New Leica release

A better shooting experience leads to better results though. It doesn't matter what you use or how much you paid for it, if you're comfortable with it then the results you achieve will follow on.

Not inherently though, and the 'better' shooting experience involves thousands of pounds of outlay while removing any chance of shooting vast swathes of subject matter outside of street photography.

I still haven't seen a single image from a Leica M that's made me go 'wow' and I've seen plethoras from DSLRs and medium format systems, either in print or on the web.

I can understand people wanting the shooting experience but it's not like that shooting experience either costs so many thousands more to offer, or that the rewards it offers are worth so many thousands more.

Yes, ultimately all the luxury goods are just that, but in the context of Rolexes and Ferraris, the supply costs are astronomically high in comparison to the inferior (speaking economically) competition no matter how they're built, whereas a rangefinder system isn't hard to provide at a much lower price point; it's just that when you take out the factor of 'it's expensive it must be better' veblen goods, Leica are left with an ultimately average system, so there's no market for price competitive systems.
 
Laudrup said:
On a 5D MKII? Well yes something will be in focus, but not always what you wanted based on my experience.

As for the lenses as I said use them and you'll see. They are on a different level.

I doubt doubt going by the MTFs they are better on paper but looking at a picture you are not going to be able I see a difference.

Never had a problem with the Af I the 5D2 when I had it. Any faults were my own.
 
..while removing any chance of shooting vast swathes of subject matter outside of street photography.

Why? I haven't ever liked 'Street Photography' - fixed focus doesn't limit you as much as you suggest, in fact I see it as an advantage because it gives your photos a uniform feel and makes you think about positioning and composition a little more than I do with my DSLR. I like my pictures to reprisent what I see as opposed to what my 300mm lens can see, most of the time.
 
The advantage of a B&W only sensor is in its resolution and ability to handle highlights and shadows. Some of the 100% preview shots from the monochrome show an astounding amount of detail and sharpness from this camera, and the youtube review vid demonstrates a pretty insane dynamic range.

I think in those two aspects, this camera is supposed to be leagues ahead of any non-medium format digital camera currently on the market, and it's in a tiny body. In that respect, it fulfils a unique niche in the market. Eg. B+W landscape shooters who make huge prints.

Let's see what the sensor tests say anyway, but this is a really special sensor. People are getting too bogged down on the 'omg another overpriced digital leica m' and missing the point.
 
All these car and watch analogies... .

The cheapest new car in the Uk is the Perodua Kelisa at £4520. The cheapest watch is a 99p garage special Casio-knock off. If you own a new car or wear a modern watch that isn't one of these, then you obviously ascribe a certain value to offset the added expense you paid. Whether that value is worthwhile, only you can decide.

Despite me disliking the silly cul-de-sac special editions as a preening act of folly... i realize that some people just buy stuff because they like it, they can afford it, and it meets their needs, whatever they may be. What's wrong with that in a free market economy? Nothing, I guess.
 
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Why? I haven't ever liked 'Street Photography' - fixed focus doesn't limit you as much as you suggest, in fact I see it as an advantage because it gives your photos a uniform feel and makes you think about positioning and composition a little more than I do with my DSLR. I like my pictures to reprisent what I see as opposed to what my 300mm lens can see, most of the time.

I shoot primes only as well, almost exclusively my 85 and 50 and I'm not saying it's the fact they're primes that limit you. There's just no feasible way of focusing an 85 1.2 etc. on a rangefinder, no real hope of macro, no way of fast enough focus on a 70-200, no way of framing anything beyond about 100mm accurately, and all these lenses are very widely used on DSLRs proving that there is a genuine need for them.

It's not that they're primes, not at all, it's that they're exorbitantly expensive primes all specialising in street photography; it's not a very versatile system.

The advantage of a B&W only sensor is in its resolution and ability to handle highlights and shadows. Some of the 100% preview shots from the monochrome show an astounding amount of detail and sharpness from this camera, and the youtube review vid demonstrates a pretty insane dynamic range.

I think in those two aspects, this camera is supposed to be leagues ahead of any non-medium format digital camera currently on the market, and it's in a tiny body. In that respect, it fulfils a unique niche in the market. Eg. B+W landscape shooters who make huge prints.

Let's see what the sensor tests say anyway, but this is a really special sensor. People are getting too bogged down on the 'omg another overpriced digital leica m' and missing the point.

