But that's the whole point. In manual once you've got your settings you don't need to change anything unless the light changes. Last night I was shooting a band and I took 300 odd frames in manual and didn't touch the settings once. If I'd been shooting in P, Av, etc. then I would have been playing around with EC for each shot.
Here's a simple test to see how easily auto will get it wrong. Take 2 apples, a sheet of white card and a sheet of black. Put the sheets next to each other an put an apple in the middle of each. In auto take a shot of the apple on the white card and another of the apple on the black card. Result? The white shot in under exposed and the black one is over exposed. The background has fooled the meter.
Taking that example into the real world let's say you're shooting a bird in flight. As you start the sequence the bird is against the sky but as you continue the sequence you pan and the bird flies in front of some trees. The light on the bird has been constant throughout but the background has changed dramatically, just like the black and white card below the apple. If you had been using manual then you would have had the right settings for the bird and had correctly exposed shots no matter what was in the background.
Shooting manual isn't about being artsy or showing off, it's about understanding the limitations of the metering and avoiding all the head work needed to compensate for it.