?) is as mediocre as the Coolpix range, then Nikon run the risk of turning away those who later move up into the DSLR market, IMO :shrug:.What it could have been:
A DX format high quality rival to the NEX/PEN/GF that had instant compatibility with almost every lens Nikon have made in the last 50 years with the potential for an FX version at some point in the future.
A camera that would fit easily into existing Nikon SLR kit owner's lineup and would have put Nikon in the unique position of being the only brand to offer a mirrorless compact which could share lenses (with full functionality and without adaptors) with their SLRs and DSLRs.
What it is:
A toy.
you do realise who they are aiming this camera at
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The cheaper pen is a LOT cheaper than the new Nikon and look how much smaller it is despite having a much larger sensor. Also far more user friendly design
What it could have been:
A DX format high quality rival to the NEX/PEN/GF that had instant compatibility with almost every lens Nikon have made in the last 50 years with the potential for an FX version at some point in the future.
A camera that would fit easily into existing Nikon SLR kit owner's lineup and would have put Nikon in the unique position of being the only brand to offer a mirrorless compact which could share lenses (with full functionality and without adaptors) with their SLRs and DSLRs.
What it is:
A toy.
Unless I'm missing summot I just can't see anything the Nikon has going for it.fixedimage said:I don't think it's a question of people missing the point, we all get that a pink camera with a fingernail sized sensor ain't aimed at serious users, what we are lamenting is what could have been had Nikon chosen to aim this camera at us.
existent said:People are saying these are aimed at the average p&s consumer and not the enthusiasts but I got one response to that... 10mp... Average consumer is not smart enough to understand lower mp may be better than higher mp. For example, I was chatting a guy at work today and he was saying he just bought a p&s and chose that specific model because it was 16mp...
Correct me if im wrong but both olympus and panasonic m4/3 have higher mp?? So your average consumer will most likely go for those brands... 24mpx Sony Nex7 is a great attention grabber for average consumer!
These will only sell because they are Nikon.
Both models look like toy cameras. Their design looks rushed and incomplete. I dont mind the smaller sensor as it means smaller/faster lenses but Nikon decided to release slow lenses. Even the prime is f2.8.. It should have been f1.4 or f1.8 at most. And the lenses do not look very small either.
I was expecting a much stronger product from Nikon. Hopefully if canon decides to enter this market they dont make the same mistakes.
Personally, if i want a pocketable camera, i probably would go for high end compact or gf3 (or olympus equivalent)... And if i wanted a small, but great camera g3 or one of the latest nex models...
Both models look like toy cameras. Their design looks rushed and incomplete.
fixedimage said:I don't think it's a question of people missing the point, we all get that a pink camera with a fingernail sized sensor ain't aimed at serious users
that's still 2mp higher...![]()
The thing that will interest me most with the new V1 is:
1) How easy it is to focus manually (ie zone focus & hyperfocal) as I cannot see any distance scale on the lens. (I'm talking about the 10mm prime as that's the only lens that would remotely interest me)
2) If there is any shutter lag. Any lag at all would be a deal breaker.
The smaller sensor will not particularly bother me as it's still larger than premium compacts and offers better DOF compared with m43 and DX so seems a good compromise for this type of camera. The relatively low 10MP is very welcome as it likely means less noise than other compacts at high ISO.
Cameralabs said:It's also worth looking into that 2.7x field reduction for a moment. This would seem to benefit telephoto work, as a relatively small focal length on a CX-format body could deliver a large effective focal length in practice. But look again at the figures, especially compared to Sony's latest 24 Megapixel APS-C sensor. Note I'll be making assumptions the entire sensor dimensions quoted by the manufacturers are active and devoted to the actual photo sites.
Starting with linear resolution, the Sony sensor packs 6000 pixels into a sensor measuring 23.4mm wide; that equates to individual photo sites measuring 0.0039mm wide. Meanwhile the Nikon CX sensor packs 3872 pixels into a sensor measuring 13.2mm wide, equating to individual photo sites measuring 0.0034mm wide. This makes the photosites on the Nikon sensor only about 15% smaller in either dimension; that is to say, if you took the same physical area from each sensor, the Nikon would only squeeze 15% more pixels into it horizontally or vertically.
The reason this is worth noting is it effectively eliminates almost all of the perceived telephoto advantage from the Nikon CX system when compared to a high resolution APS-C sensor. If you fitted a lens of the same focal length to both the Nikon V1 / J1 and Sony NEX-7, the images direct from each camera may show a different view, but by taking a 10 Megapixel crop from the middle of the Sony, you'd end up with coverage and detail within 15% of the Nikon. And obviously the Sony has the advantage of the original uncropped 24 Megapixel image with a broader coverage, although to be fair it would require a physically bigger lens to deliver the required imaging circle to its bigger sensor.
Looking at their respective sensor areas and pixel densities you can also calculate the Nikon V1 / J1 and Sony NEX-7 have photo-site areas of 11.5 and 15.2 square micrometers respectively, which gives the Sony around 50% greater light-gathering area per pixel, implying higher sensitivity. Of course differences in micro-lenses and filter arrays, not to mention image processing all play a role in final image quality, but crunching the numbers certainly gives food for thought.
DEPREVIEW said:The J1 has this problem as well - in my shooting I've lost count of the number of times I've accidentally rotated the dial when shifting my grip on the camera, and ended up in one of the other exposure modes. This is especially annoying when you end up in movie mode, because it's easy not to realise what has happened.