Black and white landscape shooters who make huge, tate sized prints firstly want more than 18MP, secondly want control over the tonality in an image that you can't get without the initial colour information and thirdly will almost all either prefer a D800 and 14-24 or a medium format setup.
 
I shoot primes only as well, almost exclusively my 85 and 50 and I'm not saying it's the fact they're primes that limit you. There's just no feasible way of focusing an 85 1.2 etc. on a rangefinder, no real hope of macro, no way of fast enough focus on a 70-200, no way of framing anything beyond about 100mm accurately, and all these lenses are very widely used on DSLRs proving that there is a genuine need for them.

It's not that they're primes, not at all, it's that they're exorbitantly expensive primes all specialising in street photography; it's not a very versatile system.

OK I see - however I still don't think they are as limited as you say.
 
Black and white landscape shooters who make huge, tate sized prints firstly want more than 18MP, secondly want control over the tonality in an image that you can't get without the initial colour information and thirdly will almost all either prefer a D800 and 14-24 or a medium format setup.

Yeh well, this is the thing. You can go on all you like about what you think those shooters want, but at the end of the day, a full-frame tack sharp monochrome sensor in a tiny body, where you can make full use of your super-resolving leica lenses (which probably cost twice as much as the camera anyway) is going to be useful to a lot of people.

If I had a large M mount lens collection, if I was super rich (or made a lot of money from my photos), and if liked landscape photography but don't want to lug a 2.5kg nikon set up or an even bigger medium format set-up on a huge hike, I know what camera I'd put in my rucksack. And that's just one example.

There is literally no other camera on the market at the moment that does what this camera does. People shouldn't let their bias against Leica overpricing override the fact that there's no competitor to their digital products.
 
I don't understand at all where all the people saying ' Oh its pointless' get it from. If it was pointless and wasn't going to sell, they wouldn't make it :P

It looks awesome!
 
Yeh well, this is the thing. You can go on all you like about what you think those shooters want, but at the end of the day, a full-frame tack sharp monochrome sensor in a tiny body, where you can make full use of your super-resolving leica lenses (which probably cost twice as much as the camera anyway) is going to be useful to a lot of people.

If I had a large M mount lens collection, if I was super rich (or made a lot of money from my photos), and if liked landscape photography but don't want to lug a 2.5kg nikon set up or an even bigger medium format set-up on a huge hike, I know what camera I'd put in my rucksack. And that's just one example.

There is literally no other camera on the market at the moment that does what this camera does. People shouldn't let their bias against Leica overpricing override the fact that there's no competitor to their digital products.

2kg (D800 + 14-24 = 1.9kg) is hardly much to 'lug' given the quality you get. The M9 weighs in at 600g, a 21 pushes that to about 900g. Really if the difference between 2kg and 1kg makes that much of a difference to you then I'd say you have some serious fitness issues. It's understandable to want to take a bridge camera rather than a DSLR + 600mm prime, but at the wide end the argument just doesn't stand up.

The X-Pro 1 is fast filling that role at a much more competitive price. Yes it's APS-C, but then I thought it was all about the shooting experience :P I don't have a bias against Leica and I've both acknowledged and accounted for the lack of competitors to the M-system in digital photography. The only people who buy Leica are enamoured by the magic of the brand and anything that isn't Leica but is a rangefinder, by and large, will be rejected by Leica fans as a cheap knockoff, and by everyone else as an irrelevant, not very useful system.


I don't understand at all where all the people saying ' Oh its pointless' get it from. If it was pointless and wasn't going to sell, they wouldn't make it :P

It looks awesome!

Just because it sells doesn't make it useful. Where's the use for Vertu phones?
 
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I don't understand at all where all the people saying ' Oh its pointless' get it from. If it was pointless and wasn't going to sell, they wouldn't make it :P

It looks awesome!

trying to justify their own views on photography. It will happen here as a lot of people are gear heads rather than being interested in the the whole experience, from picking up the camera to the end product.
 
Ksanti said:
The only people who buy Leica are enamoured by the magic of the brand and anything that isn't Leica but is a rangefinder, by and large, will be rejected by Leica fans as a cheap knockoff

I'm sorry, I agree with you to an extent, but this is completely not true. Some rich people, maybe, but I think you're generalising way to much. And you talk like the market is full of digital rangefinders.

