Lencarta Safari Li-on question.

What triggers are you using. Max sync is 1/250 unless you use high speed sync,which I believe the new pocket wizards can do?
 
You mean how can you sort it out without buying a Nikon?:)

Sorry, you can't - the max synch speed is limited by the design of the camera.
There are various workarounds, possibly the best is to fit say a 0.9 (3 stop) ND filter to your lens, which will have a dramatic effect on the contribution of the ambient light. This will often work because the Li-on has loads of power - far more than any others of similar theoretical power.

Another workaround is to use a high shutter speed on just the tail of the flash, in conjunction with a pocket wizard, but this loses a lot of power and produces uneven exposures.

Another workaround, which can work extremely well with some shots, is to increase the shutter speed, turn the camera upside down and have the bit covered up by the shutter curtain and therefore not lit darkening the sky - only works with horizontal shots, and only when there is a fair bit of sky...

And yet another, using the same principle, is to set a high shutter speed but zoom out, cropping out the parts of the shot where the flash has been blocked by the curtain.

Or buy a camera with a between lens shutter or a Nikon, many of which have a slightly higher sync speed
 
What triggers are you using. Max sync is 1/250 unless you use high speed sync,which I believe the new pocket wizards can do?

Nope - they can hyper sync. Different thing (with kind of the same effect). High speed sync involves a conversation between the camera and the flash and that severely limits why flashes it will work with (i.e. Canon hotshot flashes or something very very similar)

The new PWs might allow you a little extra speed by hyper syncing which as far as I understand it involves exploiting tolerances in the shutter mechanism and firing the flash fractionally early.

Or buy a camera with a between lens shutter or a Nikon, many of which have a slightly higher sync speed

Most Nikons sync at 1/250 :( A few (and I can only think of the D70 offhand) will sync up to 1/4,000. A Canon G9 (and several other compacts) can also sync at high speeds but you'd really want to use a cable instead of radio.
 
The D3 and D700 theoretically (I think) synch at 1/320 but will work comfortably at 1/400th with a cable
 
Tom, it's a limitation of your (and pretty much every modern) camera.

It all depends on what you're trying to do, and why you 'need' high speed sync really.

If you are trying to balance the sun (by keeping ambient exposure very short) then just use high power from your safari, it should just about be enough, 600ws usually is just for a single person. Bring it in closer and use a modifier that won't eat so much of the light. If you still need more light, use additional lights.

If you also want to match this with a shallow depth of field, then use an ND filter on your lens so you can stop back open

If you're concerned about having a fast enough shutter speed to be freezing motion, then I assume that the thing that's moving is what you'll be flashing anyway, and flash durations should be fast enough on the safari to freeze most things. High speed sync, ironically, would be worse because it pulses the light out over time.

High speed sync is a 'trick' mode that some speedlight systems have, which pulses light out over a longer time to expose the subject during the whole movement of the mechanical shutter, but it doesn't work with any big lights.

Another alternative is to use a medium format camera with a leaf shutter lens, which will allow you to go to a bit higher (can't remember off the top of my head - maybe 1/640th or 1/800th)

Mine doesn't.

I can *just* tease 1/320th out of mine with a cable. With pocketwizards, 1/250th.
 
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itsdavedotnet said:
Tom, it's a limitation of your (and pretty much every modern) camera.

It all depends on what you're trying to do, and why you 'need' high speed sync really.

If you are trying to balance the sun (by keeping ambient exposure very short) then just use high power from your safari, it should just about be enough, 600ws usually is just for a single person. Bring it in closer and use a modifier that won't eat so much of the light. If you still need more light, use additional lights.

If you also want to match this with a shallow depth of field, then use an ND filter on your lens so you can stop back open

If you're concerned about having a fast enough shutter speed to be freezing motion, then I assume that the thing that's moving is what you'll be flashing anyway, and flash durations should be fast enough on the safari to freeze most things. High speed sync, ironically, would be worse because it pulses the light out over time.

High speed sync is a 'trick' mode that some speedlight systems have, which pulses light out over a longer time to expose the subject during the whole movement of the mechanical shutter, but it doesn't work with any big lights.

Another alternative is to use a medium format camera with a leaf shutter lens, which will allow you to go to a bit higher (can't remember off the top of my head - maybe 1/640th or 1/800th)

I can *just* tease 1/320th out of mine with a cable. With pocketwizards, 1/250th.

With leaf shutter lenses it depends on the system. My RZ67 syncs up to the max shutter speed, 1/400. Blad H series is 1/xxxx something I think, can't be bothered to google (on my phone)
 
With leaf shutter lenses it depends on the system. My RZ67 syncs up to the max shutter speed, 1/400. Blad H series is 1/xxxx something I think, can't be bothered to google (on my phone)

yep, some phase backs are the limiting factor for some cameras too.

Using my mystic powers, I know that the medium format camera that the OP has access to is a Phase One P20+ on a standard mamiya afd-3 camera ;)

wikipedia says you get sync up to 1/1600th :) so there's an option Tom. At that kinda speeds though, you've got to watch your flash durations, even with profotos.
 
profoto air's a wee bit quicker.

just tested it. calumet atlas pocket wizard things and profoto air. both were fine at 1/250th,

Nikon D3, 1/320th

calumet atlas, speedlight:

A1Vbo.jpg


profoto air, profoto acuteb2 air

5Lfuk.png


so still some, but the profoto system does seem to be a bit faster. Wish they both worked together tbh, both companies are even owned by the same people! (MAC group) the air remote is a neat system but pocketwizard is... the standard. Neat plugins for light meters too.

edit: and yes, sensor cleaning time I think...
 
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Just out of interest, was that with the mode button pressed for a few secs to get it into fast mode?

OOOh, I didn't know about that. Meh, doesn't seem to have made enough of a difference to get 1/320th without any problems /cropping:

MFJGn.png
 
unless you buy these- http://www.lencarta.com/lighting-store/radio-triggers/radio-triggers/transceiver-set-for-nikon-dslr haven't done much research on these yet but they are just out!!!

Only problem is, he would need a Nikon camera too...
In reality, the problem is really only serious normally in the studio, when flash is the only substantive light source.

Used outdoors with ambient light, just turn the camera upside down so that the area covered by the second shutter curtain is at the top, this will darken the sky which not only doesn't normally matter, but which can also help.
Or turn the camera vertically, to put the unlit section on one side or the other.
 
You can use Pocket Wizard Flex and Mini and use Hypersync which does have an effect on power

http://www.pocketwizard.com/inspirations/technology/hypersync_fpsync/

You should be able to get something pretty decent as the Safari has a long flash duration
Yes, that would work.

The Safari Li-on flash duration is longer than some others, but I wouldn't describe it as long. t.5 times on the current model are from 1/2,100th to 1/2,700th second. This roughly approximates to the action-stopping potential of a shutter set to 1/700th to 1/900th second
 
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