T.5 and t.1 times are not bending the truth exactly, but I think it's true to say they are very misleading and most people read t.5 as the action-stopping potential time (as there is no other reason to quote it anyway) when it's actually nowhere near it with studio heads. The t.1 time is more like it, but nobody ever quotes that.
However, if you're used to hot-shoe guns with IGBT cutting off the tail sharply, the quoted flash durations at anything below full power are pretty much dead accurate. What you get is what you get, no more and no less in practical terms - that's the total flash exposure time, just like a shutter speed is.
Anyway, I persisted with my second-curtain sync theory mentioned in post #33 above, using an Elinchrom D-Lite studio head this time. The theory works! And you can get the shutter to trim the tail mechanically and get an effectively shorter flash duration, but I'm not sure it's very practical. Here's what I got.
Full shot, static fan, Canon 5D2
First curtain sync at 1/100sec
Second curtain sync 1/200sec. Note the darker line of the black tape, and there is also much less of protection wire visible behind the blade on the right.
While I think that's a useful benefit, note that I used 1/100sec for the first shot to emphasise the tail and bear in mind that you have to use a hack with an optical slave to get second curtain sync with studio flash (on a Canon at least) which is a bit of hassle, and the maximum benefit is at the bottom of the frame. This is at the top of the camera, where the shutter begins its travel downwards to cut off the tail.
It would be interesting to see what difference it would make with a fast-shutter camera like a Canon 1D-series, and with the second-curtain timing optimsed with the Pocket Wizard's variable delay. But I can't see it really catching on