Lots of people use Leicas because they're actually good, unique, and useful :p.
 
I'm sorry, I agree with you to an extent, but this is completely not true. Some rich people, maybe, but I think you're generalising way to much. And you talk like the market is full of digital rangefinders.

Lots of people use Leicas because they're actually good, unique, and useful :p.

I'm saying that's what market research would show (that people wouldn't buy any other rangefinder), and the passing resemblance to rangefinders of the X100 and the floods of 'It's not as good as a leica' 'Cheap leica wannabe' comments on the internet prove my point. Companies aren't going to release doomed rangefinders into the market just to prove that Leica have a monopoly, they know that from day one and that's why they don't bother developing them.

They are good, they are unique. Are they >£10,000 good? No. And it's not the same as with cars etc. as DSLRs and medium format backs provide better performance with lower costs, so it's not just a case of diminishing returns. Are they useful? Well in that they're distinctly less versatile than DSLRs that's very debatable.
 
B&W only? What is this, the 19th Century?

Pretentious nonsense for the more-money-than-sense-brigade. There, I've said it.
 
for rich people that think they are another HCB lol

with todays technology you are going to be seriously hard pressed to see a difference in a print between a canon f1.4 and a leica version


while I appreciate the numbers can be better for leica lenses it does not always translate into the picture unless you are pixel peeping

As well if you look at HCB work,the Leica lens weren't that sharp,but for the sort of photos HCB love taking, that was about the only camera on the market.

:)
 
for rich people that think they are another HCB lol

with todays technology you are going to be seriously hard pressed to see a difference in a print between a canon f1.4 and a leica version


while I appreciate the numbers can be better for leica lenses it does not always translate into the picture unless you are pixel peeping

I'd agree with this, while MTF Leica would have the edge; I doubt the general user would be able to pick such nuances from prints they make.


A Rolex (or any automatic) is much less accurate than a battery powered Quartz, but there's something appealing about a mechanical heart.

That's my point. While Quartz beats automatic, people are still happy to fork out the pricier demand for automatics simply for the luxury. That's further exaggerated by how many really need a wrist watch these days?


A Rangefinder needn't be expensive, it's a different system which some people prefer (including me) because for some it feels more natural to use. This means you are more comfortable and take more (and perhaps better) photographs.

Another good point, and it's the "feel and use" that makes it magical, not the end result.


The M9 B+W is very expensive and I don't really see how such a price is justifiable, it certainly will be beautifully made (the M9 feels like a jewel) and I'm sure the lenses etc are technically perfect. Perfect gear doesn't result in perfect pictures, of course not.

This, like all other Leica, does feel like a jewel, which is just a part of the magic dust that they sprinkle on would be customers to lure them to buy these toys.


They'll be snapped up (pardon the pun) by a certain demographic but those who like rangefinders know that they aren't the only brand out there and that sometimes 'perfection' is a bit sterile and lifeless. I'm happy squinting at my RF patch through the dull orange tinted barely visible viewfinder on my Paxette - it makes the results more satisfying. On the other hand I like my digital rangefinder because it's compact and so natural to use.

You'll probably see more pictures OF this camera than pictures taken WITH it!

And yes, more OF from these than anything else.

As a matter of fact, I was at a Leica store requesting to buy an angle finder (which is sold with their macro lens) which I'd want to use for low-angled shots, but they didn't sell it on its own. Furthermore, they told me why not just hold the camera to my eye, focus, and then move the camera to the desired low angle from which I wanted to shoot. When I explained "getting things in focus", they were surprised that I was so picky and suggested it was ok to have shots out of focus :bang:



Use one versus the other and you'll see. The Leica lenses beat them hands down.

I'd beg to differ. I use Nikon, Leica and Voigtlander, and even when factoring my ageing eyesight, I still don't see any difference in final image quality between any. Unless you're shooting into the sun, where the Leica does handle flare a bit better.

If, however, you're speaking about the experience, then yes there is a difference. The Leica & Voigt. feel and focus a lot smoother; but that's the mechanisms of focusing vs. the end result of the image.


I don't understand at all where all the people saying ' Oh its pointless' get it from. If it was pointless and wasn't going to sell, they wouldn't make it :P

It looks awesome!

