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Could’ve done with a CPL but it’s only with the p12-32 and has a low explore position today
Port Isaac by damianmkv, on Flickr
Port Isaac by damianmkv, on Flickr
Port Isaac by damianmkv, on Flickrhopefully the new lens will perform better all the reviews look that way . the PLis a sharp lens but does need to be stopped down to attain its best . hence higher i.s.o values ..if the new one is sharp at f6.3 then it will help in that
learnandsupport.getolympus.com
So far all the reviews I've seen have been by Olympus affiliated photographers (eg the one above). Why not wait until it is available to objective reviewers and the general public before deciding to hand over any cash?
As a user of the Panasonic equivalent I would want to be absolutely certain before buying.
It's all very well for Olympus to flood the internet with friendly reviews but how far can you trust them?
www.amateurphotographer.co.uk
No, it's just that I can't remember reading an objective review yet of this lens. All manufacturers of everything would like to have countless friendly reviews of their products available but who would trust any of them!
The best of the two 100-400 will be down to the photographer, we know this but tend to get caught up in branding and hype
Three reviews which I assume are objective, in that the reviewers are not assocaited with Olympus.
They do not all agree on the merits or otherwise of the lens.
The AP reviewer even considers the Panny to have significant advantages in some areas.
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Olympus M.Zuiko Digital ED 100-400mm f/5.6-6.3 IS Review
John Riley reviews the new Olympus M.Zuiko 100-400mm f/5.6-6.3 IS telephoto zoom lens for Micro Four Thirds. Find out how this weather-sealed long telephoto zoom performs.www.ephotozine.com
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Olympus M.Zuiko 100-400mm f/5.0-6.3 IS review
The Olympus M.Zuiko 100-400mm f/5.0-6.3 IS delivers 200-800mm of reach – but is its image quality as impressive?www.digitalcameraworld.com
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OM System/Olympus M.Zuiko Digital ED 100-400mm f/5-6.3 IS review
If you need portability and telephoto pulling power, the Micro Four Thirds format is an appealing option. Andy Westlake reviews the OM System’s 100-400mm weather-sealed ultra-telephotowww.amateurphotographer.co.uk
I've read those independent reviews and they pretty much sum up the lens for what it is, a mid-range mid-priced superzoom.
Can anyone tell me if the Panasonic DMW TC14 1.4 Teleconverter is compatible with the Oly 40-150 f2.8 Pro please or do I have to get the MC14? I already have the Panny 1.4x and am contemplating purchasing the Oly lens hence my question.
Nothing is happening at all on the sales market and the MPB quote is ok but too low for me to consider. It's obviously a "want" rather than a "need" so I look forward to your feedback when yours arrives.Noted Chris I will probably take the part exchange route as the safest way at this moment in time . Stuff is selling well at the bottom end of the market ,high ticket items seem to take longer
castle l'egret by jeff and jan cohen, on Flickr
stormy skies by jeff and jan cohen, on Flickr
high tide at high noon by jeff and jan cohen, on FlickrI've read those independent reviews and they pretty much sum up the lens for what it is, a mid-range mid-priced superzoom. Perfect for me but I'm surprised at @RedRobin being so keen. I think it might be a step backwards for him.
the jumper by jeff and jan cohen, on Flickr
wag & drag by jeff and jan cohen, on Flickr
lunch at the pool bar by jeff and jan cohen, on FlickrLovely shots Jeff. I have moved to a new village so no Internet until the 1st Septgone very quite on here of late everyone waiting in anticipation for the new lens ?? , heres a couple from today anyway 50-200 SWD= 1.4 tc .. grey wagtail devouring a dragonfly .small pool in deep woodlands
wag & drag by jeff and jan cohen, on Flickr
lunch at the pool bar by jeff and jan cohen, on Flickr
Completely agree on the flexibility of the lens for surfers. I used my 300mm the other day and had to turn it to portrait mode so I didn't lose the sea. Also many of them will come too close for the framing. Sometimes I take two cameras, but you can lose the moment in the switching. I switch back to my Canon FF and 100-400 if I know there are a few hotshots about who will be close up, just so I know I have that flexibility..... Are you thinking of it as a step backwards for me because I already have the Olympus ED 300mm F/4 Pro?
I photographed some of my surfer friends this afternoon and because of the rising tide and sea conditions they were at times very far out at sea. So instead of mainly using my Olympus 40-150mm + MC-20 I mostly shot on my 300mm + MC-14 which combo gave me more reach. But as anyone rode a wave in towards the shore I needed to pick up my other body with the shorter reach zoom lens mounted. Due to the strong winds it was much easier shooting from my tripod. Now if I had the 100-400mm today I would have had the flexibility and not have missed so many shots.
When shooting wildlife this year there have been several times when I have wanted the flexibility of zoom when using my 300mm prime and have been restricted by it.
Even when I bought the 300mm it was planned as only temporary until the 150-400mm+1.25x was available but now I know more detail about that forthcoming big Pro lens I feel that the 100-400mm will be more practical.
If someone is bothered to make scientific comparisons between the Olympus 300mm and 100-400mm I am sure they will conclude that the 300mm is a 'better' lens but everything is indicating that the 100-400mm is absolutely good enough for my purposes.
Also, contrary to RED35's review below that if you already have the 40-150mm plus Teleconverters (which I do) then you don't need the 100-400mm I absolutely do not agree and I most definitely have a use for both.
It keeps coming back to the same thing and that is simply that each of us have differing lens requirements and preferences.
View: https://www.youtube.com/watch?v=TIcH1U4vkis

long tail by jeff and jan cohen, on Flickr
Just a minute, let’s admire the view by damianmkv, on FlickrJust a minute, let’s admire the view by damianmkv, on Flickr
I was reading article the other day the colour blue as a word apparently did not exist till a couple of hundred years ago ,its not mentioned anywhere in ancient writings , and it seems that everyones perception of colour is different ,which could account for variations in saturation of different folks photos . they did a experiment with a African tribe with a card with different shades of green and one blue dot and no one picked out blue as being the odd one out but every shade of green had its own name . strange but trueFair enough - whacked a preset on, downed the highlights in the sky and upped the saturation a little ( +5 ). It’s not a million miles away from how it was
stretch by jeff and jan cohen, on Flickr
upon reflection by jeff and jan cohen, on Flickr
tern tern tern by jeff and jan cohen, on Flickr
just moved in by jeff and jan cohen, on Flickr