Location Lighting with Joe McNally - London - July 23rd

BTW, anyone else bought Century Stands since yesterday? Yesterday was the tipping point for me and I ordered 2...

Whose did you get and from where? I've found basic Manfrotto and Interfit ones for £120-ish...
 
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There we are, best buds ;)

Hey, I'm in that shot :D! I'm the tall guy with the brown shirt, looking over the shoulder of the togger with the orange checked shirt.

I was in the aisle seat in the second row on the right hand side (as you face the stage). I think that most of you guys must have been over on the left side.

Anyway, I had a blast that day. I think that I was the only person there without a camera :shake:, but I had just paid for the ticket to be entertained and maybe get some inspiration - as it was, I got gallons of both!

Joe's a really, really polite and friendly guy (unexpected, given his background as a New York photo-journalist ;)) and above everything else, he really made me feel 'reassured' about the whole artificial light concept. The fact that he approaches every shoot with (usually) only a fairly vague idea of what he wants to achieve and then builds everything up a step at a time, with plenty of mistakes along the way, seems to me to reflect how most of us would go about doing this :shrug:. The fact that after 30+ years of being a leading light (;)) in the world of small flash photography, Joe still can't take one look at a subject and just magically produce an instant recipe for the perfect lighting out of his hat, makes me feel a lot better about trying to do more of this kind of photography myself. That was the biggest message for me, from the day :).

I also enjoyed seeing how it all worked with the models. As an amateur (and relative newcomer to photography), I've never seen the workings of a photographic studio, so it was all new to me. Having charisma (and status) like Joe's is obviously a huge advantage when addressing the models and I bet that Anna and Ali were secretly thrilled to have added some Joe McNally portraits to their respective portfolios :naughty:.

Also cool was that Joe wasn't to 'important' to stick around at the end and sign a few autographs (even though he was supposed to be helping the guys with packing up the gear, I suspect). Lucky really, as some people had actually brought along little presents for him and so they got a chance to meet him and hand them over personally. I had a quick chat with him too and got his autograph, so it really rounded off the perfect day for me :thumbs:.

I was second row directly in front of the stage (baseball hat and t-shirt with 'Task Force Helmand Media PIC, Lashkar Gah, Afghanistan' on it - I thought someone might have noticed...lol).
You may also have heard me after lunch telling the fat oriental kid who'd stolen someone else's seat that he was a T0$$er (and much else besides!)....

I was looking around for you Rob, but I'm afraid that I was probably seated in the wrong place and as I don't know what you look like ether, it was always going to be a bit tricky :lol:.

That whole seat-swapping thing was bound to happen I suppose. Different cultures have very different notions about things like queueing and personal space etc., but I'm glad that you spoke up, as we were in England after all and that is simply not 'the done thing' ;).

Hope that you enjoyed the rest of your time in London too (I did - had several good oub crawls :nuts:).
 
Calumet. Their own brand (Matthews copies) are £82 & the arm's £20.

http://www.calumetphoto.co.uk/item/MF7040/

Buy via Amazon and you get free P&P in the UK.

http://www.amazon.co.uk/gp/product/B000FUEYWU?ie=UTF8&redirect=true&ref_=oss_product

The one's being used in Islington were Matthews one's, they're £80 more though.

Cool...but not from B+H they're not:
http://www.bhphotovideo.com/c/product/320208-REG/Matthews_B756040_Hollywood_Century_C_Stand.html

I think I'll go for these...
 
91 quid to get those shipped to the UK from B+H. :(
 
Looks good, wish I went.

If I had gone, I would be looking to be challenged regarding my use of manual flash. I know that the Nikon sponsored McNally is a great advocate of their ttl infra red stuff, and appears to use it to great effect (his two books are cracking), but I always have used manual flash but with an open mind.

Did anybody else go there with a view to this sort of thing? Did he use the CLS to great effect on the course?
 
CLS != TTL :)
 
Yeah, I know.

%)

So, did he?

Yes, but he didn't over-sell it - he made mistakes and pushed it as far as he could, highlighting the limitations as well as the strengths of the system.
Nikon don't actually sponsor him - the shop where he pays for his kit does that and I reckon if Canon came up with an equally good system he'd jump ship in a second...but he's spent so much time and effort getting to know what can and can't be achieved that it'd take him the better part of a year to get up to speed with another system...

He used the iTTL modes as well as manual modes to great effect, showing where each mode was most effective.
Watching him actually struggle for 30 minutes trying to light one set-up (and only getting 80% of the way to a final image) was probably the best half hour I've spent photographically-speaking in my life...
 
I dont doubt his true motives, but I doubt he'd jump ship. He has produced Nikon branded videos before and his wife is marketing manager for Nikon USA (I believe). Good luck to him. I have seen several of his videos where he is stringing an su800 off two ttl cords just to try and get the signal around a bend or door. To me this seems awkward.

Highly inspirational photographer though.

Wish I'd been there, but my son was being born at the time.
 
To me this seems awkward.

It's not really that big of a pain. I've had an SB-900 on a TTL cable a few times before acting as the key light and CLS commander (10ft Lastolite iTTL cable) to be able to see around my subject and fire lights behind the subject that didn't have line of sight from where I was stood with my camera.

Not that big of a deal, you get used to it and don't even think about it.
 
I dont doubt his true motives, but I doubt he'd jump ship. He has produced Nikon branded videos before and his wife is marketing manager for Nikon USA (I believe). Good luck to him. I have seen several of his videos where he is stringing an su800 off two ttl cords just to try and get the signal around a bend or door. To me this seems awkward.

Highly inspirational photographer though.

Wish I'd been there, but my son was being born at the time.

Congratulations Kris :thumbs:!
 
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