It does look awesome, feel awesome too, and sure does boost ego too :thumbs:


2kg (D800 + 14-24 = 1.9kg) is hardly much to 'lug' given the quality you get. The M9 weighs in at 600g, a 21 pushes that to about 900g. Really if the difference between 2kg and 1kg makes that much of a difference to you then I'd say you have some serious fitness issues. It's understandable to want to take a bridge camera rather than a DSLR + 600mm prime, but at the wide end the argument just doesn't stand up.

The X-Pro 1 is fast filling that role at a much more competitive price. Yes it's APS-C, but then I thought it was all about the shooting experience :P I don't have a bias against Leica and I've both acknowledged and accounted for the lack of competitors to the M-system in digital photography. The only people who buy Leica are enamoured by the magic of the brand and anything that isn't Leica but is a rangefinder, by and large, will be rejected by Leica fans as a cheap knockoff, and by everyone else as an irrelevant, not very useful system.




Just because it sells doesn't make it useful. Where's the use for Vertu phones?

I think that's an unfair comparison. If I were to compare the M9 with the 35/1.4, I'd compare that to my D40 with a 35/1.4 stuck to it.

Weight for weight, not much difference, both are very subtle and inconspicuous, and both yield very good results. The D40 has the upper hand technically and in that I wouldn't be scared of using it under harsh environment (rain, sandstorms, heat, etc.), whereas I'd be very reluctant to use the Leica in such circumstance.

Where the Leica takes the edge, ..... the experience of holding something well crafted between the fingers, the focusing, the time to compose and .... makes people smile more as they see the red dot!

Which begs the question, why buy a Leica, it's purely the experience of using it. If I were earning money from my photography gear, this wouldn't be anywhere on my list, unless I could structure a business model where the red dot would earn me more customers, and I don't see that being the case.
 
I'm sorry, but I don't see how a Rolex is a better watch than a Swatch? Nor can I understand how a Ferrari is a better performer than a Transit :

My Rolex cost £4k seven years ago and is now worth £7k. My Swatch isn't quite matching that. The Rolex isn't quite as accurate as the Swatch, but I'll be passing the Rolex to my son as a heirloom when I die. The Swatch not so much. And just so you dont think I'm made of money I saved a bit of cash every month for the 10 years I was on the waiting list for my Rolex which made it feel even more special when I got it.

Regarding focus, and having been one of the few responding here that has owned an M9, I had a vastly better focus hit rate with the M9 and 50 than with my 1DIV and 50 1.4. Shooting moving stuff with the M9 is very hard at wide apertures though - separates the men from the boys.

If I had oodles of money I'd get an M9M but purely as an indulgence.
 
Also, I've had two swatch watches break within 2 months of buying them, my parents' rolexes have been just dandy for decades (I realise it's totally irrelevant :P )
 
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Quite. Leica had the edge, eons ago, when lens design was down to the skill of the designer and a small army of mathematicians than ran through all the formulae by hand. Often tens of thousands of them, even for a prime lens.

Then computers came along and that advantage was wiped out at stroke. The Japanese then took it a step further and pioneered zoom lens design that was simply impossibly complex without computer aid.

Leica makes some very good lenses, but nothing exceptional these days. The key differentiator is the magic of the brand. Zeiss has the same bewitching effect, even though they're made in Japan by Cosina.

The thing is, that's not entirely true.

The 50mm f/2 that they just showcased - absurd price, yes. Would I ever buy it? No. But if the MTF curves they show are accurate, it's the best 50mm lens available for overall resolution, bar none. Charging £5000 for a lens allows a company to do things that simply can't be done for a £300 lens. Whether the difference that generates is worth the cash for you is a different matter (it certainly is not for me) - but denying the difference is there is disingenuous to say the least.

The S system lenses show it as well - comparing to the D800 almost all the advantage the S2 had over the D800 was down to the lenses.
 
The thing is, that's not entirely true.

The 50mm f/2 that they just showcased - absurd price, yes. Would I ever buy it? No. But if the MTF curves they show are accurate, it's the best 50mm lens available for overall resolution, bar none. Charging £5000 for a lens allows a company to do things that simply can't be done for a £300 lens. Whether the difference that generates is worth the cash for you is a different matter (it certainly is not for me) - but denying the difference is there is disingenuous to say the least.

The S system lenses show it as well - comparing to the D800 almost all the advantage the S2 had over the D800 was down to the lenses.

