Octave strings on a 12-string acoustic: Which way round?

Rupert67

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I have always loved the sound of a 12-string acoustic guitar so, for our 40th wedding anniversary, my dear wife has kindly bought me a Sigma DR12-28, which arrived yesterday, nestling snugly in a Hiscox case. (Don't worry, I'm buying her something equally delectable!).

I plan to play the guitar in for a week or two before taking it over to a favourite luthier, who set up my other guitars and those of a good friend of mine. He will strip it right back, chamfer the frets, reset the nut and saddle, check out the truss rod adjustment and generally set it up with a new set of strings to my preference re action, etc.

My question here is: When stringing a 12-string guitar, the octave strings of the E, A, D and G are commonly placed first in their respective pairs, i.e. when looking at the guitar in the playing position the octave string is struck first when stroking a chord downwards.

Those in the know will be aware that Rickenbacker has traditionally departed from this convention by switching the octave strings around, so that the 'normal' strings are struck first when playing a chord in the manner described above. Perhaps being electric this is the key to its unique sound, as played by George Harrison (The Beatles) and Roger McGuinn (The Byrds), among numerous others down the years.

Can anyone tell me what the audible difference might be if my twelve was strung the Ricky way rather than in the conventional way? Would the sound be fuller and less jangly perhaps, or totally the opposite?
 
Lightest string to the top, ie nearest your chin. If you do it the other way around the second string is likely to be missed on the down stroke.
I understand that that's the theory, though I'm sure that there are a hundred and one opinions to the contrary.
 
Traditional 12s are strung lighter string above, heavier below, however Rickenbacker 12s are t'other way round by design. Nashville stringing can sound good solo, but for some reason doesn't always seem to work well in a band context, and you need to be careful because the lighter strings are fragile when unprotected by a heavier octave string.
 
You can't just randomly change the order of the strings: the slots in the nut are cut the way the manufacturer intends it to be strung, you'd need to have a new nut put in and recut to suit. I'm not convinced it would sound different enough to bother anyway.
 
When I went to AEC classes back in the seventies, my guitar teacher had a lovely Yamaha 12 string, and he used to pick blues and bluegrass on it. It sounded fantastic.
 
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