your own use case. I did try out several different formats before moving to M43. What I found was the differences are less of a discreet scale and more of a big moving venn diagram.

I tried some RF glass on an eos R including the well reviewed RF70-200 F4, Out of interest I shot a similar scene I'd taken on the RF 70-200 with my new OMD 40-150 F4 pro when I got it. Taken on completely different days with very different lighting and not quite from the same place but of the same subject, so you can't go drawing any detailed or definitive conclusions but I'm not in that game anyway, I simply shoot to see if I like the results. However, you can broadly say that the OMD glass more than holds it's own.

100% crop screenshotted with the OMD lens roughly set to equivalent focal length, both at or near optimum F stop (arguably the OMD is 5.6 rather than 6.3 but it's minor)

Capture.JPG
 
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I am normally one to avoid the format wars debates but I think the video below speaks for itself No perfect camera but plenty of choice at the end of it all the final image is what is really about and how we see the world.

I will agree with one thing OMDS make great lenses at a very good price point the one exception is of course the 150-400 which I own this lens is clearly a marmite lens in terms of price I am fortunate that I could afford it and I endorse everything Red Robin has said about this lens it really is a cracking lens but so is the 100-400 I owned


View: https://youtu.be/4sp8UwFnYz0
 
I'm only interested in the format wars in so far as they affect me and that's the only way you can effectively judge things, your own use case. I did try out several different formats before moving to M43. What I found was the differences are less of a discreet scale and more of a big moving venn diagram.

I tried some RF glass on an eos R including the well reviewed RF70-200 F4, Out of interest I shot a similar scene I'd taken on the RF 70-200 with my new OMD 40-150 F4 pro when I got it. Taken on completely different days with very different lighting and not quite from the same place but of the same subject, so you can't go drawing any detailed or definitive conclusions but I'm not in that game anyway, I simply shoot to see if I like the results. However, you can broadly say that the OMD glass more than holds it's own.
.... I am the same in that what primarily matters to me is whether I like my results and whether my gear enables me to get the shot I want or not.

Yesterday very early morning on a grey cloudy day (typical British weather!) I awoke to the sound of a woodpecker calling in my wildlife garden (very rough, very little maintenance). While still in my dressing gown and blurry-eyed I grabbed my OM-1 + 150-400mm TC Pro rig which still had a MC-14 mounted knocking the max aperture down to F/8 and took some shots handheld at 1/160s and ISO 1600 (I hate pushing the ISO on m4/3 - Full-frame has much better noise performance).

These are not my best shots ever but I know that I would not have got them good enough to even keep on my ED 100-400mm when I had it. As Petr Bambousek says about 1:15:00 into his video which @Box Brownie posted (Reply #26,106) when asked to compare the two lenses, the big '150' zoom PRO lens is more enabling in poor light and poor light is what many wildlife photographers have to live with. In my case it also applies to photographing surfer action in winter.

GREEN WOODPECKER'S TAIL TRIPOD! by Robin Procter, on Flickr

GREEN WOODPECKER by Robin Procter, on Flickr

The noise performance of my Canon 1DX-2 + EF 500mm F/4L II was definitely superior but I always needed at least a monopod. Sorry if you have seen this photo of me before with my 'proper' camera but it illustrates the downside of working with equivalent Canon gear on walkabout in the field :

RP_08521.jpg
 
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Great woodpecker shot! I'm an admirer of all the bird photographs on this thread.

Yeah that's a lot of kit, in weight and cost. I see photographers here carrying similar kit, walking around the estuary, makes me glad I'm not a wildlife photographer.

Jury's out on noise for me. I don't tend to push the ISO anyway, hence I thought M43 would suit me but I've been surprised sometimes to find more noise than I was expecting and other times find none. I think I simply need to expose further to the right than I'm used to coming from a DSLR. In other words user error and finer margins.
 
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