Again, at the cost of the 50 f/2 you're looking at costs of a medium format system like a Pentax 645D + 70mm f/2.8 + 150 f/2.8, and the sheer advantage of having that huge sensor outdoes all that work and expense put into the lens, and the vast majority of the time any work that needs the sort of quality the Leica lenses offer (for the most part, I'm still sceptical after looking at the Noctilux samples), the size of the camera you're using doesn't really matter.

EDIT: I still realise some people don't have any professional need for that sort of quality and just want it out of a love for photography, and hence the Leica approach suits them, but I still think the obsession with gear can sometimes lead to us overestimating our need for that sort of quality just to justify our purchases or desires.
 
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Not inherently though, and the 'better' shooting experience involves thousands of pounds of outlay while removing any chance of shooting vast swathes of subject matter outside of street photography.

RFs aren't just for street, they're good for it but they're also good for everything you can do between 12mm and 90mm bar macro and sport (although that's highly dependent on what sport too). You don't seem to be getting my point though - I wasn't saying that RFs offer an objectively better shooting experience, I was talking about the subjective feeling a photographer gets when they're using something they're comfortable with.

I still haven't seen a single image from a Leica M that's made me go 'wow' and I've seen plethoras from DSLRs and medium format systems, either in print or on the web.

There are loads of amazing photos taken on Leica stuff... Though that the fact that a Leica was used should not matter. SLRs, rangefinders, TLRs, view cameras... They're all equally viable methods of making a photo. I don't know why you're placing so much emphasis on whether it was taken on a Leica or not.

Anyway, interesting quote here:

It was really difficult to differentiate between it and prints that I was making at the same time taken with the 36 Megapixel Nikon D800E. In other words, numbers don't tell the whole story (humm...I think I've written this before), and thus the new Leica MM definitely punches above its weight category. The lack of an AA filter in combination with the additional resolution provided by having all of the pixels contribute to luminance resolution is what makes the difference.

http://www.luminous-landscape.com/reviews/cameras/leica_m9_monochrom.shtml
 
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Been tabbing these posts with interest. My view is that i probably wouldn't go for one as i think an M9 and Nik silver efex pro does a fantastic job already but i can't help wondering out of all these posts how many have actually even shot a bl***y rangefinder.
 
Been tabbing these posts with interest. My view is that i probably wouldn't go for one as i think an M9 and Nik silver efex pro does a fantastic job already but i can't help wondering out of all these posts how many have actually even shot a bl***y rangefinder.

Shot my friend's M9P several times, not that impressed. Perhaps I didn't get a chance to really get to use it properly i.e. live with it, but there was no magic moment for me where I was like 'wow, this is what I've been missing'.
 
There's no other camera that polarises opinion in quite the same way. Typically, threads on leicas are like this:

1. Rich mens' toys
2. Beautiful jewel possessions
3. Unique shooting experiences
4. Technologically outclassed
5. Irrelevant in the digital age
6. A joy to use and hold
7. Giving access to universally acclaimed lenses
8. Useless for anything other than studies and street
9. Sound investment opportunities
10. Overpriced

....And there are usually a few car or watch analogies thrown in for good measure. Thing is, points 1 to 10 describe perfectly the Leica experience, but threads descend into mayhem as complete internet strangers get hot under the collar trying to suggest that a camera can't be all of those things at the same time.....
 
The thing is, that's not entirely true.

The 50mm f/2 that they just showcased - absurd price, yes. Would I ever buy it? No. But if the MTF curves they show are accurate, it's the best 50mm lens available for overall resolution, bar none. Charging £5000 for a lens allows a company to do things that simply can't be done for a £300 lens. Whether the difference that generates is worth the cash for you is a different matter (it certainly is not for me) - but denying the difference is there is disingenuous to say the least.

The S system lenses show it as well - comparing to the D800 almost all the advantage the S2 had over the D800 was down to the lenses.

I didn't mean to imply that Leica doesn't make any of the best lenses. They do, as you point out, and I acknowledge and respect that. But for every 50mm f/2 there are half a dozen examples in the Canikon ranges that are supreme examples of the lens maker's art that Leica couldn't touch even if they wanted to, like fast zooms and super-telephotos with amazing AF and IS.

On the other hand, if Canikon chose to throw everything they've got at a 50mm f/2, I would be amazed if it didn't beat the Leica in both performance and features, at a fraction of the cost. If you turn the clock back to pre computer-aided design, that would certainly not have been the case. That's really what I'm saying - Leica's performance today is a myth based on 50 year-old fact.

The advantage of the S-system is more in the size of the format than just the lenses.
 
Shot my friend's M9P several times, not that impressed. Perhaps I didn't get a chance to really get to use it properly i.e. live with it, but there was no magic moment for me where I was like 'wow, this is what I've been missing'.

Well it is only a still a camera after all. Not sure what magic you would be expecting.

Nobody can tell anyone else the worthiness of any item as each persons values are different. Even when spending a lot of money people have different wants and wishes. Some would buy a Leica, others would buy a Hasselblad and yet others would not see the point at all and buy a much cheaper camera that for them is ideal/the thing they lust after.

Take the price out of the equation and how many more Leica users would there be?
 
that proves my point, people get too hung up on price - there is more to life than worrying about prices.
 
I didn't mean to imply that Leica doesn't make any of the best lenses. They do, as you point out, and I acknowledge and respect that. But for every 50mm f/2 there are half a dozen examples in the Canikon ranges that are supreme examples of the lens maker's art that Leica couldn't touch even if they wanted to, like fast zooms and super-telephotos with amazing AF and IS.

On the other hand, if Canikon chose to throw everything they've got at a 50mm f/2, I would be amazed if it didn't beat the Leica in both performance and features, at a fraction of the cost. If you turn the clock back to pre computer-aided design, that would certainly not have been the case. That's really what I'm saying - Leica's performance today is a myth based on 50 year-old fact.

The advantage of the S-system is more in the size of the format than just the lenses.

Leica has made fast zooms, like the Leica 70-180mm f2.8 Vario-APO-Elmarit-R for about £5k and Leica 35-70mm Vario-Elmarit-R ASPH f/2.8 which you can find on ebay for £8k. Leica made a 1600mm f/5.6 that cost $2 million, so I don't doubt that they could use the same computers the Japanese use and pretty much design anything the Japanese do.

When you see the videos of the Leica lenses being made, or even the Canon superteles being made you realise where the money is going. But what Canon user is going to pay supertele money for a 50mm prime?
 
ernesto said:
that proves my point, people get too hung up on price - there is more to life than worrying about prices.

Not really - many people will lust after one but can't afford it. That's not being hung up on price.
 
Most of the discussion on this thread has seemed to centre round

A) it's expensive.

B) it's a Leica and everything that goes with that

For myself, while there's a snowball's chance in hell of my being able to afford an M9 Monochrom, I have been totally sold on the idea of a monochrome sensor camera for many years, to the point of considering hunting down one of the Kodak DCS-m bodies even though they're genuinely obsolete. I keep my eyes peeled at car boot fairs.

The technical discussion here

FruitFlakes said:

Gives a fair approximation of why. Whether or not the Leica implementation is fabulous may be slightly less important than the fact that *somone* has done it (though they're probably one of the few manufacturers for whom such a move could be justified).

Of course any monochrome only sensor camera is going to be a niche product and correspondingly more expensive than more conventional sensors, just to recoup the development and marketing costs. If you don't get it, then it isn't for you.

Kudos to Leica for having the balls to do it.
 
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I can imagine Ricoh doing a B/W version of their M-mount module for the GXR, they're just as ballsy as Leica when it comes to bringing niche products to market.
 
Not really - many people will lust after one but can't afford it. That's not being hung up on price.

yes really. Some will lust after it and those are the people who get it, while overs just wine on about the price and let it hinder any other thoughts.

Firstly - is it any good, what makes it such high quality, is the quality real or perceived, what are the benefits etc,.
Lastly - is it worth the money to you.
 
wouldn't know, I would never buy one as I think they are a rip off :)
 
Complete nonsense.



well lets see

its manual focus only
only a 2.5 inch 230k dot screen
maximum shutter of only of 1/4000
fps 2
no built in flash
very very very slow write speed to card
CCD sensor not as good as CMOS at higher ISO's
insane way of removing the SD card and battery
poor lens range
overall slow to switch on and power up after sleep
battery life not great
zooming into an image is slow


so as a camera (not looking at price) compared to the rest its of pretty poor specification.

The lack of AA filter will make for greater resolution but that is unlikely to show up when you have a print on the wall and are not looking at a 100% crop on the screen.

are leica lenses good - yes, you have no argument from me
are they worth the premium - no
 
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